Eino Keskitalo

Excellent stuff.. Wonderful vocal tone especially. And the lyrics! The sensitive subject material is treated with dignity and flair. Two thumbs up, up, up up..

Masterful mix. Unforced, even while so much is happening. High tempo electronica, but still calm. I like AeroZ's FF5 tracks more, but that don't mean this wasn't a great, beautiful track. This played itself on repeat in my head for a few times just now so I had to sit down and listen to it. --Eino

Despite the mentioned background-ness, and that I wouldn't mind if it had some "foreground" to it, I somehow enjoy this one as a stand-alone piece. Strings and synths combination is very tasty indeed. I also like how there seem to be different rhythms layered on top of another. I think those are why this works for me for focused listening. --Eino

Had to play this five times in a row. Can't say I usually like the genre, but this track is great and I can't resist a good track. The 7/8 part is tres cool. --Eino

The washing synths, great beats and basslines, lots of different exciting parts, this is a winner in my book. I can imagine how this improves over the original MOD. Totally unexpected and unique style from what I've yet heard on OCR. --Eino

Solid, fun, enjoyable track! And I've even played the game a little bit!

Excellent work.. impressive.

Excellent orchestral intro and a lovely transition to the electronics. The first snare sounds a bit out of place.. but I can't quite pinpoint what's "wrong" with it. It sounds a bit too "thick". Don't know if that helps. Otherwise, very enjoyable and effortless sounding. --Eino

I definitely enjoyed this. Thanks for sharing. --Eino

Quirky arrangement! It's well thought out, whole and complete. I like! Keep working on the production side of things - we'll all be rewarded with some good tracks I think! --Eino

Whoa... first off, the guitar/keyboards/whatisit?! in the choruses sound AMAZING. An incredible wall of sound. I like it. You make a good question about the bass. Having the bass stay in one place while the chords change is an effect I really like. But you don't have to do that all the time, you could do that for half a chorus, or do it in one of the choruses in the song.. experiement! About the bass as it is now, I think the fill sounds better as "A-E-F-G-A" than the "A-E-F#-G-A" you have now. I guess the bass is in major key and it should be in minor key. Or something, I know next to nothing about theory. --Eino

..pass me some more of that octotonic shit.. Ahh, what a fine, thick piece of madness. I definitely like. The main lead sound is thankfully not omnipresent, it's a bit tiring to listen to constantly, but there are breaks from it and anyway, what is played is some wicked stuff indeed. And I don't mean that it's bad in itself. Maybe a bit more guitar tone variation could have been there, but not a major complaint. I can see what the drum complaints are about.. I like most of it, but especially the first part below that big guitar solo it's both too simple and too loud. Some quick but fairly quiet hihat runs for instance would have been better than frequency-hogging constant cymbal bashing, in my opinion. The second part is actually a bit like what I'm talking about, but less subtle. I do kinda love that bashing cymbal sound, but at the same time it's one of the sounds that gives it a bit mechanical feel - it sounds the same all the time. Some (volume, ...) variation there could have been good. But hey, that's a lot of nitpicking since overall I thoroughly enjoy this arrangement, and also the sound! It's evil and thick and yet not overbearing. --Eino

Wonderfully rough and dirty.. Don't like that loud wah-wah guitar line, but otherwise it holds together well. Versatile sounds! I definitely enjoy the roughness of the guitars blended with the organs. Most of the time the "band" sounds sound more like a garage band than a home studio effort, which is good. --Eino

Heh, it's funny how the beginning could lead into Chrono Trigger's 600AD theme quite easily.. Anyway.. impressive, evocative! I'm totally unfamiliar with the original, yet I'm sure this one does it great justice. I'm not a big fan of piano arrangements, but this is a track that might just open that door for me and show me how to appreciate solo piano some more. --Eino

A well executed and refreshing take on a well-loved original. My favourite moment has to be 01:55-02:00 where it somehow feels that the theme is moving.. sideways. I like the long final chord too. --Eino

Very solid take on the Quick Man theme. The main lead could have used some more fire, and the unintelligblity of the vocal sample does bother me a bit, but the tightness of the rhythmical work makes up for all that. And those giant lasers! --Eino

Fun track, well done!

I like the sounds, and the general feel of this mix, but don't think the transitions in the middle are good enough.. I wish this segued better. The sound is amazing and works great with the source material. Very uniquely, in fact. I'll be keeping this, although I feel it's seriously flawed by that middle part. Or maybe it'll grow on me, we'll see! --Eino

Ahh, I love that bass. Slithery, bouncy, nicely distorted. Don't like those choppy solo strings. You can hear the volume drop out as if into vacuum when a new note starts playing with that too-long attack.. Gneh. Also, the static at the start doesn't really sound super-good to me, sounds kinda digital to me instead of warm vinyl popping. The broken compression has been mentioned, quite uggly ripples there.. Overall, a pretty good cinematique track. Doesn't manage to profoundly grab me, though. Love the bass, still. --Eino

Great, great track. Arguably a bit short. The instrumentation is like a beautiful wash of sound. I love that synth sax arpeggio/composite.. it sounds incredibly good. If you think that it doesn't sound "real", stop listening to it like it should be and listen to it for what it is. If there's an instrument that part emulates, it's a sampler. I could well imagine a saxophonist constructing that part live by looping him/herself. Don't think just playing that live straight-ahead would sound nearly as good. The sax leads later on sound good enough for me, although *there* there might be some room for a little improvement. Very soft, busy, underwater feel in this track. Me likey. --Eino

It's impressive how this piece incorporates a lot of sources, yet it's very coherent. The accordian is great, beautiful and very dramatic. Reminds me of Kimmo Pohjonen, although possibly because he's the only accordianist I know of. I love the static too, and the piano, and the live bass.. delicious. Only flaw in this mix is the choppy sampley violin. But that's minor. This track is major. (sorry, cheap pun) --Eino

Very, very, very good. Very good. Very, very, very, very, very good. To my ears the guitarist goes a bit over the edge with guitar bends a couple of times, case in point: 00:15, and then again at the beginning. These seriously jump out from such a streamlined, excellent and well-produced effort.. although no-one else has mentioned them, so it might just be me. I think the transitions are ok. "Sudden" works sometimes, maybe they could have been done better but it's fine as it is. --Eino

Strangely likeable, although it indeed sounds pretty dated.

Really good arrangement ideas, I definitely love those beats! Sounds are bad, the mix is thin and punchless, which is unfortunate. With proper production this arrangement might well kick some ass. --Eino

Intro and the middle part are indeed the best thing about this ReMix. However, after the middle part, it seems to me that the tetris riff has some extra momentum, it actually sounds much better than the first time around, although it hasn't really changed (except for that awful orch hit.. or is there actually some slight buffing of the synth riff sound?). So, the arrangement definitely has it's merits! Unfortunately, the samples are pretty awful and mar the track badly. --Eino