Bleck

thanks for all the stuff with the things

thanks for all the stuff with the things

I tried to keep this brief, but as you might know, that's not my forte.
FIRST, the facts...
On October 28th I informed staff that I was stepping down from my role as president/admin/owner/etc. of OverClocked ReMix, and on November 1st I also stepped down from the board of Game Music Initiative, the 501c3 non-profit organization that funds OCR. In short, I no longer feel I have the bandwidth to do these roles justice and to not only maintain, but advance, the missions of both projects. I will be working with Shariq Ansari (DarkeSword) to transition my responsibilities and ensure continuity of operations. The (excellent!) mix posted on Halloween was published without my direct involvement, subsequent posts up to the milestone #OCR04500 have been superbly executed, and I am confident that staff will continue the work necessary to operate - and evolve - OCR in my absence. I will be even less available than I have been, lately, so I apologize in advance for any lack of responsiveness.
THEN, the feels...
Where to even begin?
It's hard to encapsulate over two decades of history; omissions are inevitable. What began as a neat side project I started in my parents' basement in 1999 snowballed into something far beyond my wildest expectations, due to the blood, sweat, tears, and unbridled, rampant creativity that thousands of you have contributed. Much of this happened before social media was even a thing and before the platforms/services we now heavily associate with the modern internet had come into being; it was a frontier, and we were on it, and we took it pretty seriously because we knew how amazing VGM is, how creative arrangements could effectively convey and explore that vast musical landscape, and how a small fandom communicating via email, IRC, & forums could collaborate to build mighty, new things. We took it seriously, often too seriously, but we ALSO played more than a few rounds of Shaq-Fu at conventions, made some truly ridiculous (but always musical!) joke mixes, and developed internal circles of lore with our own memes & jargon.
NOT in strictly chronological order: there was some drama with now-legendary composer Jake Kaufman; VGMix entered the fray; we added a judges panel so it wasn't just me making stuff up; we released our first community album; the unmoderated forum birthed its own sort of... subculture; the site itself evolved to be database-driven and not just two giant dropdowns sorted by game/date; we posted mixes submitted by composers George "The Fat Man" Sanger and Jeremy Soule; we met/interviewed Hiroki Kikuta and Nobuo Uematsu; our album trailers by the incomparable José the Bronx Rican started blowing minds; we started appearing in person at Otakon, PAX, MAG, others - much love to all for having us; we bumped into Leeroy Jenkins at ROFLcon and gave him a hoodie; we started hosting from our own server and managing the technical side of things ourselves; thanks to Mr. Shael Riley (among others!), we got to remix the music for an actual Street Fighter game (!!); we released fifteen more albums...
...and then we turned ten, on December 11th of 2009.
Quite a first decade, and I missed hundreds of things I shouldn't have. Hundreds of firsts, some tragic lasts, and millions of memories that can't quite be conjured by words.
In 2011, we stood up for Fair Use at World’s Fair Use Day, an event organized by the non-profit Public Knowledge.
In 2012, we launched our kickstarter for Final Fantasy VI: Balance and Ruin, it was taken down, we talked with Square lawyers directly for a couple hours and made the non-profit project structure clear & contractual, and we relaunched a successful kickstarter. That's not always how those things go!
We launched Game Music Initiative in 2016, creating an official 501c3 charity to formalize the finances around OCR and potentially support other VGM-related projects, too. On a related note, I’ve absolutely loved seeing OC ReMixes featured by charity speedrunners Games Done Quick (GDQ) - it’s exactly the type of thing I always wanted to see, that synergy.
Things do start getting a little quieter from then on out, and I think there are a ton of reasons for that, but it has been an incredible and improbable journey that I wouldn't have missed for the world. Thank you ALL for making it possible; OCR was always yours, I aspired only to stewardship of something I wanted to exist for everyone.
FINALLY, the future…
It's time - some would say past time - for OverClocked ReMix itself to be ReMixed.
That's the point, right?
Infinite permutation; endless possibility.
You don't always know the day, month, or even year when your influence on something starts holding it back, or when the waning amount of time and energy you can dedicate becomes a liability. That type of certainty is often elusive; it can be a difficult diagnosis to even contemplate, and you need to look for & listen to signs. In addition to just being too much of a single point of failure for OCR (sorry, engineering mindset), the last year I've been asking myself whether it was time to let go, and I think the answer is sometimes in the asking. I have been stretched thin, like butter scraped over too much bread, and that's when you leave the Shire.
Beyond representing what I genuinely believe is best for the future of OCR, I absolutely confess a personal wish to redirect reclaimed time & energy to my family and my own music. Being a husband to my wife Anna and being a father to our daughters Esther and Sarah is my meaning; I have always put them first, but now I can put them even MORE first. Esther just started learning trombone, so in a few years, expect a collab! Sarah is building her confidence learning piano & makes me proud every day. I want to write new music for them, and with them, and that requires more time than I've had.
I believe the principles that have driven us - embracing all games & all styles of music, emphasizing interpretation & creativity, offering both curation and critique, and providing a non-commercial platform for those who seek it - are truly timeless, but there are many ways to honor them.
I look to the new leadership/staff to galvanize, streamline, diversify, and re-imagine, within that immense space.
I'll be leaving them with some ideas of my own; please let them know yours. I ask the community to support them, embrace change, provide guidance, and be patient; I believe it will be worth it!
Thanks,
- djpretzel
 

let's cock up the forums in celebration

I can't believe this became my favorite show with one (1) episode

It's been confirmed that Jim Cummings will reprise his role as Darkwing Duck when he pops up in the reboot.

ARMS is good

these placement matches sure are fun

me

the controls are fine

@timeline talk; people aren't bringing up
 

you're not talking about different things, you're just wrong

"I don't think that [one game] is worth the whole console" is a surprisingly common sentence in discussions about a video game console that will, in fact, have multiple video games
like have you people just been buying one game for one console and then putting it away forever

you're not talking about different things, you're just wrong

Personal GameBoy story time!
I had a GBA-SP (AGS-001, not the far superior 101 with the better screen) and it had a semi-permanent residence in my pants pocket. If I went somewhere and I suspected even a slight wait for any reason, the GBA-SP went with me.
One day, I was leaving an office and took the fire stairs (I think the elevator was too slow or it was only a few floors? I don't recall). I pulled the SP out of my pocket, opened it and turned it on, and then dropped it.
The stairs were fire-proof concrete, with big metal handrails that were mounted into the steps. Pretty sturdy stuff. And these stairs were the kind that had that little gap between each flight, so you could look down the middle and see all the way up to the top, and all the way down to the bottom.
My GBA decided that stair-surfing was the way to go, and it not only fell and slid down the first flight of stairs, but then bounced off the wall at the bottom, slid towards the next flight of stairs, tumbled down those steps, and then came to a rest only a few inches away from the gap on the next floor.
I rushed down, expecting to find it in at lest three pieces, screen ripped off or smashed or something. Nope. It was closed, had a little bit of scuffing on the bottom and one corner (I assume when it hit the wall) and was still on. The game was loaded and running.
I had that GBA-SP until about 2010, when I gave it to my nephew. He still has it, it still works, and will likely end up being some sort of family heirloom at this rate.
There is... but it requires time. Years and years of neglect. Poor storage. Leave the batteries in all the time, never removing or replacing them. Let them fester and leak, corroding the interior casing and circuit board. Keep it in the sun, let the case yellow and weaken. Keep it near a humid, hot radiator or vent.
But you have merely weakened it. It endures.
Bury it in the forest. Cover it in rocks and dirt, such that no light or air can reach it. Leave it there for a decade, and uncover it to realize that only now has the screen started to finally give way.
But it endures.
Fire will only anger it. Ice will only steel its resolve. Light and darkness will only slow it.
But it endures.
Only years of torture and abuse will harm it, and even then, it will only be weak, brittle. But it will still sit there... mocking your efforts. Time is not a weapon, it is merely a tool to slowly chip away at the rock that is the GameBoy.
Unless you fuck up installing a bivert screen. Then it's ruined.

I'm not sure that it's actually possible to break a Game Boy

I'm not sure that it's actually possible to break a Game Boy

you're not talking about different things, you're just wrong

I'm not sure that it's actually possible to break a Game Boy

bomberman

I think Nintendo made a big mistake on slotting Breath of the Wild for WiiU as well as Switch. There are definitely people (myself included!) that have a WiiU and would prefer to just wait on the Switch for more games to come out. But it's better for the Switch and Nintendo if people adopt it early, which fuels 3rd party developer interest, which fuels more games... etc. By releasing BotW for WiiU, some % of people will just get it for that, and wait on the Switch, when really that should have been the awesome new launch title.
The other thing is that Nintendo has not only been shooting themselves in the foot with the virtual console and new proposed online service, but blowing the entire leg off. Plenty of commentators have said this but it bears repeating: Nintendo has one of the greatest game catalogs of any developer/publisher. Just look at all the hype for the NES classic. Now imagine if they said hey, for $10/mo you get access to all VC NES and SNES games, Netflix style. For $15/mo, you get N64 too. They would be printing money. I'd sign up for it without a second thought. To see them propose $10/mo for online play and a single game is ludicrous. 

"I don't think that [one game] is worth the whole console" is a surprisingly common sentence in discussions about a video game console that will, in fact, have multiple video games
like have you people just been buying one game for one console and then putting it away forever

"I don't think that [one game] is worth the whole console" is a surprisingly common sentence in discussions about a video game console that will, in fact, have multiple video games
like have you people just been buying one game for one console and then putting it away forever

Bleck lives in a small town where he needs to take the bus for an hour and a half to get to work, and knows that anyone with a longer commute than that is likely doing it to a job that pays well enough where you could just buck up and buy the extra chargers 

I'm gonna get it because one really great looking game on launch is literally all you could possibly expect without being a whiny pissbaby