Gario

Gotcha. Alright, thanks!

Haahahaha... Oh shit, I totally didn't catch that. By the way, quick question - if someone were to collaborate with someone else outside of the competition, would that be alright? Not that I ever have or anything, but I always like to know my options when mixing.

Bumpity bump bump. Looks like the newest episode has really pushed a few buttons, here. It's generating roughly 4-5 times more response than their average episode. It's also something worth talking about here. Any thoughts on the 'Harassment' episode of EC?

Dat triangle. Gotta love the triangle wave love. Also, this is where that track you did with Cyril went. That was always a pretty awesome track - glad I got to hear it pop up again. Not a bad album.

Urgh, your sense of timing is impeccable. I'm out of the house tonight, so I can't participate this time around.

Normally, I don't take a slice at my track until the last day. The waiting butters up my anticipation. When I finish I sizzle my track against the grill of my opponent. I don't know what to say; I tend to cook when the odds are stacked against me.

Remove the nameplate from the sigs and they'll spread like wildfire. Not the participant Wildfire, but like the... fire, wildfire.

Ugh! That's a horrible thing to say to him, and you should be ashamed. ... He's a pancake, you should know better.

Which is ironic seeing that you've produced quite a lot of great tracks recently. Wonder what your ten year re-emergence OCR posting will be.

I liked the arrangement on this one quite a bit, here. Personally, I really liked how it never really loses the more mellow atmosphere throughout (unlike the source and most remixes, which explode with energy after a short time). Even at the climax, even though it's bigger, it doesn't open up to a high energy atmosphere, and I thought that was neat. One common note that only affects a small portion of your strings (the parts that hold the faster melodic portions): there's too much swell for each of the attacks. If there's a way to automate the attack so the strings don't swell into each attack that would help the realism of the strings greatly. For the slow string portions it's not a problem. The drums were a little on the weak side. That could be solved with a simple increase in volume, though - just be careful not to mess up any production in the process, if you do try to fix it. I liked this otherwise, though. Nice work.

Haha, oh damn. I guess there's still a piece of me in that ol' compo, after all. I got rid of that mistake, though - TIME TO GO ALL SUPER SONIC ON THIS COMPO'S ASS!!

Move over, WCRG! That was SO two compos ago!

That would be the most chiptunetastically awesome ending ever.

I thought that was pretty much the perfect balance of BT difficulty and variety, myself. It's not NEARLY as balls-crushingly difficult as the NES iteration, yet it still manages to capture the variety style gameplay. I could actually beat the SNES version legit, but I can't even come CLOSE to doing so on the NES version. Fuck, I can't even beat the NES version with save states (that Whirlbird deathtrap level... cheating gets you nowhere on that one).

The control is atrocious, though. At least Silver Surfer had tight control; I just can't get the feel for Amagon, at all. It also has the MOST INFURIATING death song, I shit you not. Not to mention the . Holy fuck, never EVER use Slow-mo when the pause button has an SFX. (Oh man, my family owned this... it has scarred me for life).

Love your stuff, still. Just sayin', is all.

Careful, he's damn aggressive when he's competing against you!

Amagon. If you've ever played it, then you know. It's pretty fucking evil.

... what? You can't have a thread about so-bad-it's-popular videos without this one. You just can't do it.

That's kind of the point of a stress test, isn't it?

Aaahahaha... Well y'know, source whoring isn't for everybody

Hmm... I'm not sure if the theme is working all that well with the harmonies that you set it against. It's a shame, since I really like the source. Listen to the source again and try making the harmonies work more like they do in the source and it'll help a lot.

"To make your music easier to share, please upload your music to a location where it can easily be streamed, such as YouTube or OC ReMix." I don't think they know how hosted music works on here. Also, is that the promotion that they're looking to include music from this competition for? If so, are we supposed to submit tracks to it, or are they going to take tracks at their leisure, or...? That whole bit is still a little on the vague side of things.

That's a n arrangement of 'Vampire Killer' (an awesome one, might I add, but an arrangement, nonetheless), so however people would remix this song would be very similar to however they'd arrange the original, considering they would likely reinterpret everything about it. Go look up the remixes already done on this site (and there are a lot of them) and you'll get an idea what a remix of this track would be like.

Oh God, may I not get my #5 pick.