This track came up on NGI 125 and reminded me of the debates I had with GrayLightning during the lockdown. OA's review basically echoes the sentiment we had about this arrangement, and honestly I'm not sure how it survived the purge.
That said, OCR is certainly not any worse off for having this in its in catalog. The fact that it almost didn't make it actually kind of makes me appreciate that it did. There's little, if any, else like it.