nitrozsz
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Posts posted by nitrozsz
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This is so pretty. Very brave of you to combine the track from a game that is still ridiculously popular with a track from a game that isn’t as well known in comparison. The piano and violin work is incredible. I also have to say that it sounded a little cluttered at around the 3 minute mark, but I am still amazed by how wonderful this sounds.
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Yeah the piano needed to be louder than the drums for this one, as good as the drums sounded. Volume balancing is the only major gripe I had with this track. If the volume was balanced better, then this would be a flawless track. As it stands though, it’s still a pretty decent track.
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I knew this was gonna be dubstep before I read it in the description. I just heard it in the intro. Surprisingly, this wasn’t as “in my face” as dubstep usually is. The wubwub was definitely too thin, as timaeus222 pointed out. The kick-bass was more in my face than the actual wubwub was. Whether I like it or not, dubstep is supposed to make me a little intimidated at the thought of blasting the volume as high as it can.
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Man this track is bleeding 80s all over the place. And I love it. The solo from 2:22 to 2:45 was wonderful. It’s so lively and energetic. And I feel like I have a lot of 80s vibes to wash off me after listening to this.
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Well, “warped” might be the best way to describe this track. I could also describe this as “swimming in acid.” Not the acid that burns you in horrifying ways, but the acid that messes with your mind. It is so trippy, the glitching is excellent, and it contains references to Reboot. Thumbs up from me.
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“Blowing Bubbles in Space.” That totally sounds like something Kirby would do. Space logic be damned. There wasn’t that much to keep me invested in the track, as I would space out while trying to focus on listening to this track. It’s simple and nice, but not compelling enough for me.
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Excellent rock track. Actually made me think of Noriyuki Iwadare before I realized he was listed as one of the composers. I think what I would want to say, has already been said a lot from the previous reviewers. So definitely download this track if you like rock, or Ys music. One of the most faithful interpretations of an Ys remix you’ll hear on this site.
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The way this track is arranged almost makes me think of Donkey Kong Country, rather than Mega Man. Abstract would definitely be one way to describe it, as there’s a lot going on. But it’s organized so well, that being abstract actually works. Sometimes it’s kind of hard to invest in the melody, but then there are times where the melody sounds flawless. The end result; this is definitely worth checking out.
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What an adrenaline rush. The drums (both electronic and ethnic) add a distinctive sound to this mix that makes it stand out from a lot of other Mega Man remixes. Very energetic, and intense. The glitching at 3:07 was a bit overkill, but it’s so instantaneous, I can look passed it.
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The piano work here is excellent, and I also love how the acoustic guitars were introduced to the track at the 1:08 mark. The choir work here is excellent as well. It’s as if this track gets better and better the more you listen to it.
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This is one of the most compelling orchestrated tracks I’ve heard here. It’s so dreamlike, and whimsical. It’s part Super Mario RPG, part Super Mario Galaxy, and all brilliance. I especially love how the guitar blends with the orchestrated work here.
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I love this chiptune funk arrangement of the Light Plane theme. This genre definitely does the theme justice. It may seem like there’s not a lot going on with this track (in terms of synth instruments used), but that kind of simplicity is what makes this arrangement excel.
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Fast paced, intense, very much appropriate for an exciting boss battle. There are a few times that it seemed like the percussion sounded low quality, and that struck me as kind of odd. I loved the percussion work, and I wanted all of it to pulse my ears. The way this was produced really does sound like it could be a regular boss battle, so I can forgive how repetitive it can get, because you’d be too busy trying to kill the boss to notice how many times you’ve heard this track.
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Oh my God is this track beautiful. This sounds like the ending theme to a long, grand, epic adventure. Was this actually recorded live? Cause in this track, I get a sense of realism in the production of something that sounds orchestrated. If this was wall programmed, you definitely went WAY above and beyond producing something that sounds orchestrated. Flawless in every way. Anybody who loves orchestrated mixes, or is thinking about doing an orchestrated mix needs to download this track.
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Oh that intro….what an excellent job hyping up the track. This is a very nice, mellow electronic jam. Everything just sounds so hypnotic, and mesmerizing. It’s a beautiful track to mellow our and relax to, AND a nice dance track that’s neither too slow or too fast. Perfect for just about any occasion if you’re into this genre.
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This is such a fun, energetic, and bouncy track. The organ work here is flawless, and for something that’s inspired by a track with volcano in its name, I am amazed at how “summer resort” it sounds. And I say that as a compliment
Just for the record.
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Yay, an orchestrated mix where enough balancing is done to make the orchestra sound realistic. This is a wonderful mix. Everything works so well, and the story being told through the music is very compelling. I just wish this track wasn’t short. It’s a decent length, I just would have loved to have more of this.
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I was worried during the first minute and a half that this would be more of a performance of the track than an arrangement of the track. Then the guitar kicked in, and I started to hear a sense of differentiating identity within this track. The percussion work here is outstanding. Everything else is good, but man does the percussion work stand out in a great way.
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I only have one gripe. And that is that the beatboxing almost made me wish that this track included freestyle raps from each of the bears. But I think that’s more wishful thinking than anything else on my part. But I digress, this track is amazing. Everything sounds so catchy, energetic and fun. And the beatboxing is so incredible. From beginning to end, this track is simply incredible.
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Never has the Final Fantasy Prelude sounded so great. I would think that it’s tough to stretch the Final Fantasy prelude out by six freaking minutes. But this track manages to pull it off miraculously. If you want a more detailed insight on what I thought, just read Marmiduke’s review as I second everything stated from it.
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This is kind of an odd remix for me. The vocalized chorus don’t seem to blend with the beats, almost making them sound out of sync to me. The bass and percussion work is great, and some of the synth work here is pretty good too. Not all, but some. Production wise, it’s decent. But for my ears, I don’t see myself listening to this more than once. Although Rexy does have an interesting point on this track being good for Audiosurf.
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I feel like I’m listening to the audio of a short story about the dragons and the machines plotting their grand schemes for the world. Almost like it goes back and forth between the dragons perspective, and the machines perspective. You have to be in the right frame of mind to fully appreciate this track. But it’s so worth the time as everything about this track works so well. It’s so mysterious, creepy, dark, and even a bit beautiful.
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The original battle theme for Dracula is one of my all time favorite SNES tracks. So I had high expectations going into this track already. And man does this deliver. The original track was more ominous than anything else. This track retains that ominous feeling, but adds that “cinematic confrontation” vibe which not only creates more tension when thinking about Dracula, but creates a wonderful sense of drama that you’d expect in a final battle. Rarely do final battle themes sound as climactic as they do in this track, and I love it so much.
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As already stated, the roughness of this track is truly remarkable. But the track itself doesn’t really do anything for me. Maybe it’s the original source material, or the arrangement? I’m not sure, but it’s kind of hard to rock out to this, as the truly head bopping part starts near the end of the track, while the rest of the track seems more lounge rock. But even then I’m left waiting there, wondering when it’s time to rock. It’s decent though. Not great, but not terrible either.
OCR02688 - Final Fantasy VI "13th Floor Demonstration"
in ReMix Reviews & Comments
Posted
This is a pretty intense Magic House. I’d steer clear from it if it’s this intense. But I digress. This is a pretty incredible arrangement. The beats are amazing, and despite the edgy and intense background synths, the main melody still manages to sound whimsical. It’s very mad scientist-esq.