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iirc the medlies in there are not the same medlies used in concert at VGL. they have parts missing from them, not instrument parts just segments of pieces. they're cool though, take this post with a grain of salt please.

fortunately that's not how the compo works...all it means is a challenge is a song to be remixed, the remixers will be recieving a source to arrange at random....that's all.

he still owes me a competition prize from 2005 i doubt you'd even get $20. don't hold your breath.

oh my god the world just ended. also put me up for doing this for sure now.

i'm a maybe at this point, not sure yet.

happy birthday

this is hot stuff, i approve highly. nice work gentlemen.

QFE, must be a lie though. happy birthday

what you mean to say in march or april you'll have BM3. also, allowing pop-ups worked...had no idea that it was a pop-up to new window link

forums don't work, no wonder you have no entries. that's at least just trying to get to the forums, by clicking on the forum button on any page.

who all has signed that guitar?

ok that's the phrygian cadence, thank you. and heck i like the sound of the augemented sixth chords thank you very much. they have plenty of application, they work like a subdominant pretty much.

any kuja part in FFIX when he's talking to himself...they all feel poetic, beautiful and just insane.

i actually used a german 6th in a remix to be posted...not that it matters, just thought i'd mention it. also i've been trying to remember what a phrygian cadence is, anyone help me?

i was good enough to do that, however; i did not want to spend the money to metagame as was required to be in pro tour and the grand prix. it's rediculous the amount of metagaming required to remain a constant winner in MTG. the metagame literally changes every week because of articles online from weekly tournaments and etc. decklists will get posted and there become copy-cat decks everywhere...and then someone tries to make the answer to those winning decks. it's a vicious cycle that won't end. that's just the constructed side of MTG, there's always the limited end (drafts and sealed). unless you're playing with very experienced players already, don't expect to do well.

i love what po! just said, that's exactly right. people misunderstand that when they call them "rules" really it's just within the context of the classroom...within the context of doing your homework the way your teacher wants you to. it's music...it's an art. anything goes.

Quote George Broussard, "I'd like to thank the people on the team that worked so hard to create this teaser and the friends of 3DR that helped create it (Jeremy Soule and Julian Soule, Frank Bry, Jason Evigan and of course, Jon St. John)." trenthian was involved what?

I (ii/IV) vii* I I vii* I or to simplify anything - vii*- I the above could be half diminished 7th chords diatonically. or you could do something jazzier and go ii*7(fully diminished)-I ^more retrogression feel though.

http://www.oneupstudios.com/ous_003.php i recommend this highly, the cd is out of print; however you can still purchase it digitally.

WOW QFE Happy birthday David

i'm trained, though i'm not as much a soloist as i am a choir vocalist. baritone.

I just sent in my wav to kyle, that's one less to be completed.

generally depending on the size of the project. though i will say this is true for most productions.

i learned how to sync the same as analoq here and agree that you can do it that way. thought the results may not be as good as seeing actual footage, you can still get the job done. heck i wrote a bid for a large candy commercial (read snickers) a few months ago, and i didn't see a cut or a cue sheet. i was only given a small description of what was happening in the commercial and a "should sound like this/shouldn't sound like this list" (in genres). i think really this all comes down to the kind of director you have. an ass or a considerate one.

that's exactly how i take that...it happens every once in a while. i was a cal-i CS player at one point.