Those of you with a little time on their hands, let's play a "game" that'll help us all get better at mixing.
So I recorded today a song called "Waiting" originally by Hoobastank (those not familiar with it, this is you can listen here), with live drums (played by moi) and mic'd guitar amp. I thought it'd be fun to share the individual tracks with everyone here so we can each have a go at mixing them and help eachother get the best sound possible.
here's the link to the tracks:
http://www.mediafire.com/?ghx3vpxsky9mclt
they are all mono CBR 320kbps mp3s, except for the Overheads and BGV's which are stereo. Since there're a lot of them, I decided to just encode them into high quality mp3s.
To those curious about the recording methods:
The drums were recorded with 4 mics, which is all my Fast Track Ultra can handle, pictured below. the Overheads are M-Audio Pulsar II's in ORTF configuration, the bass drum mic is a CAD KBM412 placed inside it angled toward the edge of the drum, and the snare drum mic is an SM57. Obviously, because the drums were played by me and I suck, some tempo correction was needed, I used SONAR's AudioSnap for that. I also just played along with the original song, so syncing it to grid was impossible. Other than that, like all other tracks no other processing was applied.
The guitars were mic'd like pictured, the SM57 1" from the grille off-axis and a AKG C214 about 1' away aimed at the cab logo. In addition to that, the DI signal is included for each of the guitars. No fine tuning was made to the guitars' tone, this was really just for fun.
Bass was recorded direct and vocals were recorded with the AKG and the SM57 on some of the parts.
and here's my mix:
http://tindeck.com/listen/znps
it's using Waves Gold and CLA Artist bundles, I was particularly amazed with the CLA plugs, especially the Bass one, I got the sound I wanted just by inserting it, no knobs moved. Most of them require aditional processing though.
I als created a fake room mic by cloning the OH tracks, summing them to mono, squashing them and adding some reverb
EDIT: a different version, this time, using Slate Trigger demo on the kick and snare tracks.
http://tindeck.com/listen/xedu
Any questions about my mix or the recording methods, just ask