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Did a quick mix from the source selected by Colorado Streets. Perhaps anyone else can do a remix as well. Bundeslang - The Afternoon Song (Kingdom Hearts 3).mp3

When you’re right, you’re right! (Fixed!)

This is a really good remix of an underrated track. Earth Kid's maniacal voice acting fits the track like a glove and apparently is taken from the game. The metal arrangement is tasteful and fits a sorceress perfectly. Good job over all and a highlight of January 2024.

@Hemophiliac consider us even for "Steeling Hearts" ? but in all seriousness, i loved "You're Not From This Town!"

If you're only using the headphones in your studio, buy the most comfortable pair and hit it with Sonarworks for the most ideal headphone response possible. If you plan to use the headphones elsewhere, obviously Sonarworks can't follow you around, I'd say the best out of what you provided is the K-702 just based on the chart. However, based on testimonial of friends, ubiquity, and an even better chart, I'd say you should probably go with the Sennheiser HD 280. This is the 280 i pulled off of google: I have used the DT 880 for a long time, but to be perfectly honest, it's just as bad as the frequency response graph tells; it has incredibly shrill spikes in the treble range. It's honestly an eye-opener when you switch between a flat response and the DT880's (which I have, I use DT 880's + Sonarworks) just how bad the DT 880's actually sound. When compared A/B in that fashion, it honestly does sound like the audio is coming out of a phone speaker when you hear the DT 880's natural sound. Of course, it doesn't matter too much at the end of the day. Headphone responses are easy to get used to and compensate for because they have very broad features (unlike a bad room, where you can get a random 9 dB spike at 130 Hz and nowhere else due to room geometry). What really matters is that most of the frequency range is represented adequately, and that they're comfortable to wear. Every other consideration can be appeased by practice and experience. You're never going to get truly good bass response on headphones (unless you have Nuraphones) and you're never going to get good stereo imaging without putting any crosstalk simulation on your master chain. Unlike studio monitors, there's a pretty low ceiling to how good headphones can sound, and if you're in the $100-150 range, any of the popular ones will do once you get some experience on them.