Lunahorum   Members

yes random does not equal human. For a starter's solution in 4/4 time, use this guide. Bold = loudest underline = louder : 1 and 2 and 3 and 4 and certainly not set in stone

I guess you should go pick up Waves Mercury. http://www.waves.com/Content.aspx?id=1685

what exactly are you looking for?

is it restricted to gymnastics? I ask not that I care about what workout I do, but that I don't have any of the equipment: rings, hoops, bars, etc.

is there an encoder you can type 6mb into and it will do it?

this doesn't work for play/stop transport controls

I was trying to get a rise out of you. I was being a dick, and I apologize.

Drack misinterprets what you say. You criticize him for "jumping to the conclusion that [you] [don't] know what [you're] talking about" Drack then politely acknowledges that he misinterpreted you. You then say this: "Ah but for that misinterpretation to be reasonable [he] would have to have not read, not understood or just plain ignored the part where [you] referred to a 200/300 pair as representing a perfect fifth. Does the excuse have an excuse" -- I don't know why you are in such a bad mood. I've seen much better from you. There's no reason to behave this way toward other people.

oh like that... usually in tune means the strings open pitch is in tune and intonation refers the how in tune the fretted notes are. ok thanks

"XL strings are wound with nickel-plated steel, known for it's distinctive bright tone and excellent intonation." For what reason is the intonation good??? Thanks

try fl studio demo. Try playing a musical instrument such as guitar or keyboard.

ok I'll check back every couple of days then

I just realized there was a competitions forum on this site. Hmm this due date is too early for me to work on anything this time around. When is the next competition scheduled for?

now that's a commercial!!!

Anyone want to play some ninjam? It is fun let's do it people!?

Frequencies do not rise linearly with pitch. 200 and 300 is not an octave distance. An octave would be say 200 and 400 (200x2)

sort of like explaining the difference between multiplication and addition by using 2 and 2 as an example. There's bound to be some confusion.

That's that's what I am coming up with too. It sounds like a reasonable explanation.

Hmm I cannot hear it. I can hear it with distortion. It is there, but it is just so weak I can't hear it I guess. I even boosted by 36 dB where the frequency should be appearing but still nothing. I don't know anything really about it so don't let me mislead you, but I think it is because when the 300hz and 200hz combined complex wave is split apart, it splits into 300hz and 200hz even though there is a 100hz difference wave there so an equalizer boosting at 100hz is not boosting anything because there is no frequency at 100hz there. I could almost guarantee this is the wrong way of thinking about it though. I need some help. But catch this, and hear (hah...) is where it gets interesting. If I apply distortion on the 300 and 200 seperately then mix the two channels, there is no 100hz showing up on the frequency spectrum even though there is a light 100hz there (barely audible). Again, boosting at 100hz does nothing. Just messing around, I played a minor 3rd instead of a 5th. Then I loaded up the distortion after the two channels were mixed. I was getting all sorts of information all across the spectrum and the sound was like poop. Then I put the distortion on each channel individually then mixed them together. No longer all sorts of frequencies showing up on the spectrum and it sounded better too. This is probably the reason that playing 3rds on a distorted guitar sounds like crap, but when playing each note of the 3rd seperately sounds awesome.

edit: analoq is right. It's a textbook physics example. It's like tuning a guitar, when the two pitches are almost the same, say 440hz vs 441hz, you clearly hear another 1hz clicking sort of sound. Yes analoq I got that thanks. I am just wondering why the "undertone" (is that the right word?) isn't showing unless I add distortion. Maybe it is audible, but will not show up on the FFT Spectrum without distortion. Let me check again listening carefully without distortion. It isn't showing on the spectrum, but I should be able to hear this "undertone". I'll get back to you

How do I link a midi button to the measure forward/ measure backward/ play/ record buttons in FL studio? I am tired of using my mouse and want to have transport controls on deck.

I was messing around with sine waves with distortion and a spectrum viewer playing the notes C and G. With no distortion, the notes C and G played together (5th) would just be C and G still. With distortion however, a C an octave below the C appeared on the spectrum viewer. I then raised the C to a D and played D and G (4th). This time with distortion, a G both one octaves and two octaves below the G being played appeared. I never knew distortion could add frequencies below what was being played. Well that explains why a 1 4 powerchord on the guitar (e.g. D G) sounds lower than the notes being played. Oh it also doesn't seem to work as well when the higher note has more amplitude than the lower note.

Don't worry about it. The guy above sighing at your question said this not too long ago -

Someone just picked it up local for $250 - sorry DJSBX. Thread can be closed. Sad to see my big baby go, but I won't have room for it.

I think the shipping was $20 when I originally got it. It doesn't make any sense at all. Can anyone help us / recommend a good shipper?