anterroir

I'm dying to know what the others are up to. *crosses fingers* sooo much win

well .... yeah .... Hamburg isn't that far away if a judge is sending me out on that mission

okay - I'm in

Soundtoys has another free give away - https://www.soundtoys.com/sxsw2014/&rc=272-0854-711 -> Little PrimalTap plug-in FREE

Pizza TIME - "Going Up" is one of my all time favourites - 5 bloody channels of pure awesomeness

Awesome - Star Fox Orchestra Hits here I come

I still love this snare sooooooo much

But Imagine that on a love song ! hahahaha

lol - my accent can't be helped @timaeus222: you're welcome -I just want to work on the file a bit more this week

it depends where your material is played. In the good old days every medium had a separate master. So if you're targeting the Iphone/Headphone/Youtube crowd - well .... most don't even hear a difference between a 128/320 mp3 so .... . For radio, club and everyone else out there try to be reasonable and aim for a decent mono downmix (we haven't even touched vinyl yet). It doesn't need to shine - but when your hats are gone and the bass is missing there's definitely something wrong +1 -> most big clubs drive there music systems mono because of the venue size

Nice Just some minor nags - the leads could be more in the mix - sound a bit too on top - but no loudness issue ! - the snare sounds could use more Batman - those shaker like sounds coming at 1:00 fight with the rest as they "tickle" from right to left with delay and steal the mid spot of the song (at least on my end here I'm always fixating on them when they come in) - that break section from 1:35 to 1:38 is still rattling - the connection is missing something - bass harmonizing at 1:49 to 1:51 ??? seems somehow wrong - 2:39 break fart could use some eq when sweeping up - and give em drums some small ambience space to work in they need more "overall fluff"

I wouldn't blame that one on fruity yet as you still haven't answered if you had play reinstalled - the qtcore4.dll belongs to the Qt framework - basically the tool chain used for programming the play engine That the standalone version is running fine is saying NOTHING about the Vst plugin behavior. Have you tried loading it another daw - like reaper for testing purposes ? Does the error show up there too ?

Or you can just create a junction link and point the "old" plugin folder your new one so you don't have to install twice. -> if you don't want to fuzz with the command prompt -> http://www.rekenwonder.com/linkmagic.htm http://en.wikipedia.org/wiki/Symbolic_link

I see no fault here for Asio4all | That's the way the Asio protocol is designed "ASIO bypasses the normal audio path from a user application through layers of intermediary Windows operating system software so that an application connects directly to the sound card hardware. and therefore those channels are locked exclusively to the application | so it's doing the job it was designed for perfectly. I don't know if Fruity has that option but in Cubase you can tell the driver to release the lock in the background so Windows sounds do get through

If it works fine with Asio4All and the latency is acceptable for there's no use to switch.

Compared to the rest the strings got too much verb - and wrong sounding - they don't even sit in the back with that one - they just sound artifical verby. And as the whole track has more of small intimate jazz club feeling I would use a smaller room and just eq the highs out to get them more muffled and into the back ....

Please don't take my words as an offence it was more meant as a "shake up", as you have to be aware for yourself what you really want. Cater something for a broad audience without the "special" you portion or develope your music into a direction you can live with and no part of you is ashamed about it ... as for the fan base - you - yourself has to be "real" (nothing put on) - it's of no use trying to wear a hat that doesn't fit.

Well then - stop doing it ! Either you're doing it with heart and passion in your very own style or you're playing the corporate whore that does what everyone wants without any thought of your own feelings about it. It's that simple. Personally - I'm doing the first - of course you have to grow and get your stuff together -> it's no excuse for a bad mix or bad writing, but besides that I'm giving a fuck about what others want - it's MY music -> the expression of MYSELF *so get of the guetta train and grow some b****

Mad Monster Mansion - Final Master is in the mail

Thanks everyone for the nice comments

also the IIEQPro and LP10 from ddmf do a very good job - http://ddmf.eu/product.php?id=0

I also like the "sucking in" approach a lot. You Render your lead track as a wav. Reverse that one and apply a big lush reverb to it with least 80 to 90 % wet (depends on the reverb type, I like the CSR Hall or the LX480 with the "send them to church" preset). After that you add a compressor to smooth out the reverb tail. The whole thing is rendered as a wav again and then you mix it with your original lead, adjust frequencies, etc. If it smears too much add another compressor with sidechain input to duck it when the original lead plays or simply cut the wav up. It's also very nice for intros and bridges when you do that with the whole mix.

a tune for the one armed, one legged, one eyed, bird loving 8bit proghead who ain't afraid of ..... -> http://snd.sc/KJ5z0e comments welcome

the bad: Getting more than 8 bars done without simply stretching and thinning them out arrangement wise - a really bad habit and eating the bread of idleness when it comes to polishing the final product - the certainty it will rock when pushed to eleven - the resentment you didn't overcome the good: turning a bad mix into an joyful experience Misses K helping me to getting that polish thing done