Tears of the Moon
A Majora's Mask Musical
Extended Concept Album
This is an extended concept album, intended to take the music from The Legend of Zelda: Majora's Mask and remix it into a musical-like format. This project is similar to "Nightmare Revisited," an album done by multiple artists, with different styles, based on the music from The Nightmare Before Christmas. The thing that ties all these songs together is the story from Majora's Mask translated into lyrics. The other great inspirations for our vision with this album are the rock operas “Broken Bride” by Ludo and “Jeff Wayne’s Musical Version of War of The Worlds,” so please familiarize yourselves with a fair amount of these albums so you may understand just exactly what we’re trying to accomplish here (by “musical,” we don’t just want to slap lyrics on a few Zelda tunes, we want to make a grandiose and passionately moving vocal tribute with incredible vocal work throughout).
This first post is recruiting information and an overview of the project vision.
See SECOND POST for the Project track list (and current status of tracks) and Character Roles.
Since this is such a huge project, We've decided that we will combine many themes and significant plot points into medleys (rather than remixing individual source tunes for a 50+ track album). It's been pointed out by many gamers, critics, and reviewers alike that the different areas in Majora’s Mask represent the different stages of grief, so we would like to keep that theme alive within this project as the latter end tracks portray overcoming grief; Clock Town = Denial, Southern Swamp = Anger, Snow Head = Bargaining, Great Bay = Depression, Ikana Canyon = Acceptance.
The combining of themes is a way for us to address the major plot points of MM while hitting the most critical themes and songs. Therefore, we have a rough guideline of blueprints prepared for each of the medleys and we (The Director and Co-Directors) are willing to assist each arranger to insure that we're all on the same page.
However, we STRONGLY want to assert creative freedom with each arrangement; in no way, shape, or form are we going to inhibit the creative output of anybody, we just want to insure that all tracks are fit with the Theme. Likewise, if any prospective arrangers have a strong desire to arrange one specific source outside of the medley blueprints, we will gladly welcome that on a case-by-case scenario as long as said arrangement manages to capture the sensations of dealing with and overcoming grief (the overall feeling of Majora's Mask).
Section I - Project Team & Contributors
Section II - Project Theme & Structure
Section III - Blueprint Guidelines
Section IV - Character Parts
Section I - Project Team & Contributors
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Leadership
Lead Project Director - Dan Wanezek (MangaMan)
Co-Directors - JLawrence Kenny (Orangedragan) ; Jordan Etienne (Damashii!!)
Remixers/Arrangers
*starting from scratch due to the project revamp. Send in your audtions, ladies and gentlemen!
Corey Manuel
ChaosDragon004
*Auditions Open
Instrument Part Contributors (those who may not want to tackle a full arrangement, but assist in providing single instrument parts)
*see above
Lyricists/Singers
Wildfire
MangaMan
Orangedragan
Damashii!!
*see above
[if you have a skill that I have forgotten to list please tell me. Also, I'm still waiting to hear auditions from a number of people and if I've asked you to re-submit a new audition, please do so asap.
Project Deadlines
On Hold until January 2014. Check in then for update.
-**Note: The “Album Complete” date is completely tentative, and we’re not trying to complete this in line with any significant date of release or anniversary, we just believe that with enough enthusiasm this can be completed within the allocated time; if push comes to shove the dates will be adjusted so long as it is for reasons that increase and not diminish the final quality of this project. Any thoughts, questions, or concerns please PM MangaMan.
Audition Guidelines
Please PM me samples of your work or Email me at drwartist@yahoo.com.
Auditions are the best way for The Lead Project Director to get an idea of your skill and vocal range (in addition to finding the most appropriate part for you to contribute to)
1. Auditioning material must be clear, good, acceptable quality audio so it's easy to hear.
2. If you have multiple talents, I.E. you can play an instrument and sing, if possible please send examples of both separately; if you submit both examples on one audition track just make it clear to me that it is all your work, I.E. if you are the singer but the instrumentation was from a different source let me know.
3. Artists who are invited to the project by the project directors and/or arrangers are exempt from auditions. (We obviously know about their artist potential in that we felt compelled to invite them.)
4. Auditions DO NOT require live instruments. Arrangers, Producers and Remixers are also encouraged to audition (those of you who may not have singing talents, but are formidable in the production and arranging field). The same rules above still apply.
5. If you are a lyricist please say so.
6. If you e-mail your audition, you can send the material as an attachment.
Album Art
We are looking for talented artists to help create album art work for this special project!
The rules are simple:
1. Each artist will get to pick a scene or moment from the game to illustrate for the album. The artists are given free rein to use any style of their choice.
2. Contact me (MangaMan) and state the scene or moment that you would like to illustrate. I will then give the okay if no one else has taken that scene yet.
3. Submissions must be in PDF format.
4. The dimensions of the piece can be no less than 100 x 100 pixels if done digitally.
Scenes that have already been claimed:
>Stone Tower - Johaan Faust
>Musical Box House -Johaan Faust
>Deku Palace Scene - MangaMan
>Link falling through time after playing the Song of Time - Animanga21
>Pirate Bay(Finished) - Rachet777
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Concerning the reasoning behind the 'Medley Approach' with the Blueprints
This project is to give vocalists, who don't usually have that many songs here on OC Remix, a chance to show their stuff and to pay tribute to one of the best and most memorable games within the Zelda series. Since we will be taking a medley approach for each track, please analyze and get a feel for the guidelines/structures below (post 2) which we've currently concluded to be most appropriate and effective for this album (these basic guidelines can be modified on a case-by-case scenario with approval from MangaMan, Orangedragan, and Damashii!!, but for the most part they are the blueprints we will be using).
*NOTE several themes are repeated or make some kind of reprise throughout (even back to back). This IS intentional on behalf of The Directors, and it will make much more sense as the entire project comes together.
For example, one of the most important recurring themes of this project is "Oath to Order," and this is because we envision each of the Giants to have a slightly varied take on this theme (ie., Swamp Giant could have a tribal version, Mountain could have a brass choir version, etc.), and towards the climactic part of the album The Four Giants come together as an epic Barbershop Quartet mixing of their different variations. The same logic applies to the different iterations of Song of Healing throughout.
However, some of the sources that are also used in Ocarina of Time should be used sparingly unless explicitly stated on a case-by-case scenario.
Songs with no 'blueprint description' are left open to interpretation of the arranger(s) as long as it flows smoothly with the area theme and narrative (ie., when Lulu gets her eggs back this should be a happier moment, so there's no need to have a melodramatic sad piece where it would be appropriate to be a little more optimistic sounding).