It's funny - from an OCR fan's perspective who has been listening since ~2001 but not submitting music to the site until 2019, I kind of saw djp as this VGM Morpheus, the leader of a secret circle of super cool musicians/programmer people. I guess that's what the early Internet was like to a kid before social media. But obviously people are just people who are pulled in this direction and that throughout the chapters of their lives. Still, it was a surreal moment to finally see my first OCR mix posted 4 years ago with a cool writeup from the man himself. That was very exciting and very validating, even more validating than getting approved by the judges panel, if I'm being honest. A full-circle moment for me. I always appreciated the care that he put into his write-ups for each ReMix, going back the early-mid aughts when I started downloading every other track this site would publish (sometimes I would read them and not even listen to the song because I liked the writing that much).
Very happy to hear that there will be no retirement from music. Even if that wound up being the case, the existing djp catalog would speak for itself. Some of those ReMixes were parts of my formative years of being a music listener, and years after I go deaf from mixing my mids too loud I will still be humming them in my head. I can recall listening to "Love Hurts" on a burned CD on the school bus in I think 9th or 10th grade. I think he set the standard for OCR music in terms of creativity and quality (along with a few others) very early on, which helped OCR legitimize itself.
So, thank you for all of that.