Mr. Hu

I'm down. Sign me up. Or, I'll sign myself up. Christmas is barely a month away already, holy crap.

I love the attention to detail to the sound design here, but then taking steps to filter/degrade it afterward is super gutsy and even more commendable. Really great.

Great mix and great write-up. Respect.

@WesternZypherFunny you mention the commercial thing; I saw a whiskey commercial as I was mixing this one that had some striking similarities, and so I briefly toyed with the idea of changing the title to something with "Stardew Whiskey" in it.

Love the kind of prog that's not just tech for tech's sake. Sake? Sake. This is note-y but has great momentum.

Cool video! Hopefully attracts even more eyeballs.

Such a fantastic mixing job. The kick, snare, bass and organ are glued together so well. Bass and the organ left hand especially. Love.

Great idea and super great execution. Absolutely a stand-out, and not just amongst the album, which is itself a stand-out in OCR albums. Love the confidence of the vocals and the juxtaposing somber trumpet.

Nice work! That's one of the best anime themes of the 90s, I'd say. So many great hooks. Your version is like a "On the last episode..." version that would play at the start of each show. Very bouncy, and I like how you played the main melody!

I'm not familiar with the original song but I could've taken another 2 minutes of that, at least! I love the section at around 1:40 especially. Really digging the balance struck between playing the melody cutting loose with breaks. There's a lot going on but the big change-ups feel very natural and not cut-and-pastey. Killer use of tape warp throughout the whole piece.

Whooo boy, those orch hits indeed ("what about their legs...they don't need those..."). It's so funny to think they were cutting edge at one time because nowadays they instantly date the music they're in. There's some New Order stuff from ~'86 that has them. Must've sounded like the future at the time. Anyhow, I don't know Terranigma, but this ReMix is slathered in so much cheese that I can't help but...stick my finger in it. Or something.

Some interesting arrangement choices in this. When I listen to the original, I kind of just fold my arms and wait for *that* melody towards the end of each loop, but this version adds more color to the earlier sections, too.

I am just hearing this now and it is SO deliberate and SO deathly serious. It's everything I'd want in a remix of this song. 11/10.

I don't know the original, but this has such a great, churning build to it. Great mixing, too.

I really dig how the electric bass and synth bass shift in and out of one another. I'm trying to tell where one starts and the other stops and after three listens I can't. Really cool.