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Souperion

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Posts posted by Souperion

  1. Oh, the memories this brings back. I was barely cognizant when I first played Fury 3, but this... brings it all back. I couldn't remember it before I listened to your piece, but it's all so familiar now. Wish I could have appreciated this song back then, but this is even better.  Thrumming, pulsing atmospheric beats and synths that pushes you to the edge of your cockpit seat. Real nice work here, thanks for revitalizing these memories!

  2. I must say, I was pleasantly surprised by synthetic focus of a piece called Divine Intervention. There is a decidedly heroic, larger-than-self feeling. I also must admit that parts of it remind me of the OST of Zero Wing. And those choir samples: MMM! They remind me of those used in Metroid Prime 2. Or maybe Soul Blazer. Anyways... I enjoyed this piece, you really accomplished a sense of awe. The strings make for a good support role here, and the continual motion of the synths is like a comforting presence that doesn't leave you. Well done. 

  3. I know this should make me somber, but it seems the cathartic release is producing the opposite result. I am quite impressed by the delicate mood of this piece. Low in spirit, yes, a little downcast, but not really abject hopelessness and depression. Frustration surfaces in some parts, adding to a complex state of mind. This piece feels like it should be playing to accompany some noble's mild frustration and anguish while wandering his/her estate on a gentle rainy day. Good work here.

  4. 0:00-0:05 Ah, more Aquatic Ambiance. This should- (the F# at 0:06 plays)... oh, my, this going to be good. And it is. The subtle dark twist to this classic is exquisite. I did note that your melody lead (first introduced at 1:17) seems to crowd the other frequencies when it hits the lower notes, shouldn't be too hard to fix. 
    Well done with this one, and here's hoping to a resolution to this mass-views situation.

  5. Splendid work! The depth and complexity of this is awesome. Sinister, yes, and decidedly confrontational, yet that noble and refined twist is artistic elegance. When you consider that these two villains were going about a work that was, in one sense, the only hope of the world, but their villainous methods cast the whole business in a dark light. Well done, well done.

  6. Always happy to hear more aquatic variance! I'll be honest, the song startled me at the start. I like the sound of those synths, but they are a tad shrill, at least in the beginning. Nothing a little EQ won't help. Really intense electronic elements here: it's like swimming through a liquid mass of machinery and circuitry. Also, the water's electrocuted. The mechanical break down of 1:00- 1:24 is a really neat touch, especially with the smoother sounds following it. I enjoyed the variance of the different sections, nice work!

  7. Best wishes for our suffering musicians out there. And maybe the rest of the world while things sort out. Regardless of whether or not things are being done right about this pandemic, I hurt for those really struggling from this abnormal situation.
    A full transition to online college classes was not in my spring plans, but it's a negligible complaint. At least studies keep one busy. When neglecting that, it's back to FL Studio, Starcraft 2, or other computed time vacuums. I find it somewhat amusing to be part of this fascinating demographic that can, in response to "what have you been up to during quarantine," say "oh, produced about X novice remixes." And hey, for what it's worth, if any of you are struggling with musical motivation, drop a piece by at the workshop forum. I'll be lurking around there to try and put in a few good words.

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