BardicKnowledge

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About BardicKnowledge

  • Rank
    Dr. Robotnik (+2700)
  • Birthday 01/06/1985

Profile Information

  • Gender
    Male
  • Location
    Lafayette, IN

Contact Methods

  • Website URL
    http://bardicknowledge.blogspot.com
  • Skype
    Ask me for it via PM if you don't have already

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  • Biography
    Ph.D candidate in musicology at the University of Minnesota currently finishing my dissertation from Lafayette, IN. Awesome breakfast-maker, father, husband, and public speaker.

    E-mail: Thompson(dot)RyanC[at]gmail.com
  • Real Name
    Ryan Thompson
  • Occupation
    Ludomusicologist
  • Facebook ID
    16912692
  • Twitter Username
    BardicKnowledge
  • Xbox Live Gamertag
    MasterTenor
  • Steam ID
    bardic_knowledge

Artist Settings

  • Collaboration Status
    2. Maybe; Depends on Circumstances
  • Software - Digital Audio Workstation (DAW)
    Finale
  • Composition & Production Skills
    Arrangement & Orchestration
  • Instrumental & Vocal Skills (List)
    Accordion
    Piano
    Vocals: Male
  1. I feel like this post might better be served in the general forum rather than the scholarly / history forum, given how any answer I can think of trends toward snarky comedy (which I'm not against by any means, as others can attest).
  2. Wanted to chime in and say that this is a great analysis. That it doesn't contain specific jargon I could care less about -- I'm motivated to track down the relevant stages and listen for myself after reading since I missed out on Super Monkey Ball. From this, I'm reminded a little of the final stage of Katamari Damacy in which the music is particularly less upbeat compared to the euphoric whimsy (visually and aurally) on display in the opening stages.
  3. Wii U player myself, and outside of Kakariko Village the drops are barely noticeable, usually only for very short spurts. Inside the village you're not ever in combat, so it isn't a big deal.
  4. It's on Twitch at twitch.tv/bardicknowledge Thursday nights when enough of us are free. Like this Thursday, at 9 PM EST!
  5. We did some of that, and I'm sure Doug will want to chime in when we hear it again in the World of Ruin. Because they are so similar in both story and music (that is, minor arrangements of the major themes given to their male counterparts), we will probably also return to Rachel when we encounter Daryl's theme probably two sessions from now.
  6. Me, Drumultima, and two scholars not on OCR (Dana Plank and Michael Harris) have begun playing through Final Fantasy VI while we talk about what's interesting in the music as we go along. The first quarter or so of the game is done and posted to YouTube here -- join us Thursday, 2/9, at 9:00 PM EST for the next session (likely to include the opera scene). Any particular things you're interested in hearing us muse over between leaving Narshe after Terra flies off and departing for Thamasa (as far as we're likely to get next time)? Let us know! EDIT: Our second session is up on both YouTube and Twitch -- we got as far as the escape from the Magitek Research Facility. Doug couldn't make it (thanks to the Northeast weather) so we called upon Julianne Grasso to sub for him.
  7. My gift arrived -- thank you, @ProjectSpam for the book! (It's Patrick Rothfuss' Name of the Wind, for everyone else's sake.) I will start it after I get back from break, and am looking forward to it!
  8. My secret santa's present is away! Sadly, it won't get there until after Christmas. It should arrive before the person in question leaves for MAGFest though...
  9. I rarely post reviews -- something that I should definitely do more often -- but holy smokes, this is the best channeling of Debussy I have heard in a very long time, without limiting that qualification to fan-made material. I also love that it tackles what is a very short source, demonstrating that there is a mountain of potential for almost anything given enough talent.... ...and "enough" doesn't even begin to describe what's going on here. The ending is particularly well-executed, giving us the source melody clearly in a way that doesn't feel contrived in the slightest. I'm going to be gushing about this for some time to come.
  10. For more reference, Roger Moseley is the person responsible for coining the term "ludomusicology" in the first place, though I don't know when that was (long before the North American conference came to be though).
  11. Feel free to jump on top of it! I got far too busy with finishing my dissertation to take any real action on it, sadly. Might be a good idea to send Tim, Michiel, etc. a draft version before you publish, but you probably wouldn't have to. P.S. I know one ludomusicologist based in Australia -- at the University of Sydney. There's also a film scholar there, both of whom are worth your time to meet...add me on Facebook and I'll put you in touch!
  12. Addie and I know what we are getting our person, but she is gone to Mexico all this week so it won't get sent until the 19th. Worth the wait, we hope!
  13. I'll let Karen wander in here, look at all of the suggestions, and decide what counts. I was unsure about Lower Norfair myself...