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BardicKnowledge

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About BardicKnowledge

  • Rank
    Dr. Robotnik (+2700)

Profile Information

  • Gender
    Male
  • Location
    Okemos, MI

Contact Methods

  • Website URL
    twitch.tv/bardicknowledge

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  • Biography
    Ph.D Musicology
    Professor of Practice at Michigan State University.
    Awesome breakfast-maker, father, husband, and public speaker.

    E-mail: Thompson(dot)RyanC[at]gmail.com
  • Real Name
    Ryan Thompson
  • Occupation
    Ludomusicologist
  • Twitter Username
    BardicKnowledge
  • PlayStation Network ID
    RTBardic
  • Steam ID
    bardic_knowledge

Artist Settings

  • Collaboration Status
    2. Maybe; Depends on Circumstances
  • Software - Digital Audio Workstation (DAW)
    Finale
  • Composition & Production Skills
    Arrangement & Orchestration
  • Instrumental & Vocal Skills (List)
    Accordion
    Piano
    Vocals: Male

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  1. This type of thread has a tendency to turn into a favorites thread (which aren't allowed) very quickly. Not modding it (or sending it onward for others to consider) just yet, but if this gets traction and momentum, that's likely the destination for this line of thought unless everyone involved is very careful about it.
  2. I'm in! Who's the professor teaching the course / advising your dissertation work? There's also a lot of reading available about this idea of thing; in the near future, I have a book chapter in the forthcoming Cambridge Companion to Video Game Music about the role of fandom and music beyond the confines of games specifically that will explore OverClocked ReMix's role as a locus of fan activity. Happy to pass a draft along (after I finish the edits this month) if that'd be helpful!
  3. I'm watching this now! Before seeing it in full, I will note that much like the aesthetic of Wind Waker, there seemed to have been a knee-jerk reaction to BotW's music, and in hindsight many of us are seeing just how smartly the new game's soundtrack is put together. I feel that with time, the soundtrack will only gain more appreciation in the community. I'll edit this post with thoughts on your video after seeing it. Edit: I feel that -- at least among my friends here -- nobody is complaining about Tarrey Town, Rito Village, the Molduga theme, or (especially) the Hyrule Cast
  4. I'll take a look at this tonight -- thanks for posting here! We don't get a lot of traffic to this subforum, but I do watch it. Alright, I have one main thought as I'm watching: I think that the frame for your analysis could be more consistently expanded to include not merely historic references, but how other media portrays those cultures/periods. Compare the the Cascade Kingdom's music to the Jurassic Park overture, for instance -- that's much more relevant than ancient bone flutes (which, as you correctly note, we know little about in terms of compositional practice). Simi
  5. First and foremost, this arrangement is incredible. Holy smokes, I'm not sure I'm going to have words to give voice to how much I like the solo soprano part, and the Debussy-esque floating just before the three-minute mark at 2:56 or so. Tremendous work here that everyone needs to experience that reminds me of the vocal stylings of Eric Whitacre and Christopher Tin -- and I don't make comparisons to either of them very often. I agree with the judges that the production brings it down some, however. One of the problems of being compared to the great vocal arrangers of our time is that t
  6. This is sick, we gave this dude a big shoutout on Twitch recently as we finished a Chrono Trigger playthrough.
  7. @Liontamer You should be aware that this is nearing completion -- I'll be sure to link when it goes public. If you'd like a link to the draft page, I'm happy to PM you one.
  8. I feel like this post might better be served in the general forum rather than the scholarly / history forum, given how any answer I can think of trends toward snarky comedy (which I'm not against by any means, as others can attest).
  9. Wanted to chime in and say that this is a great analysis. That it doesn't contain specific jargon I could care less about -- I'm motivated to track down the relevant stages and listen for myself after reading since I missed out on Super Monkey Ball. From this, I'm reminded a little of the final stage of Katamari Damacy in which the music is particularly less upbeat compared to the euphoric whimsy (visually and aurally) on display in the opening stages.
  10. Wii U player myself, and outside of Kakariko Village the drops are barely noticeable, usually only for very short spurts. Inside the village you're not ever in combat, so it isn't a big deal.
  11. It's on Twitch at twitch.tv/bardicknowledge Thursday nights when enough of us are free. Like this Thursday, at 9 PM EST!
  12. We did some of that, and I'm sure Doug will want to chime in when we hear it again in the World of Ruin. Because they are so similar in both story and music (that is, minor arrangements of the major themes given to their male counterparts), we will probably also return to Rachel when we encounter Daryl's theme probably two sessions from now.
  13. Me, Drumultima, and two scholars not on OCR (Dana Plank and Michael Harris) have begun playing through Final Fantasy VI while we talk about what's interesting in the music as we go along. The first quarter or so of the game is done and posted to YouTube here -- join us Thursday, 2/9, at 9:00 PM EST for the next session (likely to include the opera scene). Any particular things you're interested in hearing us muse over between leaving Narshe after Terra flies off and departing for Thamasa (as far as we're likely to get next time)? Let us know! EDIT: Our second session is up on both
  14. My gift arrived -- thank you, @ProjectSpam for the book! (It's Patrick Rothfuss' Name of the Wind, for everyone else's sake.) I will start it after I get back from break, and am looking forward to it!
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