Sign in to follow this  
Followers 0
Ginnsu

OCR00856 - Legend of Zelda "Gold Cartridge"

17 posts in this topic

Zelda 'Gold Cartridge'

My grandpa owns a this game in that beautiful 'Gold Cartridge,' and this mix brings back the memories of the theme so very well. Sad part is, this mix could probably royally suck and I'd still love it, so pay no attention to what I say and just listen to it. Excellent work, Quinn Fox.

Share this post


Link to post
Share on other sites

This is the best mix of this theme that I've heard. I've had this mix for some months now thanks to VGmix, and I still have yet to tire from it. The drums in this are so fun, catchy and cool. They make the mix as far as I'm concerned.

I disagree with some of the criticisms that have been leveled against this mix - mono sounding and drums having too heavy a reverb. I do listen by headphones, so even relatively big reverbs sound crisp and clear. 8) Personally, I like the one reverb approach, it's a more realistic soundscape.

A great mix, that ranks second to Mamabrain (in terms of what Quinn has on OC. He has better ones from a while back on vgmix that I expect will be making it to OC in the next few weeks/months). Super work and highly enjoyable.

Share this post


Link to post
Share on other sites

Very well done. I must say that I didn't mind the reverb. The drums were mega catchy, and the fretless bass (god bless the fretless bass) sounded real enough to be very convincing. My only problem with the song is that it's the Overworld Theme. The original is just too well know, and you can't listen to this remix without comparing it to the original. At least that's what I ran into. It's not a fault of Quinn in the least. This comes recommended to anyone who can listen with an unbiased ear. If you can't look past the original material, you might want to look elsewhere. All in all, a good remix.

Share this post


Link to post
Share on other sites

This mix was interesting in terms of composition, but some of that composition kind of left me where the song was taking me. You'd have climactic parts coming, going, coming, and going. It was interesting to listen to, but not one that I feel has a great amount of structure compositionally, and really with samples/soundfonts that were kind of plain... perhaps that could be attributed to the way the reverb made them sound, I do not know.

Share this post


Link to post
Share on other sites

Oh my giddy aunt, this song rocks!!!! It starts off so brilliantly and nicely, and then comes some great heavier orchestral stuff in the middle. So many different sounds too, it truely rocks, sounds like a big production piece!

Heh, i actually own this game (one of the first i ever owned), i've had it for atleast 10 years and i still don't know how to pick up that damned cool looking white sword near the waterfall!!! lol. Well, it's a great mix, and i for one can't wait to hear more, keep it up!

Share this post


Link to post
Share on other sites

Ahhh...I love this. There's so much character to the mix- unique and thoroughly exciting. The piece is constantly adding new material and ideas throughout its short length and it is an absolute joy to listen to.

Yet another piece to add to my ever-growing "things I wish I'd written" list...*sigh* :wink:

Share this post


Link to post
Share on other sites

Very cool... very cool indeed.

I don't have much of a problem with the lack of panning and the reverb. I think it makes this mix sound like it was recorded in the first cavernous overworld of Zelda, myself. ^_^ Very cool, in my opinion.

The samples and soundfonts, I like very much, especially the strings. You can tell they're electronic, but I like that. The fretless bass is fantastic, and the drum samples are some of the best I've heard, as I like breakbeat drum loops and samples. I'm yet to figure out what the deal is with the fading bells in the intro. O_o

All in all, cool mix, just the right length, and very enjoyable all 'round. Props to Quinn for this one.

Share this post


Link to post
Share on other sites

Only 7 reviews? Sheesh...I think I'll chime in.

Great song here, it really is one of the most original takes on the overworld theme EVER, and its epic sound fits with the Zelda theme well.

Stereo sound would have been nice--would have spiced things up a *little* more--but its still entirely enjoyable without it.

This song deserves more recognition. Lovely stuff.

9/10

Share this post


Link to post
Share on other sites

Now, this piece is something I like. Different enough to be unique, loyal enough for me to keep listening. This whole piece just screams Zelda. Nothing much I can say but excellent. 9/10

Share this post


Link to post
Share on other sites

When I first listened to this piece, I was like "Oh no, another heavy beat accopmanying a classic title. Boring." I was very pleasantly surprised to hear the bongo-esque drumming, and bells covering the main theme in a very tubular fashion.

It's short, and I like that. It's happening, and I like that. It isn't the most inspired or instrumentally talented piece, but it does what it does well, and I like that.

Zipp

Share this post


Link to post
Share on other sites

The reverb is a little heavy on the drums, but they are interesting and well programmed. The beats are all very interesting and add to the source instead of just feeling tacked on. It's a pretty faithful interpretation of the theme with a few nice variations near the end, and some good samples.

One thing that was distracting was the harmonic feedback from the bells at the beginning; it was somewhat distracting, and made them sound electronic rather than natural. The length is just about perfect, as it ends before overstaying. A nice take on a classic theme.

Share this post


Link to post
Share on other sites
One thing that was distracting was the harmonic feedback from the bells at the beginning; it was somewhat distracting, and made them sound electronic rather than natural.

Yeah,the bells sound weird....:?

Still, the second half is better than the first half.

Ultimately it's too unconventional for my tastes, but still nice work for going out on a limb and trying something original.

Share this post


Link to post
Share on other sites

I thought the Majora's Mask sounding drums were a nice touch. I really think the song picks up at 1:20. I certainly enjoyed this mix throughly and thought it was structured very well. Very epic piece. Great Work!

Share this post


Link to post
Share on other sites

This is a little too faithful for my liking. The Zelda overworld theme is carved pretty deep in my brain, so I was after a bit more interpretation of the melody. What is here is fine, god knows the theme is brilliant and deserves mixes with loyalty, I just like to feel I'm in newer territory. A lot of the melodies from the Zelda games are actually vastly reinterpreted versions of this same melody, which goes to show how far you can stretch a good tune.

The ending was awesome and really inspired. I would have liked the mix to continue in that direction, but alas, the ending was the end. Guess that's why the call it an ending. Well mixed, sounds good, but I've listened to far too many versions of this tune for a faithful redux to stay with me longer than its running time.

Share this post


Link to post
Share on other sites

Another song I've had on my hard drive for a very long time. This is a pretty fun rendition of the classic zelda theme. It doesn't take a lot of risks in melodic interpretation, but what he does well is to switch up the instruments and feel quite a bit along the way. It's a very interesting and cool combination between breakbeat, orchestra, and some synth work. That's totally my style, which is probably why I like this. Production isn't bad, but it could use some work. Orchestra felt a little dull, tone-wise and doesn't quite gel with the drums. It's pretty short as well, mainly due to the straightforward arrangement of the theme. Plenty of room for a few more risks and additional interpretation to increase the overall content. Still, I really like this tune. Go download it.

One thing that was distracting was the harmonic feedback from the bells at the beginning; it was somewhat distracting, and made them sound electronic rather than natural.

Interestingly, this is one of the parts of the song that always sticks with me. I agree they don't sound natural, but it gives the song a unique intro that I always remember. I guess I always assumed it was supposed to be a more synthetic intro than the rest of the song, so it didn't bother me.

Share this post


Link to post
Share on other sites

Wow, very very different sound from Quinn than what we've heard thus far from him! Orchestral with some breakbeat/DnB thrown in. Cool combination. The orch samples are synthetic and not the greatest in the world, but they certainly aren't terrible. The focus here is clearly the arrangement. The integration of both source tunes works really well! The intro synth is a little grating to my ears. The bells, while synthetic, do help set the tone of the piece. Not my favorite piece of work from Quinn Fox, but it's great to hear him branching out into musically uncharted waters!

Share this post


Link to post
Share on other sites

A classic remix. :D It has a unique sound to it that I haven't heard in the many many other overworld pieces that are out there now.

Does feel a bit too much like a cover at the start before spreading out mid-way. Love the extended synth (pulls? reverb?) such as at 1:44.

Share this post


Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!


Register a new account

Sign in

Already have an account? Sign in here.


Sign In Now
Sign in to follow this  
Followers 0