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Showing content with the highest reputation on 09/21/2016 in all areas

  1. I've been working on mine. Didn't send anything because I was on holiday last week. I'll try to send something soon.
    2 points
  2. For those of you wanting/needing a woodwind player or a bass guitarist, I really want to play for you. If you have a vision of the end product, I can help get you there. I have been playing for 15 years, and I love helping people in this community out. For reference, here is me playing saxophone and bass on an album my band recently released on Overclocked Records Here is another on the same album - much more work done here. I am flexible, and would love to talk to you about your musical needs! Let me know if I can do anything for you. - Aaron Schmitt -
    1 point
  3. Nice work, @Torzelan! (And badass stuff from @N-JekteD!)
    1 point
  4. I have a pretty sweet WIP from Chernabogue, so let's try to get everyone else caught up a little, hm? Next check-in deadline is: Sunday, Nov. 20 I'd like at least a proof-of-concept WIP from everyone at that point. If I don't even hear from you by that date, your claim will be dropped.
    1 point
  5. Its been a while Hoboka, you should enter!
    1 point
  6. Well there, welcome to OCR! I do hope you find what you need here. As far as this arrangement goes, this isn't a bad start - the energy is high, and it plays around with all sorts of goodies (like the little glitchy moments in the melody from time to time - very nice). The arrangement does have a few flubs as far as harmonization goes (such as at 1:06 and 1:17), but overall it matches the source fairly well. The arrangement sounds a little bit static, from time to time, due to how you keep the same sort of energy playing throughout the track. I like the meatiness of the bass drum, but it does seem to drone on, after a while, so watch out for that. There are moments in this track that just get too dense. Be sure to be careful about that when you're arranging music - you want the elements to be distinct. 2:42 is an example when there's too much going on for the listener to hear anything that's going on - mixing parts like that to where the important elements stand out while the background elements are still clear is tricky, but it can really make your work shine. I'm sure others on here will also have helpful information for you, as well, so I hope you do hang out, give others feedback, share dat sweet, sweet music, etc.
    1 point
  7. Wow - this is some glitchy fun. Great pads and cut-off effects. Dat bass and beat too. Like the ass and tits of a Kardashian, only real. I'd have a HARD time placing you as there were several other entries who also deserve 1st place hahaha. This round has been real dope. Wish I participated as well. But #reasons...
    1 point
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