Liontamer   Judges ⚖️

Pretty much this. I don't mean to sell short the instrument dropouts and changes you employ throughout, but this has basically one intensity level/one gear, so it tends to drag out, plus the sampled harp and female vox articulations need more realism/humanization. That said, you managed to get a lot of juice out of this source tune, but it doesn't hold interest for nearly 4 minutes due to the dynamic curve being relatively flat for most of the track. I could see additional variations of this working, e.g. dropping out the drums entirely & changing the tempo and instrumentation for a section. Something like that could spice things up and retain interest while still keeping this march-like orchestration as the core of the arrangement. NO (resubmit)

I'm glad we at least got to the point where Josh, in fact, decided to submit this. It always sucks when talented artists, and even less experienced arrangers get intimidated by the submissions process or how they perceive the standards. Even if you're not sure something will pass or believe it's not what we're looking for or allow, SEND IT IN ANYWAY. A lot of people misinterpret or misunderstand the submission standards, so some artists needlessly psych themselves out as a result. Definitely have a beer or two, get that courage meter up, and send in your arrangements! Onto the track itself, the change to the organic drums at 2:26 seemed rather arbitrary on first blush, but OK. While sound design-wise, some of the synths & beats were on the vanilla side, the arrangement's cohesive, developed, and charmingly exploratory. I didn't think the production issues Chimpa and Emu cited were dealbreakers, just things that would be good to tweak if possible. There were brief spots where things were too buzzy (e.g. 3:23), and this could have been sharper/clearer, but I think the overall production quality as is was a pass, and don't want to make the perfect the enemy of the good. YES

Co-signed with Chimpa and Emu. I liked the wide, varied panning of the notes to start, and I'm surprised no one's ever used this idea before. That said, melodically, there's not too much development of Kraid theme, even though there was an attempt to personalize the sound. But kept at the same tempo and same overall mood, there wasn't enough of a difference in this arrangement compared to the original track. The melody having a lot of mud in it was a production dealbreak as well. Good initial concept, Scott, but the theme needs much more interpretation/variation compared to the original, and the track needs clearer, more balanced mixing. NO

Pretty loose and messy like the TJ&E style, i.e. in a great way. The mid-range seemed mixed too hot for me sometimes, but other than that, awesome energy and fun times. YES

This sounds like it's missing something to make it sound fully cohesive. I'm not against robotic timing for a purposefully mechanical song, but there's still something lacking expressiveness with the leads, e.g. the bassline brought in at :25 and the lead at :53. Also, there's a lot of volume, but not a lot of balance. EQ-wise, there are frequencies mudding together all over the place, which makes the soundscape sound lo-fi and cluttered. I agreed with Chimpa on 1:59-on just sounding directionless with too may things going on; the timing's stiff, there's no clear lead and no clear background players (all the parts are at similar volumes & overlapping ranges). It's an interesting, cerebral arrangement, but the mixing needs more work. Even though you've done some creative sounds & effects with the tools here, this could also afford to sound more unique with the overall sound design. NO (resubmit)

I'm the camp that this is a good start, but the production's not quite there. There's a lot of empty background space for much of this piece, and (despite the effects) a lot of the textures seem relatively too dry. There needs to be light but continuous padding of the background in the first half, so you don't have too much empty space. I also agreed about the beat patterns going on for too long without enough variation, which dragged down the energy and made the arrangement feel samey-er and blander than you intended. Dynamically, there needs to be even more going on with variations in the energy, instrumentation, and textures. Pretty close though, as the arrangement concepts were great and the gating was a creative approach. Keep at it, bro, this has promise. NO (resubmit)

No change needed, because "Power of the Meat" was not tagged as Poolside by artist request. If Josh asked for the change though, I'd do that.

Will get that in a future torrent update. Thanks for the catch!

Will be fixed soon. Good catch!

I like to hear note-for-note covers or MIDI rips, otherwise (like most OC ReMixes) they sound absolutely nothing like the original, which is required by the Proper VGM Arrangement Police. TL;DR - I'm open-minded. I like all the arrangement styles.

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I hope some of that winds up in the inbox and could pass the panel. ZX Spectrum stuff on OCR would be greaaaaaat. YAMAYAMA!

djp can clarify, but your conclusion there wasn't my takeaway, at least the only/primary takeaway. IMO, it's partly about getting non-gamers to try VGM, yes. But a bigger piece of it is getting gamers themselves to more closely think about and appreciate VGM. There are a lot of people in my generation (formative years being 8- & 16-bit) I could talk with about games we both played, but some just don't think about the music that much or remember it well. On that level, the music was disposable for them. So OCR's there to reframe their perspective through a low barrier to entry: free MP3s sorted by game title, no account needed to get 'em, maybe you'll check out something you remember and feel some nostalgia and/or appreciate the interpretation. TL;DR - In proving VGM isn't disposable, I'd wager OCR has more users who were gamers that didn't specifically care about VGM as kids compared to total non-gamers who discovered OCR and became VGM fans.

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Dunno how old that mistake was, but it'll be fixed tomorrow. Thanks for the catch!

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It's the Game Gear/Master System version of Scrap Brain, not Genesis. Fixed the link in the first post.

Welcome back! Posting here's fine, just host the songs and people can DL 'em and try to identify them.

http://twitter.com/frankiesamba/status/565026641257455616 We know the game, for reals! Anyone willing to take on this theme? If you create (or already have) a passable mix of this theme and submit it, just let me know and I'll expedite it, since it'd be cool to have Fester's Quest represented with this request.

The arrangement's strong, and the source usage was easily dominant here. On the mixing side, I'm possibly grandpa'ing, but I thought the backing instrumentation should have been pulled back and the sound should have been a little cleaner. There's definitely frequencies mudding together during the main verses where all the power geetar, machine gun drumwork & cymbals behind the lead just bleed into each other. It's mixed reasonably well otherwise, but if the overall volume's going to be an assault on the ears, then you can't have extended, super-cramped sections like :12-45 & 1:01-1:36. I don't think it's 100% a personal taste thing, but if other Js don't see/hear it the same way, it's no problem here. Like I said, it's a sweet arrangement, and it doesn't afraid of anything. For me, I feel some mixing tweaks would retain the power while more appropriately balancing it. IMO, just pull the supporting instrumentation back a bit and de-clutter/re-EQ whatever frequencies may be overlapping. NO (refine/resubmit)

Looking to move forward some more of the Apex 2015 tracks - LT ReMixer Name: DusK Real Name: Dustin Branscum Email: Website: http://www.itstartsatdusk.com User ID: 24328 Game: Ultimate Marvel vs. Capcom 3 Arrangement Name: "A Day Like No Other" Songs Arranged: "Main Menu Theme" Platform: Xbox 360, Playstation 3, PlayStation Vita Composer: Hideyuki Fukasawa Release Year: 2011 Source 1: Source 2: ReMix link: Comments: A little while after talking with DarkeSword on OCR Talkback about the Apex project and making my claim, I thought about how I wanted the remix to sound. I really wanted to give it this sort of "pump-up" feel. I wanted this to be someone's fight song. I think I delivered. Enjoy.

https://drive.google.com/file/d/0BzZ-TkKWy5oLWDRZTmFCdHJVYzQ/view?usp=sharing http://ocremix.org/forums/showthread.php?t=42698 http://ocremix.org/info/Category:Tutorials