Dj Mokram   Members

The album's done and up. GO GET IT!
 

Merry Christmas and best wishes for 2025 everyone!  🎄🎅🏽 Happy to see this tradition still going strong after 18 years and a big thank you for your efforts on this again TC ❤️

Eighteen of these. Eighteen years. Holy shitballs, Batman!
Another album is in the books. This year we have seven songs of various moods, genres and tempos, all set for everyone to listen to and as you get deep into the holiday spirit. While we wait for Dyne to update the site, I'll be hosting the zip file. Once he's done, I'll change the link here to go there. Make sense? Good.
A big thanks to the remixers who joined up, and to Dyne for hosting these albums for yet another year. And on behalf of everyone involved, Merry Christmas!
https://williammichael.info/aocc/

HAPPY BIRTHDAY TO US!
OC ReMix = 25 YEARS OLD!
4,500 ReMixes later, video game music is STILL an art form!
We've got a celebratory Zeal mix by JSABlixer from the upcoming anniversary album TimeShift, and we'll be doing lots more over the course of the next year to celebrate the creativity and impact of this powerful community!
Thank you to everyone -- past, present, and future -- who have made OverClocked ReMix what it is.
Please share some positive memories on how you discovered OCR, artists and tracks you love (original VGM OR ReMixes), let's go! :-D

Just a head's up, most of the community is on the Discord server these days, and on the off chance either of you aren't there, hop on over! There's a hangout for the anniversary starting around 8:00 PM. (I'll be on an hour later after I get children to bed, which is something I cannot imagine typing back in 2003-2004, haha. :p)

https://discord.gg/ocremix?event=1316531137803194460

I remember when a friend first asked me to remix a theme from Chrono Trigger that he liked. My first impulse was "nah man, c'mon, I write original music." Then I listened to the theme. I liked it. So I thought well, maybe this one time I'll remix this theme, ya know, for my friend. Then partway through development of that track I had this thought "hey I wonder if anyone else wants or listens to video game remixes, let me see what's out there..." and via Jake Kaufman actually I found out about OCRemix. I submitted my Chrono Trigger track, and whaddaya know... people liked it. So my brain started to go to what other video game themes did I really like that could use a little love. And then there was a Blaster Master submission. Then Final Fantasy IV. And then.......... it's a pretty long list at this point. :) Along the journey I've met several game composers in person, I've honored them by remixing tracks that they specifically requested, I've landed gigs doing original music for games... it's a bit trippy actually, I've played Guitar Hero with Gerard K. Marino, I've swam in Tommy Tallarico's pool, and I'm friends with the head honchos at Trilobyte Games (The 7th Guest). All thanks to what DJP set in motion and I happened to top into a long, long time ago. What a ride.

Mr. Coop? HA HA! Fuck... now I feel old.
 
You've got four days to finish it and send it if you want to get in on the action. The deadline's 11:59 PM EST on December 20, 2024. If you submit it, make sure to let me know what the remix title is.


And don't worry, Mokram, Souperion will be there with us.

@Dj Mokram Ooooh yes, I feel you about the stylistic experimentation; I'm super curious which source you're thinking about, and hope I get to find out at some point 👀 The album seems to be lacking in this type of representation so far, so it'd be welcome with open arms if you decide to join up at some point. Bird is absolutely the word!

I also really appreciate the ultra-valid & aptly-stated advice, and I definitely resonate with the implications behind what you're saying. That notion is starting to make itself known, and I'm working on ways to streamline/mitigate some of these things to a degree, but I also can also see that good planning can only accommodate for so many things. I at least have a few levels of consultation to help guide some decisions, but I agree and think a co-director would be a key step in ensuring this comes together in a smoothly (esp if the scope of the project continues to grow beyond the initial expectation 😅).


@GCJ That's stellar!! 😎 Thanks for extending your desire to participate; I like the style and energy behind your posted ReMixes, and could see you being a great fit to the project! I'll be reaching out to you on Discord momentarily to discuss it a bit further here~

Was luckily able to jingle. But from what I gather, unless everyone who signed up suddenly gets a last minute blast of willpower and inspiration (which I hope they do), this is just gonna be Da Coop and me waiting at the bus stop for Mac-daddy Dyne to come pick us up. 😅

This seems like an opportunity to delve into Indian folklore instruments to arrange the credit theme of a 16-bit game very dear to my heart. This is why I love these OCR albums: they are the perfect excuse to try concepts I wouldn't otherwise have dared to try on my own. 😉
Best advice I can give ya @mo.oorgan is to try and enlist someone with some experience as a co-director. At first it will seem manageable on your own, but especially if you've got an aggressive timeline for this many tracks, there's a lot of administrative and HR tasks that can drain your artistic soul dry. Best of luck, and maybe I'll join the effort if/when this gets going. 💪

This seems like an opportunity to delve into Indian folklore instruments to arrange the credit theme of a 16-bit game very dear to my heart. This is why I love these OCR albums: they are the perfect excuse to try concepts I wouldn't otherwise have dared to try on my own. 😉
Best advice I can give ya @mo.oorgan is to try and enlist someone with some experience as a co-director. At first it will seem manageable on your own, but especially if you've got an aggressive timeline for this many tracks, there's a lot of administrative and HR tasks that can drain your artistic soul dry. Best of luck, and maybe I'll join the effort if/when this gets going. 💪

Here's a little arrange of Silent Hill 2 'True', also containing short leitmotifs from 'Theme of Laura Reprise', 'Promise Reprise' as well as 'Silent Hill theme' from SH1.
First time I'm using guitar prominently in a remix (please don't kill me) and attempting to mix it with proper panning, etc. Not trying to fool any of the talented guitarists here of course. Just having a go at putting the fine work of OCR resident Sages, Seph and Josh to good use with this fun learning experiment.
Hope it's enjoyable somehow, and happy Halloween season to y'all! 🎃
 
The main source arranged:
 

Check your PMs, remixers.

Fourth'd. Go forth. And jingle. Go forth and jingle.
 
Edit: I just wanted to add a note here that I have updated the site just a little while ago. I moved the first ten albums to their own page to make the pages load more easily for anyone wanting to go and grab the currently available albums. Thankfully the site update lends itself to that sort of thing, though I'm sure I could do better with time and more skill. But hey, it's what I have time for.
Really looking forward to this year's album. Can't wait! (Also, this is your reminder that it's currently October and you have about two months or so left to the deadline!)
Edit #2: Right now, the links for the two pages are currently showing as being at the top of the page, I assure you that's not where I put them. They should be after the text paragraphs but before the albums. It works that way on the local site on my PC, but for some reason is not yet showing up on the live site. That said, all of the files associated with the site were updated, including the CSS pages as I had to do some CSS for this as well. So, it should show up soon, and if it doesn't, I'm not sure what to do about it.
Edit #3: The site did eventually update for me, which is good. Hopefully that also makes it easier to load for everyone as well. I should have done it sooner, I may even split it further to five albums per page. But I'll try to make it look nicer when I do make that choice.

If life permits I'll jingle dem bells. 🎄

The Judges Panel has been talking about ways to work through the queue of submitted remixes at a faster pace, and after a lot of discussion and weighing the pros and cons, we've come to a decision that's probably one of the biggest adjustments to our process in a long time:
Submissions no longer require four (4) YES votes to pass. A decision is reached as soon as the difference in votes is three (3).
To clarify the key change here: when a submission receives three (3) YES votes and there are zero (0) NO votes, the submission is accepted, because the difference in votes is three (3).
If a submission continues to go back and forth without reaching +3 in either direction, the panel will continue to vote until all active judges have voted and the majority will determine the decision.
This update to our decision making process will immediately apply to any submissions on the panel at the time of this announcement going live, and for all decisions moving forward. We won't be going back to previous rejections to find decisions that started with three (3) uncontested YES votes but eventually got rejected; in those cases, what's done is done.
We hope that artists will find this new criteria a little bit easier to understand. Overall, we've been impressed with the quality of work being sent in these past months, and this should make it easier for us to get the slam dunk tracks through the process faster.
Thanks to all the artists who continue to participate in our curation process. Hope to hear your work soon.
- DarkeSword

It's clean. It's upbeat - it's awesome.  Lovely work Mokram!

Here's an uplifting Hip-Hop / Breakbeat / World arrangement of 'Japonesque' from Shinobi 3 aka Super Shinobi 2.
Just a little project I had fun with and wanted to share. Hope y'all get some enjoyment out of it. (^-^)/
 
Remix based on this source, composed by Hirofumi Murasaki:

Here's an uplifting Hip-Hop / Breakbeat / World arrangement of 'Japonesque' from Shinobi 3 aka Super Shinobi 2.
Just a little project I had fun with and wanted to share. Hope y'all get some enjoyment out of it. (^-^)/
 
Remix based on this source, composed by Hirofumi Murasaki:

Still listening to PSO Mini Mix on the regular, so I'm happy to see ya revisit this classic. It's a nice change of pace to see you put an exposed guitar at the forefront without your usual processing/FX chain. It solidifies the relaxing summer vibe of this arrange while the voice clip adds that extra nostalgia anchor. Also partial to your wonderful artwork, as HUnewearl hunter was my fav chara design from the orginal PSO. \(^-^)/

A little PSO action - hope y'like.
 

Excluding the Seiken 2 and 3 remakes, this is the first new main entry Mana game since 2006. It does takes a good few pages from Granblue Fantasy Relink, but that's a good thing. As a fan of this series, I can't wait for Aug 29th! 🎇

Don't try to throw the OCR mission statement in my face and think that that somehow proves your point. Nowhere in that mission statement does it say that we need to treat all forms of music in the world equally, regardless of whether it was written by a person or generated by a machine-learning algorithm. That's not there. We are dedicated to the appreciation of and promotion of video game music as an artform. This has, for the last 25 years, meant recognizing that the composers who wrote music for video games created art. They are artists. They are human beings who made thoughtful decisions about the music they wrote. They created with intent.
Can you use machine-learning tools to create artwork with intent? Sure. I pretty clearly stated in the announcement that I don't have a problem with machine learning as a technology, but that I don't want people to post music on OCR from services that trained their models on music that was not provided with consent from the artists who created that music. The technology is not the problem; the people building these services using resources they're not supposed to are the problem. These folks have not figured out how to build these services without plundering the collective creative works on the internet. No thanks.

Thirding this

Seconding this