XPRTNovice

This. I don't know whose smooth voice is on there, but it needs to be on more. A great mix.

My wife just finished a book on this topic and absolutely loved it. I can't vouch, but I trust her.

This. I SO wish I had just turned off the series, because the first season was very powerful; the last episode was great. I was totally and utterly confused when I realized that there were more episodes afterwards, and utterly disappointed for the entirety of it. But I will recommend season 1 to anyone, anyday.

I was almost positive this was just short for "macaronis"

15 minutes of that is really tough; it's basically the formula that Bodeefit.com uses. It's no joke...you want to die after that stuff.

It's above the garage, which I kind of prefer.

Thanks guys. I don't have plans for the room yet because I haven't bought the house; what I was mostly worried about was the vaulted ceiling. It appears to peak at about 10 feet or so, judging by the size of the bicycles in the back, but I'll be seeing the house this week. (That's right I haven't seen the place yet; only my wife has and she came home gushing like a girl talking about her fairy castle, so I'm obligated to go see it)

Hi Guys, We're thinking of moving into a house, and one of the deciding factors is whether or not I can put a studio in it. The room in this house seems awesome; it's a workshop above the garage that's on its way to being finished. The picture is here. I'm looking to draw on the acoustic mastery of the people here - will this room cause me problems from a mixing and production standpoint? This may literally swing us one way or another on this house. I have a vocal booth that is soundproof, so my voiceovers are not an issue. But for mixing and producing music on a pair of monitors, is this room treatable for good acoustics or does the slanted ceiling make for a very bad situation for me? Thanks!

Have ALL THE HAPPIES

Wait, have the moderators been fired as well, or is it time to engage in a sort of Hunger Games to make sure that only one of us lives?

have ALL the happies

I rank them 1.) Rockbarn, 2.) Wiberg 3.)Vayron 4.) Fulginiti. Vayron's site is nice...if I were a pop star. It's got the right feel for that, but not the right feel at all for a VO artist, I don't think. Wiberg's site is nice, if very Flashy with a capital F. Simple layout, though. But I like Rockbarn's site the best because it's all up front and the content is easy to browse. Fulginiti's site is way too busy, full of square shapes, and just...I don't like it. Thanks you guys for the opinions on the site design. I've only gotten maybe 3 people on OCR who are saying they'd be willing to do it for me, though, so if there are any other folks actually willing to DESIGN and BUILD the site, please hit me up. I do appreciate the critique and marketing advice, though.

I just heard of this yesterday and thought back to this post: http://www.helpareporter.com/ You can basically list yourself as an authoritative source on any subject, after which you may/may not be contacted by people looking to gather sources for an article. You can also find queries already posted where someone is looking for someone who knows a lot about gaming, and pitch a reply to them. Might be a little more work, but definitely a way to expand your platforming reach.

This may be part of your problem. I might break this up into songs and post them one at a time (not all at once) and engage in dialog with people. Asking someone for 68 minutes of their time is a bit much, I think.

for those of you stuck in the last generation: http://tech.woot.com/plus/xbox-360-controller?ref=cnt_wp_5 Xbox 360 for $140

I updated the example links with some better examples of good websites in the industry...the other guys were mostly people I knew to be successful. Yes, yes! I don't like the RenManStudio website for a number of reasons, which is why I want to ditch it. I appreciate you guys supporting me in telling me how bad it is though

Have a happy, Cory!

DO IT. I'm telling you, man, when I saw him in Tel Aviv he had an oud player and a flute player with him that were both fucking KILLER. That place was jumpin' easily one of the most fun concerts I've ever seen.

I quit my day job I do. I'm also not above becoming a paying client if you can show me some real power and how I can harness it like an Esper.

I think I am there. I have some big names under my belt (Red Bull, GE, Lenovo, etc) so thought it was time to start acting like voiceover artist that pulls in the clients I'm pulling. I'm definitely doing as much work as the guys I posted (with the exception of maybe Blum, whose page is, yes, shit). So, yeah, that's why I'm taking a marketing turn and trying to put brand on that level to catch up with my career, if that makes any sense. I'm trying not to be a pretentious prig in saying that I'm doing well enough, but I think I'm doing well enough. Don't get me wrong, your insight is awesome and I totally appreciate the years of marketing/web experience you're taking the time to write and want to hear more if you have more advice to give. So I'm not just telling you to stop poo-pooing things and stroke my ego.

thanks, will look and get back to you

It's actually mostly like this: Thanks for the feedback!

I use a Focusrite Saffire Pro 14, and I've had it for years. It fits snugly in your price range, I believe, unless something has changed, and the preamps are generally rated to be some of the best (I was told by someone helping me pick it out that the preamps are considered better than the M Box).

Meh, I totally hear you. This is pretty much the internal argument I've been having since my VO career took off; it was a bit unexpected. I built the studio site before that all happened, and now when I compare it to what the industry leaders are doing, it leaves me in a nebulous position, I think. I'm also going off some advice I've gotten from the folks whose links I posted, too. As I learn a bit more about the industry, I'm finding that the term "studio" implies something that, yes, I am, and can do, but not my focus. Most VO artists that are successful are tied to their names, not an LLC, which I think I've also done wrong. So there were lots of factors going into this. Ultimately, I stand to lose the cost of the website with a chance of solidifying my brand as a VO artist, so it's a calculated risk on my part. At the minimum, I gain a little bit of fall-in-line-ism that helps me resonate with established professionals in the industry.