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The Vodoú Queen

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Everything posted by The Vodoú Queen

  1. Also, in case people don't know or understand what I meant by the vague inspiration from my genre choice for the song: The Glitch Mob is a trio electronica group. Song is slightly influenced from their earlier work like this album. Quite good stuff if you're interested. Also sorry for the extremely short blurb for my song. Was pretty angry and slightly frustrated with it. Really love both songs but IDK. I found the process of splicing them together incredibly hard by comparison to other people's experience (as well as trying a new genre-blend, while trying to keep in the MnP spirit) and felt like autistic screeching was going on in my brain by the end of it. Seems to be the case I struggle with fusing songs together. Probably just something I need to work on. Hope people enjoy it nonetheless. o/ See y'all after the voting polls.
  2. Big congrats to @Wassup Thunder; well-deserved, my man! Souperion mentioned Contra about your song--that was the other thing I couldn't put my finger on about it, in which it reminded me of, besides stuff like Starship Troopers. xD Also, noticed a lot of mention about the samples I used in my track. Yeah... ^^; I was really honing in on that sort of 1970s-80s old sci-fi / action TV show motif. The kinda long-winded (I suppose), majority use of dialogue comes from the entire opening of the 1973 - 1978 show called The Six Million Dollar Man: https://en.wikipedia.org/wiki/The_Six_Million_Dollar_Man. Most people probably would recognize it more-so from the "waahaaananananana" noise that comes from the bionic stuff he does, which gets parodied a lot in media--like when someone who's uber strong or a cyborg does a punch or kick, and that ends up being the sound effect (ex: was used I think in Metal Gear Solid V when Big Boss uses his cyborg arm to punch people.) TBH I did, before the big cuts, have an idea to incorporate more action noises and sound effects like that into the song, but was worried it'd be "too much SFX"--and it kind of ended up being too much anyways with the dialogue present. xD I'm trying to perfect striking that sweet balance between vox and music, but I guess sometimes that mark gets missed, LOL. And yes...yup...being the big goofy fan of all the '80s schlock that be, Wassup was right. I did use a RoboCop sample--when Murphy states the 3 (technically 4) main directives as part of his new programming from OCP: 1.) Serve the public trust; 2.) Protect the innocent; 3.) Uphold the law. ...I had to put that in there. Turrican reminded me too much of the look, premise and feel of RoboCop not to. Glad that some of the vox samples at least were entertaining though. >.<; And yeah that was an extremely close round. Thought mine was a bit too on the nose, TBH, but I gladly wanted to commit fully to the synthwave / cyberpunk aesthetic, points be damned. Love the genre too much. xDDD
  3. Vote in. Good luck, ya'll. o/ See ya soon. ♥
  4. I'm special like that. Probably not in a complimentory way! XD
  5. I submitted with ONE minute left to spare... ...I really need to stop giving myself a heart attack and little to no time to even put my thoughts together. xD But I think it turned out basically how I wanted it, minus an addition at the end I had an idea for but had to scrap.
  6. It really does. I had a real hard time choosing a song from the OST for this, it was either Inner Darkside, Iyazoi, My Dear D and one other...but I hedged my bets on Inner cause TBH it was the song that really got me going and bobbing my head while slashing enemies apart. The stage the song's in is pretty spooky and cool / interesting graphically as well! Look it up on YouTube sometime! I think it's Stage 3 or so, (after the horse ride and fighting your way past the guards and stuff to get deep into the facility they're in)... :3
  7. Vote's in. Sadly, still haven't finished my BONUS song...but after hearing what the contestants submitted, it kind of blew my idea out of the water and killed it. xD I might try and keep at it over this week, but I have a feeling the original intent for it will change up to a different genre entirely. Just need to figure out what to do... D:
  8. Oooo, Rise of the Robots! I had recently watched a "Wha' Happun'?" episode on it by Matt McMuscles on his YT channel. So the wonky history about the game I actually know about! The song is pretty cool! :0 ...Would need a big think how to squish both together somehow... :3 BTW @TheVideoGamer, you got a bit of a typo on mine. It's from Shinobi III, you're missing an I. XD
  9. Wow, I love this. :0 I never played Turrican before, but I have heard little bits and pieces about it. But the song itself sounds like the game would be pretty damned cool and fun to play! Dude kinda looks like RoboCop too. XD ♥ I'm guessing it's an action-platformer, so would be fun to try out someday.
  10. Haha, thanks guys, and also congrats to Video. ♡ I think I've picked what I want for the next source to use. I'm a bit torn between three songs, but I'll make sure they haven't been OC Remixed yet and have my pick sent to TVG no later than tomorrow afternoon / evening.
  11. I really look forward to voting now! Also, I'll try to work more on my bonus entry and hopefully have something to show for it before the voting period is up. I'd also like to take a stab at this song cause it's real groovy. ;0
  12. @Souperion It's actually a normal level song. From my memory, it's one of the first songs you get to hear cause it's from like, level 2 or 3 of the first world, where it's basically a tutorial world. I know it and 'Zip' are like some of the first level songs. I'm sorry to say guys, I was working on a bonus entry but I'm sitting this one out. I'd still like to finish what I started and I will probably post it here so people can listen and comment if they'd like, but I'd rather not rush it and do the song no justice. I got busy with other stuff and physically sick a few times over the last week or two, so my brain wasn't in creative mode it seems. I'm glad for the big turn out tho and that people liked the round selection. Makes me very, very happy. ♡
  13. Mine's in. I really like Kirby stuff. Didn't want to miss this opportunity. ♡ BTW it said there was like 9 hrs left to submit a song. I think the deadline was accidentally set to 10 or 11pm instead of 1pm today (unless 10pm was the intended due time). XD
  14. Congrats @anachromium. And GJ to everyone else.
  15. Also, just for clarification: The record crackling and sound of a needle dropping are done purposefully in my song (it's not it hitting vol ceilings or artifacting). Although I made the joke about band class, I wanted to give the song an 'authentic' feel to it, like old mono phonographs and record players. Was me kind of remembering the old days when my folks would play old jazz and blues from RCA and Atlantic record labels back in the day. I feel old now... xD >.<;
  16. I think I might parody it a bit... >_>; Gonna have fun with this. ♡
  17. Woot. Quite a few people in this time. See y'all after voting. o/ ♡
  18. @Wassup Thunder Hey! Nah, it's way less the factor of I "don't like the critiques". I am very grateful to get them!--I think my issue is, like you said, addressing them adequately to learn better technique and, thusly, grow in skill. It was simply I noticed that dissonance is a big flaw for the moment, and I'm just trying to sit here and think of ways to fix it (or be able to). I think the problem is there's a lot of sampling I have to work with, so yeah. Yes, BandLab / Cakewalk does have it where if you right-click on a sample, you can change the pitch, (sharpen or flatten)--unsure about actual key. I'll have to further look into it. :S Might just have to look up basic tutorials on DAW and key changes, see where that takes me. Might be a simple matter like with EQ Bands, and messing with it enough times to be able to "listen out" for dissonance in harmony and adjust for it. BUT, if people have general ways to deal with it properly, just say. ^^ Always good to take on pointers. xD TBH, the song I queried to the judges is like the 2nd one I've ever composed--so it had very little in the way EQing or general balancing passes, if at all--so I am not overly surprised at the result. Honestly, I was taken aback happily at the fact someone gave me an in-depth reply with some coaching / encouragement with it. Way different than the form rejections I used to get when I submitted a work of fiction writing to a magazine or such, so it was a nice, refreshing, different take. I'm glad that it's not super often, the dissonance issue, but it cropped up often enough to ask and see if I can make it better. And well, you're absolutely right, and TBF I'd rather have a polite but informative rejection rather than a form letter just saying "better luck next time, kid." xD But thanks for the words of encouragement. ♥
  19. I also feel real stupid asking, as most people probably grasped this off the bat, considering key sig and tone is music 101...
  20. Ah I see. Sorry it took me awhile to reply. I do have a question though for everyone, but unsure if anything can be done about it. I see an overwhelming amount of commentary on my work so far be concerned or bring up the problematic aspect of key sig issues, abrupt changes and dissonance in my songs. I'm not sure how to rectify it. I can't really "ear" it, it seems. And, after getting back a first-time rejection letter from OCR yesterday (didn't make it past the first peer review), same thing applies--and I don't know how to fix that, whether it's discrepancies between MIDI and samples or two different MIDI...and I feel it's killing my chances at making even decent songs. I also get the occasional "song has no space" from certain individuals, but I'm trying to work that out by simply pulling out overcrowded areas (I tried that in Tekno-Saviour) and play it with dB and vol to put instruments in back, mid, or foreground. But yeah... Any tips? I'm unsure how to fix this / these problems, genuinely.
  21. @TheVideoGamer I'll keep that DAW you mention, LMMS, in mind. TBH starting next month or something I might try the move to using more legitimate DAW to work with. Just wish I had a MIDI keyboard and pads to work with lol. Feel off with a typing keyboard and mouse.
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