Rexy

I think the files have to be uploaded with the appropriate info about them... and then there's the set release date and exposure to OCR's page. Simple as that. Although you can quote me wrong if i'm off-course with all this.... Anyway, I can't say I followed this project from the beginning, but I want to congratulate you and the mixers for putting the project together, DS. Although i'm not entirely familiar with the Kirby series I'm sure there'll be some good stuff coming out from this established OCR project especially with the lineup and promising concept that's at hand here. Again, well done for getting this firmly established!

I think the "why should you hate him" part was in relation to Larry, Nuts.

First of all, well done for shaping this project up over the past year-ish or so. I've got keen interest in seeing what will come out of it, especially with the slew of mixers on board. I wish all mixers the best of luck with what they do. Also, you think it's right that I drop some light critique for Ben's track here before it gets uploaded? Or is he unable to access it again? Speaking of critique, I hope to offer some last minute pointers to some of the tracks in the making if needed. Yes, I know i'm meant to be doing that sort of thing at VGMix, but from what i heard from a few people I know, OCR needs me more than them. Again, best of luck for getting the project secured

Black is the new black this season. Interesting tactics Paige (although I've yet to question how you can actually influence the judges to be in favor of me when I often take their quirks to heart anyway ).

Aw, don't feel too bad because the Judges' Panel aren't too hot over your work. I mean, look... Hemophiliac and Red Omen have tracks on Kong in Concert and they didn't get past the judges; neither did Jayson Litro when sending his track from Hedgehog Heaven. And heck, I've also got more rejections than actual postings! So just because the judges didn't like them doesn't mean that you're going to struggle with your effort. As far as we're concerned we really need the help over at this end of the field. Don't feel discouraged. There's still room to polish up your mix for a resub, and even if that doesn't happen you can still work hard on your efforts over here. We've all been down that path, I assure you.

Like I said to this user earlier, it's good to see him think hard for Valentine's Day, and the results are very sweet and reflective so it seems. I can't say I'm too much of a fan of the compression here, but that's understandable given how long the mix is as well as the ideas that were all incorporated into making this possible. I'll see if I can bring in a more detailed scope on this via quoting my (semi-old) VGMix review for it. As a whole I really appreciated the softer side as shown by him, and much of the tech elements have been intact to help make this shine. Likewise with the judges I still have a bone to pick with his orchestration techniques here, so with some thought on varying velocities/timings/attacks etc there could be some stronger results out of there. But nonetheless, even though I feel really bitter towards the whole aspect of Valentine's Day (please people, think about the singles!) I can't help but appreciate a lot of the ideas that came together. So yeah, kudos to goat for developing another fine mix to add to his extensive library.

As much as I love to support Paige in the whole thing, isn't hogging the poll cheating?

Considering you want this to be the first official VGMix soundtrack project I'm guessing there's still a feud against the site (j/k) wish I can help fill a spot but I've been torn away from college music labs for 4 months I could provide vox services if anyone wants them, though.

Technically speaking I'm an alto, so my range is from F2 (the F below Middle C) to D4. I did go as extreme as G4 as shown here but there's no way I'm doing that again in a fair while So yeah, I hope this helps out ^_~

If that's the case... yeah. Guess I'll need to send my Competition Menu mix to Snapple soon And yeah... I think I was a bit sluggish when catching onto that o_o

I think it's one or both, but finished songs must NOT be exposed to the public before the project is released

I've been meaning to see this sooner But yeah, it's great to see that House has been able to adapt to the site with what he has done here. Personally I didn't see it to be that conservative, although given the course of the mix I understand where the judges are coming from. But yeah, I was still able to enjoy this, and it's good to see him came forth with his debut. I might as well quote in the review I wrote for it at VGMix for a more detailed emphasis. Long story short, out of all the mixes I've heard from House I found this to be one of his better ones. In fact the one thing that irked me more than anything were some qualms relating to light drum imbalance, but that can be looked away from easily. So yeah, this is very powerful stuff from House, and it'll be interesting to see him keeping on contributing towards the site in the future!

Hey, all I wanted to do was explore other game scores outside the few that I've played I mean, look, I haven't even played any of the Tales games but I was still game in making the music possible. And Master Link, yes I am available for the task

Now that you mention all this, I'm just concerned over how far I've gone. i've sent my finished Competition Menu mix to KFC yet Snapple was still to get exposure to it; meanwhile with Angel Island he claimed that he'd fix the bass for me before I send off the finished mix in KFC's direction. So I take that i'm roughly up to date?

Paige, do you promise to at least link the remaining VGF episodes once you're judge? So much for gradual releases of the remaining MP3s over the summer

I can't say I'm necessarily the best to critique artwork, but I am impressed Never thought I'd see them fit on that angle, and the shades on the image are also well thought out. It'll be interesting to see how this project progresses... although it makes me wonder, whatever happened to hearing into each other's tracks for feedback on their WIPs? Nonetheless, i'll still be there every step of the way!

That reminds me... sorry if i'm a little late with the response Robbie Let's say that yesterday's schedule was given a light revamp for what it was. But nonetheless, I still want to offer my input on it very soon, I assure you. Anyway, somehow or other I'm pretty interested in how this project will turn out, and i'll show that with my support when required. Best of luck Walan!

They want the final WIPs in for July 1st, although knowing you you'd come up with solid stuff rather quickly

Well it would have been easier if you would have downloaded a plugin for Winamp that would play the original GYM file O.o Mind you, if it's a MIDI you're looking for there's one over here. I hope it helps out somewhat!

I managed to listen to it Blue; sounds neat, I can tell you that, and I feel it's one of your better efforts IMO. I'll have a review done soon, I can assure you. But in terms of getting it on the project, I think you're a little late. The tracks that are done for the project aren't meant to be released until it's finished. I think you've gone as far as devising music for it the wrong way round. Mind you, if you want to join the project and have a stab at another source (and we desperately need someone for Boss 1!) I hope you'll be able to follow what the project coordinators are expecting. Thanks for taking interest!

You know, I have a bone to pick with the DoD right now. I took part last month with a piano work and gave it my all with the performance and tech aspects, but it had to get shunted into the bottom half, behind a lot of straight covers and quirky metal. DJP is right in saying that the contest is on a metal bias, and thus I can't really say I'm totally happy with how the contest is run. Course, some of those thoughts are easing up a bit but I'm still pretty much angered over the whole thing. Okay, rant over. ; If you want to respond back to any of the above, just send me a PM. Nonetheless, Darangen has been exploding lately with his work, and his incarnation of Terra has managed to prove just that. There's a lot of variance on the theme as well as some great technical work to match up to the same level as that shown on "Warriors of Light", so we should be in for some worthwhile treats around it. Mind you... wow. I can barely find much wrong with this at all. Maybe some light EQ tendancies taken to the acoustic guitars to make them clearer than what they were? They still sounded sweet nonetheless. And a direct posting from DJP? That is showing the level of skill Mike has faced. And to think he got constant rejections from the panel three-to-six months ago! Nonetheless, be sure to keep up the good work, and a happy late birthday (May 31) too!

Pink and black... mwahaha Just out of question, I know that the show's gone AWOL for a bit but whatever happened to the torrents for 50+56? Or are they being reserved for different torrent feeds altogether?

For your information that's a 2-part battle (and an awesome one nonetheless). First part has you fighting against normal Metal Sonic, just like you did at the end of Sky Sanc with Sonic/Tails/S&T, and that's where the Final Boss music is played. The second part has MS using the Master Emerald to charge into Super Metal Sonic, and you fight him with the Doomsday music running in the background. Kyle, whatever happened to your Sonic knowledge these days?

Even though i'm unable to mix or anything as of now (I still have done my FotS incarnation for the deadline though), i still hope to offer my vox to the project if anyone wants it

Kyle, that's the final boss, not Doomsday