Geoffrey Taucer

Where is this picture? I've been looking for it but haven't been able to find it.

If it's the weekend of the 29th, that should work out perfectly for me, so long as I can stay in NY overnight (Zircon, your house still available to crash for a night?)

Y'all'r gay.

No, it's just a wah, not a volume/wah. Powersource was still connected. If it was because I stomped it incorrectly, then I stomped it incorrectly on about fifteen attempts hooked up to the computer, and have never once stomped it incorrectly hooked up to an amp.

For some reason, my wah-wah pedal doesn't work in conjunction with amplitube 2. When I run a signal from guitar to wah-wah to amp, it works perfectly. When I run a signal from guitar to wah-wah to mixer (and thus to amplitube), it works fine when I turn the wah off, but when I stomp it to engage the wah, the signal gets completely muted. Any ideas why this might happen?

Months and months. I have at least two mixes that have been "in the works" for over a year, and one that's been in progress for well over two years (though admittedly I haven't actually touched it in well over six months.) The reason is that I rarely get a chance to sit down and spend several hours on a song; I usually spend an hour or so, then come back to it and do a little more a few weeks later, and so on and so forth. Combine this with the fact that at any given time, I probably have four or five WIPs going, which slows me down even more.

It's a character theme. This character is a somewhat of a maternal figure for the main character of the mod. She's very kind, but also has a bit of what you might call Irish attitude. I intended this to be a WIP and was planning on extending it significantly, but the guy in charge of developement said it's fine how it is, and won't need to be any longer. I may end up extending it anyway, though. Thanks

I think one thing that makes OCR so lasting as a community is the way it's grown beyond the original draw. I mean, yes, it's still largely about remixing, but I could remix just as well (in fact probably better) without spending hours a day browsing the forums and chatting in #ocremix, and without ever going to an OCR meetup (supercollabs born at meetups notwithstanding). At this point, one of the biggest things drawing people to this community is the community itself. More than half the numbers saved in my cellphone are people I know from OCR. It may be because of the sheer size of the community, it may be because an artistically oriented site tends to draw the more dedicated and/or more intelligent gamers, or it may be something I haven't even thought of yet. But the fact is that being a part of the OCR community is something that a large number of people consider to be worth their time on a continuing basis.

First two and a half minutes are a lot more drawn out than they need to be. Just get to the point. The next section is brilliant. Impressive job of mixing a very difficult source in an extremely difficult time signature. Cool sliced voices at the end, but why only at the end? Why bring in an idea like that in the last ten seconds of the mix, and not expand on it at all? Overall, this mix seems like a montage of ideas. Mostly very good ideas, yes, but it's still a montage.

Actually, it genuinely IS over 9000, if you remember... "This baby can take temperatures up to 9000 degrees"

Your mom is bland and uninteresting. This mix, however, is not.

I've always thought this was an extremely difficult track to remix, because the original was so good already, and fit so well in it's own style without any changes. I have definitely heard a few mixes of this which utterly failed to do justice to the original. This, however, is not one of them; this is quite good. Props.

You can all suck my balls. [/shameless bump for attention]

I forget, what was Ness's intro?

Toejam and Fucking Earl EDIT: link fixed Got a link?

Very nice, if a bit disjointed and medley-esque.

Toejam and Fucking Earl We are jamming on that theme. I don't give a damn what anybody else says, we're jamming on it.

Odd, creative, quirky, and fucking brilliant. In other words, it's everything you should expect from Mazedude.

Haha, this stage looks awesome!

A halfpipe could actually be a pretty interesting stage; no way of defeating anybody except up top. Any other attacks would be useless, especially if your opponent can tech well.

I think we have a winner. I'm going to work (ie the gym) as Sabin from FF6.

You know, aside from being fucking hilarious, these are among the best and most accurate reviews I've ever heard. They're all dead-on. Bookmarked. How often does he post new ones?

What sequencer are you using? Most commercial sequencers, and even a lot of free ones, can load VSTs. If your program can use VSTs, get sfz and a good drum soundfont or two. I reccomend the ken ardency kit (available on soundfonts.darkesword.com) or ns kit free (available at natural-studios.co.uk)

How does one install these into a wii?

Really nice fusion of elements; some orchestral, some folk/ethnic (I LOVE those ethnic woodwinds), some electronic, all brilliantly woven together. Some of the brass later in the piece seems a bit overly bright and forceful, but otherwise production is flawless. I look forward to hearing to Beckett's future work, and I'm seriously considering getting Stuntman: Ignition for no other reason than that he worked on it.