prophetik music

your roomies are absolute psychos. when can i visit?

...about a year ago, wasn't it?

yessir 10chars

i'm already scoring a game for xbl, so i know a little bit about the technical limitations and what not. i'll send you a pm with the writeup thing i send to most people looking for a composer. also, you're in the right forum =) don't worry about it.

don't know crap about music? what a tard. like that poster (who i doubt is over the age of 16) knows anything about what we do here.

wait, WHAT???

can i point out i've got 74 posts in the project thread (total: 714 posts)? that makes me kind of important, right? edit: ninja neko, i KNOW! there were people there saying that this site's quality level has dropped off recently, and nothing beats scott peeples. i mean, seriously! scott peeples!

torrent works fine for me, but the ocr tracker is on and off.

hey, this whole thing is really great. congrats to everyone who contributed.

hey, this album is absolutely awesome. i forget whose little brother is the one yelling, but it's really funny.

two questions. 1. can anyone give me a step-by-step explanation of how to rewire gigastudio 3 into either FL Studio 8, Sonar 8, or Cubase 3? i'm trying to use one of those programs to send midi data to gigastudio, have gigastudio play that midi data with the giga files i load, and then output it back into the DAW. i don't have a GSIF sound card, so it's as good as i can do it. 2. since gigastudio is a horrid program that never really works right, is there an alternative? i know kontakt 3 can handle giga files, but you can't use the vienna symphonic library performance tool if you use kontakt (which is the whole bloody point of the library). thanks in advance. i'd just buy the GVI (giga virtual instrument) if i could justify paying 300$ for old technology that's not supported by anything - including windows xp sp3 - anymore.

boy, i love how he followed the standard immature fanboy path of ripping on something (hoshits scuba divers more like stupid divers amirite) and then justifying it (donworry i like the grammar club they're so great groinlol). ________ no, wrong side of PA. i'm near jamestown. if you decided to come to mag this year, DA, you'll meet me. but you'd have to actually come and visit. haven't you had a job for several years now? you've got enough saved! you can room with other OCR people, and never even tell them your name! edit: so, i just double-posted unintentionally for the first time in like three years. durr.

not everyone knows about the tags yet, kyle. don't pound a nub just because he's ignorant =)

ah, the OP is a hack. you could give him doug's percussion remix and he'd think it was a guitar.

thanks for letting me know that you're dropping one of the biggest tracks in the project don't do the white knight thing for this nub, miku. no one cares. roman numerals are useless with pop-ish shit like he's drooling over. i stated this, but attempted to explain it anyways.

love the middle synth-only section. i used to crank that constantly.

i really like ffmusicdj's string machine remix. that's one of the first remixes i ever heard on this site.

i think i'll be in PA that night celebrating my bro-in-law's birthday. i'll try to get on, but no promises.

wait, cpu only, right? your hard drive would be fine, wouldn't it? also, phenom II's have a low TDP, so as long as you actually put thermal paste on the cpu it'd probably operate pretty normal for a little while before the dissipation factor of the heatsink was overtaken by the cpu under load.

it's because we lurked in it for years waiting for the project to be finished. those views came way before the project was released.

i'm well aware that those chords exist, man. everything 'exists'. the difference is that he was asking about using Roman numerals to describe them, and we said that you can't do that because it simply doesn't fit. i'm well aware that there's more to music than theory, but he asked about theory, and i responded in kind. the whole point of theory is blindly following instructions that don't make as much sense as you'd like. i rarely compose using perfect voice-leading and chord structures. when i talk with college professors about theory, though, i need to be able to speak the language. no, no one uses +III chords in minor, because they sound horrid and there's nowhere to go with it. can't you read? the chord structure is primitive. i suggested a way to make it more auditorily interesting. considering i'm the only published composer in this thread, and the only currently composing-for-games composer in the thread on a VG music forum, i'd like to think i know what sounds good and what doesn't. take it or leave it. edit: where's my LAProject track?

i know level 99 hasn't seen it yet, but he'll flip a shit when he does. i'm sure he'd house you, and he only lives an hour or two from the con site. aeroz knows level 99 very personally, if you know what i mean.

just wanted to make sure i got the right stuff, that's all. goodness knows i don't have a backup of this stuff.

i was busy!

the site will give you the tinyurl and everything automatically. so good!