djpretzel Posted January 11, 2006 Share Posted January 11, 2006 What did you think? Post your opinion of this ReMix. Quote Link to comment Share on other sites More sharing options...
The Xyco Posted January 11, 2006 Share Posted January 11, 2006 Jeremy Robson has one hell of a knack for fine arrangements. His ability to manipulate music is fantastic. His only weakness I've ever found are some of his brass samples, particularly on the lower notes. For this ReMix, however, the brass sounds significantly better, and serve as no detriment to the fantastic arrangement here. I'm not familiar enough with Russian composers to make any statements regarding the themes used here, all I can say is that this is yet again a very lively and well-pieced orchestral ReMix from Jeremy Robson. And given a name as familiar as his, what else could you expect? Quote Link to comment Share on other sites More sharing options...
Astantia Posted January 11, 2006 Share Posted January 11, 2006 The drop in pressure at ~1:30 is amazing, I love it. The entire track is intriguing and lively, and I can hear the 'Russian' feeling very plainly, although those lighter points at ~2:30 is very powerful, not in volume, but just in emotion. I give a 9.5/10 Quote Link to comment Share on other sites More sharing options...
Bummer Posted January 11, 2006 Share Posted January 11, 2006 I'm not very familiar with Russian music, but i can't say no to a remix from Robson. There's a whole lot of strings in this arrangement, I can say that, and I liked the flute that this remix began with. Although I don't know much of Russian orchestra, I still felt that Jeremy captured the feeling with the strings he used. They didn't always play a certain note, they played more randomly, like if you listened to a swarm of flies. This whole arrangement made me think of those huge danes the tsars used to arrange, a giant hall where the nobles did their dance on the floor with some fine classical music to dance to. It almost makes you forget that this is actually a remix. I did however recognize the happy melody of "Can you fly, sister?", it got a very beautiful feeling to it when the flutes played it. Yeah, that's SD3 alright. Quote Link to comment Share on other sites More sharing options...
Anonymous Posted January 11, 2006 Share Posted January 11, 2006 There's a bunch of sections that sound like they were directly ripped from Borodin's Polovetsian Dances. This is cool, I guess, but I wish it wasn't so jarring since they are so blatant. Quote Link to comment Share on other sites More sharing options...
ubernym Posted January 12, 2006 Share Posted January 12, 2006 There's a bunch of sections that sound like they were directly ripped from Borodin's Polovetsian Dances. This is cool, I guess, but I wish it wasn't so jarring since they are so blatant. Well he did mentiona Borodin as a major influence for the style...even so, the similarities are not so "jarring." [Moderation Edit: Strong language not necessary] -Gray Quote Link to comment Share on other sites More sharing options...
Uboichi2 Posted January 26, 2006 Share Posted January 26, 2006 I don't really mind if there's something 'ripped' from another composer. Just call it a quote, it happens all the time. Robson's arrangements are really great. The samples aren't that bad either. I'd only wish he'd cut back on the reverb. Especially those fast parts sound really blurred. But that's just my opinion Quote Link to comment Share on other sites More sharing options...
OceansAndrew Posted April 18, 2007 Share Posted April 18, 2007 A little reverb-heavy, but overall a very well done orchestral remix. Very good use of samples and motifs, it has several different moods and atmospheres, and makes the source tune sound very Hollywood. Nice percussion work as well. I remember this was on the front page when I first signed up for the site. Quote Link to comment Share on other sites More sharing options...
Rozovian Posted December 6, 2007 Share Posted December 6, 2007 This is one of my favourites, ever! Those who have read some of my posts should know I avoid using exclamation marks, but when an exclamation mark is due, it's due. And there it is. His inspiration for this comes through nicely. It's an overall high quality arrangement of two probably underrated themes from sd3. Repeat: This is one of my favourites, ever! Quote Link to comment Share on other sites More sharing options...
DragonAvenger Posted November 23, 2008 Share Posted November 23, 2008 Don't know either source (it's on my queue of games to play...someday), but this mix is fantastically arranged. Emotionally charged, with a wide range of dynamics and contrasts. Stylistically sounds exactly what Jeremy was going for. My favorite part is at 3:52, where the strings build up to a huge section...only they suddenly pull back for a gentle moment. Very tricky. Great job. Quote Link to comment Share on other sites More sharing options...
Marmiduke Posted January 16, 2009 Share Posted January 16, 2009 I really love Russian classical stuff, which would surprise a lot of people that know me. But just let it be known that the influences weren't lost on me. There is a lot of Polovetsian Dance similarity going on in the mix, but that only makes me want a choral section. Overall, a classy and ambitious remix with a really rich sound. Equal parts Brodin and Prokofiev (Wiki it, people) and great representation of a style that doesn't get much attention outside of Tetris mixes (which are still pretty awesome). Some of this seems like it could work over one of those awesome Russian propagandist movies from the 20s. Quote Link to comment Share on other sites More sharing options...
Bahamut Posted November 8, 2009 Share Posted November 8, 2009 It's a shame this song hasn't gotten so much attention, much less the game. Seiken Densetsu 3 had a nice soundtrack. Aside from my irrelevant gripes, This is a nice orchestral take on the source - it honestly could fit in many modern RPGs and not skip a beat in being out of place. Just a well done track. Quote Link to comment Share on other sites More sharing options...
Rexy Posted December 8, 2011 Share Posted December 8, 2011 I do indeed hear the Russian orchestrated influence here, albeit for some reason I tend to be feeling more of Tchaikovsky's upbeat influences within it And my expectations on Jeremy's work are often reflected here too - taking the theme and fitting it within a relevant symphonic expression. Something about this kind of reminds me of the similar expansions done for the Final Fantasy 7 Symophonic Suite's Finale that he worked on in terms of tearing the source apart; these may be different in tone, but the ideas are present and have expressed it in this fluctuating-yet-bouncy setting. Nice work. Albeit, the orchestra sounds may even sound slightly dated in comparison to current standards, something I'm most commonly sensing in the woodwinds more than anything (and occasionally the strings but some of the attacks and tremolos are still very well worked on), but for its time it hits the sweet spot when measured up to his already fantastic way of writing. All in all, a very well done track! And please come back soon, your style is close to being missed D: Quote Link to comment Share on other sites More sharing options...
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