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Found 11 results

  1. I realize that I posted a different track earlier, but I just finished this one today and I feel that it's probably a better suit for Overclocked Remix. I used themes from Lon Lon Ranch and Kakariko Village; this was partly inspired by the tavern in Link Between Worlds, where the musicians there would play themes from different area's/games. This idea for this piece is that you walk into a tavern playing the Lumpy Pumpkin Theme, but the players also mix in elements from other games as well. If this site has a rule against Soundscape elements (ie, tavern background, beginning and end), please let me know; it's too easy to remove it. Enjoy, and let me know if it has potential to be submitted here! Original: -Juke
  2. First submission here, I wanted to share my orchestral remix of DKC 2's Haunted Chase. Mostly orchestral...I added in a bunch of door slamming type effects to capture the feeling of going through the level's gates. Please let me know if this might meet the criteria for OC Remix or not. Thanks! Original: -Juke
  3. Hi OC Remix! I want to share my newest arrangement, intertwining the the themes of "Terra" from FF9 and "Phantom Forest" from FF6. These tracks both introduce new, mysterious locations to the gamer, twisting what they've learned so far in the game. Ironically I just happened to listen to these songs one-after-the-other in my playlist, and immediately heard the similarities! My arrangement strays from my usual style of upbeat remixes.. It felt weird to me to keep a beat with barely using any percussion. I hope you enjoy listening to this! I'm open to any comments and feedback, and greatly appreciate your time listening to my music. Thank you!! My ReMix: FF9 Terra Original: FF6 Phantom Forest Original:
  4. Hiya everybody, hope you all had a good New Year! Posting my third upload here - It's a meditative Orchestral Arrangement of the Song of Healing from Legend of Zelda - Majora's Mask. The link to the Soundcloud page is below. Tried to make some changes to the sound in this piece, especially in the strings. Brass sounds a bit too artificially bright, but then that's NotePerformer. Will be putting it through a Sample Library when I get one connected to my Kontakt!
  5. Hey all! I wanted to share my latest project with you. I've been working on re-imagining the soundtrack to Chrono Cross as if it were a film score - classic symphony orchestra and all. What I'm sharing is the 2nd track on the album (I'm currently writing the 4th) of around 12 or so. I don't mind feedback, but mostly I wanted to share this with other fans of the series and get the album a little exposure before I try to kickstart a release later this year. I hope you enjoy it! I also can post the 1st track and parts of 3 and 4 if anyone is interested! 02 Far From Home - Cross Symphonic P.S. sorry if I posted this in the wrong section...
  6. Hey everyone! This is my first time posting here and my second attempt at remixing so I'm looking for some feedback. This song, the Lanayru Harbor music from The Legend of Zelda: Skyward Sword, may seem like a weird choice but the song always stuck out to me. One day it dawned on me that smashing the song Augusta, GA by Into It. Over It. and the Lanayru Harbor song together might yield something cool. Well, this rock remix is what came out of it. I'm particularly looking for feedback on the mix since that is something I've never been good at. Also, the song is pretty short, but both of the source songs are pretty short and I couldn't come up with anything to add length that didn't sound forced. Thanks!
  7. Hello, after posting my first remix here not long ago I tried to use your feedback and made a second one. I kept this in a more classical style. What do you think? Sources from the Game: - Prof Oaks Theme: - Prof Oaks Lab:
  8. Hi Everyone. This is my second post in this particular forum. Owing to the sheer size of this piece and the number of soundtracks and tunes used in it, I very much doubt this piece will ever be considered for use in OCR by the Judges if submitted, but I wanted to post it here and tell you a little about it. This work is a Symphonic Poem for a full Orchestra, entitled "The Creation of Hyrule". It is based upon the music and Soundtracks of several games in the Legend of Zelda Series, and was inspired, in part, by the music of the Symphony of the Goddesses Concert. In May 2013, I attended the Symphony of the Goddesses Concert in London. The performance was by the Royal Philharmonic Orchestra, conducted by Eimear Noone. The event had a huge impact on me; it really opened my eyes up to how powerful the score of a Videogame Soundtrack can be, and how an Orchestral force can truly magnify the music that an 8, 16 or even 32-bit systems can only hint at. Later on, as Technology developed, music seemed to be taking a more prominent place in the Videogame industry when an increasing number of series employed Orchestral recordings as their soundtracks. The music really takes a listener on an amazing journey through Hyrule with Link, and was a roller-coaster of emotions for me. After attending the Concert for the third time in April 2016, I decided with complete conviction, while standing outside the SSE Arena in London (where the event took place) that I wanted to be involved in such a wonderful and incredible venture, and thus decided to write a work of my own. I was trained in Composition, Orchestration and Conducting at University, and I felt that this was the perfect opportunity to put my skills to use, to show the Producers and musicians involved what I could do, as well as what I could potentially provide them. I hit upon the idea of writing a Symphonic Poem. A Symphonic Poem (or Tone Poem) is, by definition, a piece of Orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. While many Symphonic Poems may compare in size and scale to symphonic movements (or even reach the length of an entire Symphony), they are unlike traditional Classical Symphonic Movements in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of Musical Form. In short, the composition tells a story through the music. I chose the name "The Creation of Hyrule" as the structure and scope of the piece was inspired by the Symphonic works of the composer Gustav Mahler, who equated his Symphonies as "Symphonic Universes", where each Symphony simulated the construction of a World. I attempted, out of my love for this ideal, to replicate this in the music. I initially set out to write a 25-30 minute long composition, which I estimated would take 6 to 7 months to complete. It ended up being double that length, taking just under fifteen months. I simply hadn't realised just how much music there was in the Legend of Zelda Series! The work itself is half Composition, half Arrangement. It contains original work of my own, as well as numerous themes from many different games in the Legend of Zelda series; some as they are in the game, others slightly altered, or even simply the melody/rhythm used, sometimes combined with work of my own to provide a contrapuntal counterpart. But for the sake of the Disclaimer, I am attributing the work to Kondo Koji and Wakai Hajime Senseis, who composed the majority, if not all, of the themes included in this work. It is also my wish to offer my deepest and most heartfelt thanks to those whose talents and actions have inspired and motivated me to create this piece, and for bringing the already magnificent music of the Legend of Zelda to the World in such a way. Without doing what they have done in becoming part of this amazing Concert series, I would never have been inspired to write this work. I really owe them so much in the way of thanks and hope that this work upon which I have laboured out of love for over a year can go some way in expressing that thanks.
  9. My current draft of my cover of Hateno Village's theme. I had heard the track an 8th note off from what I believe the intended rhythm is, and I kind of preferred it that way, so I made an arrangement based around that. Let me know what you think it needs! Original:
  10. my first pass(tell me what I can do better, especially to balance out the mixing): Source:
  11. From what I can tell, the original doesn't just use notes from a normal diatonic scale, but I can find it hard figuring out some songs so I could be wrong. Will extend it later. Remix: Thunder M.mp3?attredirects=0&d=1 Originals: