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Showing content with the highest reputation on 09/09/2018 in all areas

  1. These reasons may seem true for you personally, but I disagree strongly with both as generalizations, and they certainly aren't true for me. They're also both kinda-sorta saying the same thing, re: ownership and that being the primary sticking point, creatively speaking. My more-than-two-cents: I think of my mixes as my own AND as collaborations with the original composer's ideas. I don't think it has to be one or the other. I actually tend to think of ALL artistic creation as a collaboration of sorts, even the most personal works, so it all lays on a spectrum... not a Boolean. So this is a false dichotomy, to me at least. I've heard hundreds of arrangements that brought original ideas to the table, relative to the source in question; a musical work's status as an arrangement carries SOME obligation to reuse ideas, motifs, etc., but within that framework artists can be quite creative, as we've seen over two decades, and outside of that framework, making something original, artists can still be quite derivative. So again, the premise seems weird to me, too much hinged on some notion of personal ownership being the end-all be-all & offering a stamp of great meaning & significance. My answer is that I still do it, primarily because there are still plenty of melodies out there that I want to hear a certain way, that I can bring something to, and make something of worth that I enjoy and that others might enjoy as well.
    3 points
  2. Damn you're old, and you're probably younger than me. I don't remix anymore but that's because I've been burnt out for years. Moving a few times, getting married, having to take care of my house and yard and stuff like that has all worked against my desire to sit down and create music. That said I actually don't care much anymore about whether I make original music or remixes, to me it's the enjoyment of creating something, and game remixing works just fine in that regard for me.
    2 points
  3. The People's Remix Competition 380 PRCv15-16 Hello everyone and Welcome to the People's Remix Competition! In PRC378 four remixers entered (1 of them was a bonus mix), but only one of them got the first place: Starphoenix He picked the source for this round. Source: Legend of Mana - To The Sea MIDI File https://www.youtube.com/watch?v=f6QCNRRA1x0 Source Information ThaSauce link: Click here to submit To submit a song at the compo page you can use the ThaSauce page. If you use this, an account is required. If you don't want to use ThaSauce, please upload the song somewhere else and post a download link in this thread. I recommend Soundcloud, don't forget to allow downloads to enable me to upload the song at ThaSauce. I will keep using ThaSauce as the place where all songs are located. If you want to use ThaSauce, the following steps should be done. Click the ThaSauce Link. Click the 'You are not logged in' button in the upper right. Click on 'register' (at the bottom). Read the terms and click 'I agree to these terms'. If you don't agree with them, upload the song somewhere else and post a download link as mentioned above (by doing that, you allow me to upload the song at ThaSauce. Continue the process by filling in your information. You will get a question to confirm that you're not a robot. Here are some possible answers: Name a compo: PRC Who organizes One Hour Compo: Starla Name a ThaSauce subdomain: compo.thasauce.net Who created Mega Mans: Capcom A confirmation mail will be send. There might be some issues with it (meaning that you don't get it), if that is the case, upload the song somewhere else as described above. Once registered, login with your username and password, go to the mentioned page and submit the song. If you want submit two or more songs you can create multiple ThaSauce accounts or upload the song somewhere else and post the download link. After uploading your song, please check if your song plays and can be downloaded and played without problems. Only upload MP3 files. PRC instructions The deadline is Wednesday September 26th 2018 at 10:59 am ThaSauce time (18:00 UTC, 19:00 GMT), check the ThaSauce page for the exact time left. Make sure that the song is uploaded to ThaSauce or that there’s a download link posted in this thread. Currently I set the remix period at three weeks. You may enter as many mixes as you like and work with as many people as you like on each mix. You are free to create a second ThaSauce account for that if you use ThaSauce, it's needed to be able to upload a second remix if you use ThaSauce. Of course you can also upload it somewhere else and put a download link in this thread. Do not make qualitative comments on an entry until the results of the vote have been posted in this thread. Mixers cannot vote for themselves but if they vote they receive a free first place vote added onto their score. The winner of this round may select the source for PRC382, the round after next round. The winner of PRC378, Starphoenix, who picked this source, can only participate by submitting a Bonus Mix. His vote is doubled in the voting stage. You can find the full rules list at this page as well. GOOD LUCK! PRC ThaSauce Home Page!
    1 point
  4. That's completely cool - no need to play devil's advocate, because I'm not prescribing my perspective for everyone else, just saying how I see things personally. Ultimately, since I'm less motivated my marketing/commercialization, I'm doing things for myself. To me, even if it's an arrangement, that makes it more personal than if I was trying to make something marketable. I think there's a balance to be struck on all these concerns, and it can even vary from piece to piece. Having a one-size-fits-all creative ideology just makes you inflexible. And yes, to me all art is a collaborative process, because even something shared with no one else and made exclusively for yourself is the product of a conversation your mind has had with your culture, your environment, etc. The collaborator need not be human, or even alive, but is always there to some extent. To me that's not just a "nice idea," it's a profound truth, and no amount of copyright hoo-hah or commercial consideration can change it, because it's beyond that, and it's what makes art great. Again, my perspective.
    1 point
  5. What's the difference? You made it. Or you think that all your original music wasn't inspired by something/someone/anything, like.. weather for example? Nice. Therion, Hypocrisy/PAIN and nomber of other great musicians started as a coverbands. So at the end I say "Yes" to ReMixing. These days I can't find anything what I like in music scene. So many musicians! But no music. I make music for my self. ReMix, original or simply cover just for having music to listen, to feel, to enjoy. Modern stuff sounds technicaly awesome, but mostly "soulless" in my taste. Life is tough, so I don't have much time to make billions of tracks. I have 8 remixes here at OCR and somewhere around 30 at my HDD, plus 75-80 original tracks. And that's not enough. I want more. I need more.
    1 point
  6. Yes. Maybe not more accurate (equally, I'd say), but definitely easier to do and easier on the CPU. Also, keep in mind we're working in a virtual space and probably also with virtual instruments, so aiming for accurate, realistic reverb seems ... well... pointless to me. I'd go for making it sound good over making it sound realistic any day. If you're looking at the effect of timbre and reverb, I'd say you're better off using proper gains (further back = less loud) and EQ (further back = less highs, less lows) than minutely tweaking your reverb insert to have a 0.1 change in early reflections or pre-delay. Sure, reverb would help in creating distance, but I'd go as far as to say that using the right volume levels and proper EQ-ing the instruments properly will help you more. I hardly ever add reverb to my bass or kick. IF I do, it's a subtle bit of my early reflections bus and maybe a bit of my plate bus. Also, I know I'm starting to sound like a broken record, EQ your reverbs (which you can't do if you use it as an insert...) and simply cut off the low freqs there (I usually high pass at around 200hz). Anyway, since you seem to be dead set on sticking with multiple inserts for your reverbs and you seem to be happy with the results, I will leave it at this.
    1 point
  7. I'm more or less in the same camp as Jorito. I do remixes mainly because they provide learning opportunities and make for very concrete projects. I love to give my favorite tracks from the olden days a sound update so I can enjoy listening to them even more. I always want to add a bit of a personal touch to remixes so they kind of feel like my own. For the moment I am also my own primary audience, but seeing how many other people love video-game music I figured I could just as well share my productions with them. I'm not in the pursuit of a career in music. I think the opening post did provide some good food for thought. Do I just want fanboys to drool over my remixes and disregard me and my original music? Am I just there to feed their nostalgia? Are the people who grew up with the same games and soundtracks that I grew up with still out there, looking for related remixes? Or are we dealing with a new, much younger audience who's first shot at a Final Fantasy game was FF13? How remixable are modern soundtracks anyway, what with them being already possibly fully orchestrated? In other words: is remixing worth your time and effort in the grand scheme of things? I suppose remixing could be someone's main selling point, but if you also want to be known for your original stuff, that's going to be tricky. When I was still on deviantArt I really wanted people to see and appreciate my original drawings and digital works. Problem was, I had built my audience around nature photography, so no one really cared about the things I really cared about... I think you'll find yourself in a similar situation when you do remixing and original works. PS: I also wrote a massive rant about the problem with consumerist audience, the distance there always is between composer and audience, the question of why you do the things you do to begin with and about TV talent shows and how we're all looking for that ego boost which basically looks like this: “Nice work!” , “Thanks! I'm glad you liked it. (feels loved)”. I was going to post the rant, but on second thought, I better not right now. :D *uses the Force to hit the Submit button*
    1 point
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