Emunator

Well, in his defense, I have gotten a handful of island/reggae-themed WIPs so far I forgot to mention this earlier, welcome TenchuX to the project, he'll be doing an ethnic/electronic fusion for Cranky's Dojo. He's only showed me a short WIP but it's pretty solid-sounding so far

Kill the dissenter!

Tough shit!

I find it really hard to believe that you all weren't able to implement a MIDI rip feature with 90% of the site funds. It can't be that hard

THIS PROJECT IS CANCELED! I, for one, welcome our new Remixinator overlords.

Wow, this is a really unique concept, way to step outside of the box Sub this now!

The Vagrance brings up a pretty good point, when you're going to go gritty with a song you need to break it up so it doesn't wear on the listener. A lot of the effects you've got going are really cool, and I'm especially loving the drumwork. But it's too relentless for my tastes. Very cool processing, effects, and some brilliant percussion though. Do something different with the arrangement a few times to chunk up the song and you've got yourself a remix that could definitely pass through the panel. Keep at it!

Alright, I've been talking this one over with halc and I think I like where you're going with this for sure. The smooth chord progression is really the most gripping part of the song for me. Such a good sample and such jazzy execution However, I think the rest of the mix falls short a little bit. The first lead synth you used seems like an odd choice for such a smooth song, I'd experiment with some other sounds if you're not dead set on that one. The other sounds aren't too bad, but all of the leads seem marred by some minor, but noticeable timing issues. Especially in the intro, your lead doesn't always seem to match up with the timing of the chords, and coupled with the long gaps between every one of your notes, it just sounds awkward at times. I'd recommend throwing in more legato/sustained notes or even using some creative pitch bending to give the leads (especially during the solos) some more personality. You want your melodies to flow to keep the whole song sounding smooth The soloing is really pretty creative and well-executed (aside from the aforementioned issues) but it's all lumped together in the center of the song. If you'd be willing to take the time, I think chunking it up and interspersing the solo sections with source material would greatly improve the arrangement. The drums, too, seem like a bit of a weak point in the piece. They feel relatively static throughout the whole song and don't change up much to match the mood, and I think you could easily incorporate some more intricate drum writing to heighten the energy of your remix at the appropriate times. All things considered though, this sounds good Keep working on this, you've got some great potential here!

Well, it sounds really close to the original. It's a nice slight sound upgrade but it feels so similar in arrangement and style to the source that it's hard to really comment on it as a remix. Personalize this a bit!

This is really weird, haha. Great source tune, and some good instrumental choices. I'm not feeling all of the drum sounds that you used - I don't know enough about drums to give you the exact names, so maybe someone can help me out? Some of them just break the otherwise-cohesive soundscape that you've got going on. The glitch effects don't necessarily seem as tight as they could be, again maybe someone with more experience can expand on what I'm getting at here :\ Cool mood, great concept, and nice sounds though Hope to hear this one moving along nicely, it's got a tons of potential!

Some interesting production effects going on here, I agree that the high end of the drums are getting washed out because you've got so much going on in the lower ranges. But since you said that doesn't come until later in your production process, I won't talk to much about that. I really like a lot of the arrangement ideas you've got here, the chillout section toward the middle is cool but I do think it stretches out too long and the transition back into the heavier section seems so abrupt considering how long that section went on. Do something to make your buildup a little bit more climactic, probably by extending the length a bit and doing some cool stuff with the drums. I'm not totally enamored by the bass writing, but I suppose it's not bad. I think you could do something more melodic with the bassline to really make the song more engaging. Great melodies/countermelodies and a pretty nice solo at the end though, I think this has got potential to pass the OCR panel once you smooth things out a bit on both the production/arrangement side. Nice work

Good work Finish this one off and you'll have something real special on your hands, I think!

It really depends on who you can find and what their preferences are - when you're collabing with someone the ball's in their court and you'll figure all that stuff out after you find a person willing to play for you. I'd finalize the arrangement first before you think about that sort of thing

Hah, I love this source You can tell that this one's a bit rougher than your newer mixes - the synths have WAY too much sustain on them. Your rhythm guitar is actually somewhat passable, but the lead guitar isn't - I'd recommend using a synth or finding a live guitarist instead of trying to use that sample as a lead guitar in the future. The sax sample too is way too weak to be reasonably passed off in a remix, I think. I know this is old but hopefully these crits will be at least somewhat relevant to you, in case you don't already know

I wasn't really referring to the strings taking a lead, but rather doing something to make them stand out just for a second or two here and there, or possibly during a transition. As for collaborating, it's really free-form. If you just contact a few of those people and find someone who's willing to work, you can either send them a project file or a MIDI notation of your instruments and they will play it live and mix it in for you, or send you a .wav of their performance and you can put it in yourself. It's not too difficult, especially if you find someone who's easy to work with

Interesting drums, though I'd wait to go full-force with them until after the introduction personally. The mixing on the track is really flat, I'd definitely work on filling out the lower frequencies a bit. In general none of your instruments really stand out, especially the organ which seems like it should be taking center-stage when it comes in. EQ that up a bit, and watch your drums too - they seem like they get a bit quieter during the second half of the song. Interesting start though, let's see where you take this one!

Hah, this certainly is creative Major props for trying out something totally off the wall that actually doesn't sound gimmicky at all. If you could expand on this with some very subtle instrumentation or simply expand on the concept you've got, I think you could make this sound really cool. The only thing I noticed that sounds off is the weird cut-off note at 1:00. Other than that, I'm not really sure how to critique this track other than by telling you to finish it!

The beat you've got going toward the beginning is really neat, but it's unfortunately just copied and pasted a bunch of times which makes the intro seem to drag. You do have some pretty interesting sound choices going on and this mix overall feels a lot more cohesive than the Arceus mix, which is a plus. When you get to the B-part of the source it especially sounds good Overall though, the mix itself does feel repetitive because you use the same loops and same sounds throughout much of the 5 minute song. I think this has some cool ideas and it clicks pretty well most of the time, just needs a bit more creative enhancements to the melody, instrumentation, or the beat. Enjoyable listen though

Mazedude and 8-Bit Instrumental both sent me WAVs today. Good work guys! Zircon's also joining on for sure now, and he's not alone. Tefnek will also be collaborating with him - it's been a while since those two have worked together so it should be great to hear what they whip up for Nuts and Bolts.

That opening note literally made me jump in my seat What Cyril said is pretty applicable, although I'd like to add that the string/piano section has some volume issues that I think could be ironed out. The strings seem too loud and the piano seems too quiet. Some nice ideas though, I especially like the bass sound and the writing itself. The synths feel almost overly distorted, I would consider toning it down a bit, or re-writing other parts of the song (like the drums) so that they complement the gritty style a bit more. You could use some pads at some points to help give things a bit of a boost and fill out the soundscape some more. Weird source too, I can't really blame you for going liberal on this one