I Don't normally dabble in the old theory threads, but I thought I might for a change, because this is a really nice track. The way I hear it:
B
and what a great way to introduce this section, coming from G#mi - a wonderful uplifting sound
F#mi
love the string arrangement in this part
C#mi(add9)
(add9) as a consequence of the melody, try C# - E - G# - D#
F#
the 3rd, (A#), isn't very prominent to my ears, but it definitely has a major feel to it
Its always interesting to see how others interpret this stuff. I've enjoyed reading this thread.