timaeus222   Members

To others: Other ways to say these things are "modulator", "FM depth", and "carrier signal", respectively. Also, you can have FM pads, e. pianos (EX: DX7, or maybe this), etc. and have them be warm even without post-processing. You'd just need to be very particular about the modulation depths and subtractive synthesis incorporation, even if it's all internal to the synth, so that it sounds swell out of the box. Mixing in a comb filter may actually help, too, if done carefully.

Browsers can change text size, dude

Either the e. piano could stand to be scooped a bit in the mids to leave room for the piano or the piano could be raised an octave sometimes. The B3's pretty muffled too, like melody mentioned.

Oh yeah, you can contact me most quickly by Skype, but OCR PM and my email are fine too.

Aside from some synths being rather resonant above 12kHz, this is pretty cool. =)

I moved myself back. I apparently lived in the mountains yesterday. =)

The video demonstration had a whole bunch of fantastic sounds, even if it was only partial coverage. <3 Inspiring, ethereal textures. I highly recommend this.

Fixed. 10char

uh das clipping bro

I'm lonely. D:

Well then, maybe I wish he layered in a music box on full blast. Great job man. Fun live work, and that really brought the flute alive the most with the breaths you took.

FM8, if you're into bells, e. pianos, etc. I think it excels at that, but there's plenty else you can do with it if you put in the effort.

Ambient Hoedown Glitch Hop.

You. >3> 10char

We'd just pick one of the games and go with that one, probably.

Happy Birthday, Larry! Keep rockin' those grandpa ears! =D

Well, it's at about -23 dB RMS right now, compared to around a (likely) normal -18~-14 dB RMS for chiptunes. In other words, the volume is about 30% lower than normal. Chiptunes tend to have parts that play a large role in maintaining the harmonies anyway, so there's less of an issue with volume here than if this was some other fuller genre.

I'll admit, at first I thought the intro had Brandon saying "Gorillas". The metal production fell a little flat for me, but ultimately it's still pretty good.

I actually meant a digital download separately, but my bad, they do. I have no idea why I didn't see that earlier. xD

I dunno, but the Transient Master component in Guitar Rig 5 saved me the $100 of actually buying it separately. (Side note: I also find it kind of strange that NI doesn't give instruction manuals to their plugins separately/for free. I mean, they're instruction manuals to commercial items. What would they lose? It's not the actual product. )

It's more hyped up than "OMGSOEASYTOUSETOMAKEGOODMUSIC". It's really not only about what you have, but how well you can use it. Getting the whole thing at once is just like buying a whole bunch of gizmos that each come with long instruction manuals. You have to learn it all, or you won't get your money's worth. Kontakt with external libraries of your choosing is a great deal that's much more suited to the person and actually reflects your likes.

Sweet synthpop, man! I liked this when I first heard it, but now I can appreciate it even more.

This is f**kin' fantastic. 'nuff said.

I rather like the playful percussion. Great job man.

AHA! ...wait, what? I'll take it! I couldn't resist working on it some more, by the way, so I sent an update.