Saunders Posted May 22, 2002 Share Posted May 22, 2002 Blaster Master 'Amphibian' Can't say I particularly care for this mix. I don't care for the samples used, and I don't like the melody itself. Each to his own I suppose. Quote Link to comment Share on other sites More sharing options...
weredragon Posted June 23, 2002 Share Posted June 23, 2002 Can you Say "Swampy Evil?" This give the feeling of being in a swamp surrounded by giant frogs. Good remix that could enhance other games (I currently have it for Upper Guk on EQ where there are lots of frogluks (frogmen), and get more feeling for it, I shrink my character). Very creepy. I like it Quote Link to comment Share on other sites More sharing options...
skawttieboy Posted June 24, 2002 Share Posted June 24, 2002 Very outta wack tune in the introduction....I still must say I always liked this level's music from the game. Something about it always just grabbed my attention....or maybe it was the whole game itself. Quote Link to comment Share on other sites More sharing options...
Mazedude Posted December 6, 2002 Share Posted December 6, 2002 Bwuhaha... boy, this one grows on you. When I first heard it ya know, I was quite biased, cause - I remixed the same level. And I did it first! Competition, heh. Anyways, yeah - this one is quite good. The heaviness is great - gives it a relentless sense of marching forward. Deadly, evil, creepy, and musically diverse to make the full song a nice listen as well as a great mood setter for the background. And that growl sample is awesome. That one sound strategically placed where it is throughout seriously adds a TON to the mix for me when I listen. Very cool. -Mazedude Quote Link to comment Share on other sites More sharing options...
Jeff Fries Posted March 20, 2003 Share Posted March 20, 2003 While I don't like all the choices made here, it sticks to the strength of the original music, and is therefore the best Blaster Master remix by default. What a sharp little tune. One of these days, it's gonna be done right. Quote Link to comment Share on other sites More sharing options...
Kaelor Posted June 23, 2004 Share Posted June 23, 2004 This Mix rocks, and should be getting more recognition than this. Even though wRenchpilot has only submitted two mixes here, he is a master of creating that evil mood that many of us find encompassing. Quote Link to comment Share on other sites More sharing options...
MaseRayL Posted July 10, 2006 Share Posted July 10, 2006 Enjoyed this one... Reminds me of "Big Fat F*ck" by Ween. Quote Link to comment Share on other sites More sharing options...
OceansAndrew Posted May 23, 2007 Share Posted May 23, 2007 This mix reminds me of a wobbly army of tiny frogs marching along. Pretty strange if you ask me. I like the burping frog. The drums are pretty sweet, but im not really digging the source itself. These things happen I guess. Quote Link to comment Share on other sites More sharing options...
DragonAvenger Posted October 1, 2008 Share Posted October 1, 2008 Strange, very strange. I can see this one some sort of 'Sorcerer's Apprentice' scene. Thousands of frogs, all looking at me... Nothing really wrong with the mix, it's just a strange thing that is cool in it's own right, but not enough for me to want to keep listening to. Quote Link to comment Share on other sites More sharing options...
justinj212 Posted January 15, 2009 Share Posted January 15, 2009 wow, what is that deep voice? it's like undead Barry White >_> seriously I'll wake up in a cold sweat tonight hearing that voice over the synths and awesome drums. good job. Quote Link to comment Share on other sites More sharing options...
Polo Posted May 4, 2009 Share Posted May 4, 2009 A light, jumpy bass, a humming wilderness pad, and frog croaks usher us into a bog. It feels murky at first, but soon a lot of playful synths start hopping about. Every lead displays its own character: the 1st (0:16, 1:15) is whiny and dopey, the 2nd (0:46, 2:15) is bubble-deep in concentration, and the 3rd (2:45) is a shimmery gold that makes the bog all the more mist-erious. Shakers, cymbals, crashes, and cross-panned industrial tidbits like to emphasize how the percussion is the gearwork driving the mix along. Things end like an airplane landing in the bog, realizing too late that there's no escape. The lead is on high alert as percussion pieces sink in one after another, and then when it's one of the last survivors, it gets swallowed whole by the wilderness. And let's not forget the frog belches. I've been reading a lot of Naruto lately, and I can't help but picture Gamabunta and Gamakichi doing the two amphibious voice-overs in this mix. The first paints the setting and marks the end of each iteration of the source. The second, which only enters at 0:52 - 0:57+, 1:52 - 1:57+, and 2:22 - 2:27+, is my favorite quirky sound in the mix. It makes a few shrimpy pouts, then it livens up like it's saying "wait, wait, what?... Yeah?..." And then it bounces happily to the beat. So cute. Quote Link to comment Share on other sites More sharing options...
Bahamut Posted October 29, 2009 Share Posted October 29, 2009 I'm definitely not a fan of how this quirky mix went - the intro seems unnecessary to me, and the voice doesn't really serve much of a purpose. Samples probably kill the intended effect the quirkiness was meant to have, and which probably decreases its likability a huge amount for me. This was a complete miss for me, and I think it's because the quirkiness just wasn't utilized to much effect. Quote Link to comment Share on other sites More sharing options...
Rexy Posted December 29, 2011 Share Posted December 29, 2011 A strange source to cover, I sense, which I guess makes it appropriate for what seems to be a more aqueous setting. The mix to me feels rather straightforward like a lot of tracks from 2001; on top of the 15 bar source duration, it's all one build of texture over the top, starting with adding in more advanced drums, then additional melody layers over the top to fill in the space, only for it to hapen all over again at around 2:20. So arrangement-wise, nothing really too creative here. The production seems to have paled a bit over the years; the drums comes off as awkwardly distorted and there's no enveloping (other than in the ending) done towards the synths to keep themselves interesting, though the amount of sustain/decay placed amongst them was good enough to fill in the space, not to mention the bass was of a very appropriate texture for the track. I can guess it fits the rather frog-like nature of the track significantly But yes, an old mix that seems to have had its better days on many fronts, though if you're looking for a good no-brainer Blaster Master arrangement it's worth the pickup. (And I guess it reminded me that one of these days I MUST arrange the beautiful Area 6, but that's another story ) Quote Link to comment Share on other sites More sharing options...
swansdown Posted October 30, 2013 Share Posted October 30, 2013 Oh man, what a beat ^__^ Love that it carries through the entire track, but especially the little change-up at 2:15. Quote Link to comment Share on other sites More sharing options...
TheCD1 Posted September 10 Share Posted September 10 Ha, two remixes of this source within months of each other...and nothing since. I really enjoy Mazedude's take, and wRenchpilot's also holds up on my playlist (and then some!). Each bring their own unique style, and this one counters the former's slower groove with its own energetic quirkiness (plus I dig the croak!). There's definitely room for two badass Area 4 remixes in this world, we'll see if another challenger ever rises up out of the swamp. Quote Link to comment Share on other sites More sharing options...
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