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Hey friends :) I'm in! can i just submit my remixes or how is it working?

Hallo hallo, another "long time listener, first time caller" for the list A long time fan of VGM; Vinyl & CD collector, obsessive fan-music listener, occasional VGM remixer with my partner. I was finally able to make it to MAGfest this year (I come from far off Europe, and it only cost.... Ye gods, over a thousand buckaroos!) where I met so many amazing friends, and even more amazing strangers, and had so many amazing conversations with 'my people', where I had a sort of, 'wait, I'm not alone, thousands of people are just like me!' moment. Especially it was great to hang out with the ever wonderful KyleJCrb, who I went to the con with, and spent a lot of the weekend with (and crashed the room of many times) - I was planning to check out the OCR panel regardless, but as he was one of the speakers, I made extra sure to clear my con schedule - and as I sat there at the panel, I wondered suddenly why I was lurking, because I felt like I would very much like to be a present part of all of this. I spent a while after I arrived home observing the site much more closely, asking around interestedly to my friends of their own VGM projects, then I decided to poke my head in for real. So... Er... Hello!

Haha! Love it!

Kweh! Or maybe more conveniently to say "meow!", I dunno. Yeah, that baddass kitty artwork you see above is the album's front cover. And the title... all started when the gray baby was yawning at the moment of taking that photo of her. That inspired me to try some silly ideas for a hypothetical album cover artwork. I used "The Placeholder of Something" in the logo and a nice person (who might prefer to stay anonymous) told me: "I hope you use that title in an actual release sometime". So, why not? So in April 1st 2024 I released a quick and short collection of new original compositions with that name and artwork. And more recently, for the April Fools of this year, I repeated the action. This one I'm posting here now is bigger and longer, tho. And a lot more varied. Basically I guess we can call that as very synth instrumental metal with a wide variety of influences ranging from folk to electronic, now also some ambient and more. Sometimes cheesy, sometimes agressive, always weird. Not suitable for trves, but if you are open-minded enough and you like variety in metal and you give more importance to ideas and originality than to budget and production, you might definitively enjoy this thing. This is pretty much the kind of stuff you'd expect to find in a day of random browsing on MySpace or Soundclick profiles, or in the 128k MP3 links on a personal artist static HTML site in the mid-late 2000s. The pure essence of amateurness in the best way. That wasn't intentional but it just happened. I guess I like the underground sides of art and everything too much, and not into the mainstream and the crowds and masses at all. Each track has its own story behind its inspiration, and many of them were also started as a participation in the quick compos of ThaSauce (OHC and 2HTS specifically). Just takiing a moment to show my gratitude to that community and the nice people on it for their acceptation and their lack of MIDIphobia. This period of time, especially for most of 2025, got me in a time when my main hobby and source of joy was taking long walks in the outdoors, exploring interesting places as far away from human civilization as possible and staying there with no more company than the sound of the wind and the (real) birds. That sure had some influence in the compositions and the vibes. And so I also though of using and editing some of the photos taken during my routes to make individual artworks for each track as well. A nice way to combine both music and visual art, I guess. And I have to plans to extend that to full videos for each track in a future as well. Anyways, stopping the boring wall of text for now... if this description didn't scare you yet and instead you have some interest to hear what I'm talking of... you can get the full album collection of demos for free (just put 0 as price) in Bandcamp. Includes 3 bonus tracks and the full artwork. https://unknownpseudoartist.bandcamp.com/album/another-placeholder-of-another-thing Alternatively I also uploaded the full thing to Youtube in a single semi-static video. Basically toying with silly ideas to make the ubitiquous "visualizer over image" format a bit more dynamic and fun. You can see the metal kitty dancing there with her Flying V guitar! If, despite all odds, you dared to listen to this thing... please, let me know what do you think! :)

That's nice. I moved to "the dark side" around 1 decade ago and the classic "black font over white background" always burns my eyes. If the classic version is still available for whoever prefers that, I see absolutely no problem. I personally love the typical 2000s forum aesthetics in this theme particularly too. Simple but effective. As a funny fact, I use a Firefox extension named "Dark background and light text" to adapt any site to this format. Maybe because some inconsistence between the HTML colors and the background images, the classic OCR theme didn't work well with the Default mode, so I had it configured to invert colors in order to get the dark theme experience. So when I checked OCR today that's how it looked like, since it kept inverting colors :D (obviously I have it normal now)

I'll be workshopping one of my AOCH submissions tonight for the Office Hours if that's going on. Saying so for the sake of transparency. Maybe the bit of showcasing will drum up some more interest in this project and promote it, and show what people can do (e.g. 'genre-melding' / bending) with a Halloween track! :) It's an original, too, so not a remix!! Express yourself and show the world what you can compose! So peeps, don't be afraid to workshop your WIPs whenever, if you want to! I encourage it and collaborations! :D

Backwards pantsless hug

Come join the fun, if you'd like!

:D

Updates on progress is certainly welcomed, yes! When I get the Discord channel sorted, that'll be much easier to achieve, but in the meantime don't hesitate to post whatever you're doing up on this forum page, by PM to me on here, DMs on Discord, OR via OCR Workshop or Collabs (I do stalk around those parts frequently enough). It will help to tell me what you're thinking of remixing, or informing me if it's an original song, so I can update the list and people won't end up doing the same sources. When it's finished, I'd like for a PRE-MASTER to be sent to me, either as an attachment or a link to your G-Drive or Dropbox, etc. I'll probably attempt to batch master them myself. :) BUT, I do encourage putting ample time towards your work for this, making sure there's no unnecessary artifacts and workshopping the WIP with others. This isn't a closed-off, secretive affair, but at the same time, think of this like you would for AOCC or any OCR or Pixel Mixer-related albums. Similar process, just not as formal and there's no judging criteria. There is quality assurance / control, but just on a basic level. :D If you have any more questions, don't hesitate to ask. Does this work for you, @H36T?

Ok... Back in the saddle! Sorry for the delay in replies! Hey! Welcome! Nice to meet ya'. I'll try to note down people who are "up for collabing" soonish, when I go in to edit the front-posts, again, so people joining in known who they can turn to for advice or collaboration on their mixes if they want it! Got you and Bonnie down for drums/percs & vocals, respectively. :) Depending on things, might knock on your DMs myself! I gotcha covered. ;) Stay tuned! Is this your "claim", so to speak? :D Let me know, and I'll update the main post! Aww, that's sad. D: Albeit, doing like a mini-EP of those does sound very intriguing... :) Well, hopefully this'll last longer than 3 years, (fingers crossed!) But you're welcome to do any or ALL of the songs you have in mind. :D There's 0 limit on how many you can submit, just keep the number reasonable. x'D @colorado weeks also voiced helping out with website-making and hosting, and I'm sure between ya'll, we can get that done! I'll also ping @gravitygauntlet because I know he's done some CD label-esque artwork and formatting, and his GF does as well. So if ya'll wanna jump in on this, song sub or otherwise, count me in! Just DM me in the meantime, but I will also be in touch when I consolidate more ideas together!

Signing into my 20 year old account to say how much I love this track. I was just playing the IT file through XMPlay tonight. Love Virt forever!

Hello again, five years later. This is still being written (very slowly). It is now over 200k words (?!) and is now on A03. After Chapter 30 (the next chapter) I will no longer be posting on FFN. If it's taken me this long to write 30 chapters, I don't want to know how long it's going to take to write the planned 60 more (so far) I have to use a lot of various documents to keep track of everything, because there is a lot.

Thanks for also keeping the light version. )) Not fully sure about this one (due to a missing comparison) - it might be also a thing of adaptation. But my very first impression was that the former font was easier to read.

Hey all, I've updated our default theme to the new dark mode theme. This new theme reflects some of the style changes that have been made up front on the main site. If you notice any glaring issues with the new theme, please make a thread for the specific problem you notice in our Site Issues & Feedback forum so that I can address it specifically. Our old theme is still available in the theme selector at the bottom of the forum page if you prefer the light version. ENJOY! -- DarkeSword

Ah, thank you! Yeah, I need to learn how to mix because I really have a high end issue :/ I doubt lows are a issue I think?

You're right, I did say that I enjoyed your work in progress before, but felt like it needed more. I still feel that even though this one is pretty close right now and feeling borderline. I love the addition of the choir parts and the oboe, they sound beautiful. More adaption and parts added to this that would put this over the bar in terms of arrangement as we've had even more conservative stuff pass before. See: https://ocremix.org/remix/OCR04768 for an example of such. However, in that case there was also genre adaption going on for more personalization. This one feels almost like the same genre even though the instruments are changed. The opening is particularly very close to the original, until 1:07 when the cello enters and is giving some countermelody. The humanization and rigidity is also something needs to be brought up as well. I love Seph's suggestion of adding rubato to bring some more life to the piano part, right now it's very locked into the grid. Also the dynamic range is very small, more contrast and variation would also help the expression really shine through as well. Right now it's more robotic and not as expressive as it could be. Beautiful, but not up to par. NO

sounds good compositionally mixing is a bit loud on the high end

Excellent remix. Sounds very clear and nice hearing in Hylian.

Prayer has aged like fine wine! Jillian's vocal makes this track sound calm and relaxing.

Such a great homage to Jillian Aversa's Prayer 15 years ago. Comparing Prayer to Generations you can hear Jillian's growth in her musical talents. The remixer knew the assignment well and honored the vibes that the Prayer Remix was remixed but added more of an ethereal tribal vibe. I admit I do listen to both versions over and over. I hope that Jilian remixes more LOZ songs with her lyrical flare.

Hi Goodman! What's here is an excellent mixdown of an immaculate vibe. Nothing I'm about to write in this vote is going to alter that opinion! I agree with Liontamer that this is a much more straightforward remix of the source, where our standards look for additional rearrangement to pass the bar. Below is my stopwatch timestamps for what I feel is source usage (which the sampled audio won't count toward). With 3m:28s (208s) of runtime, I'm looking for roughly 104s of recognizable material from the source track; ideally, it's using as much meat from the source as possible. This one is relying a lot on that Intro 3-note melodic motif while never really adding in the harmony voice from the source, nor diving into the arpeggio of the A or B sections fully. Aside from the transitional tag going from the A section to B section (@ 1:48, @ 2:19, etc), there's not much else that I can directly hear as a strong enough tie. We don't typically count bass note movement or the chord progression as source usage unless they are atypical, which is not the case here. Again, the execution of this track is undeniably good and I don't doubt that it would see success outside of OCR. It just doesn't have enough juice for me to sign off on it being above the bar. NO

Hey :) thank you so much! glad you liked it. yes i am very interested in joining your album collab. do you have more informations? have a nice day :)

Hi H36T! As noted by the other Js here, this is two rounds of the A-B loop of the source with 3 bars to vamp into the second repeat around 1:26. The additional instrumentation on the second repeat is a lovely add; having it arrive earlier in the piece would be better from a personalization standpoint. The strings, choral voices, winds, and piano counterpoint line are doing some heavy lifting on that front (and the chimes!), but there's still more that can be done to bring more H36T to the table. Proph mentioned adding variation in the velocities of notes for more dynamic contrast in the writing, and I agree. Given the title of the track and the direction intended in the write-up, I agree with Wake that a more subtractive approach to your sections could improve the emotional dynamic curve. I'll add that some rubato (gentle deceleration of the tempo and holding the last note/rest a little longer than the metronome) on the ending of phrases would help break the rigidity of the structure and bring more of the emotional weight to the piece. Right now, it feels locked to the grid and mechanical. For me to sign off on this, I'd need to hear more personalization to the piece, primarily in the dynamics of voices or the dynamic curve of the piece as a whole a less locked-to-the-grid/mechanical feel to the presentation NO (resubmit)