Fishy

Made much easier by my trusty new Bellsprout called Inbox.

uh, yeah I'm a bit good at this game. THREE, minimum

How many badges can I get before it's released? I'm aiming for 3. No frameskip.

ROCKING yes

Fish Mario 64 Koji Kondo Dire Dire Docks etc Source: (Worth noting that the strings only appear when you are underwater, and the drums only appear in the cave in the actually game) This is for the SM64 project, plz not post yet *sigh* This was started way back during my Reason days, and subsequently abandoned for reasons I cannot fathom in favour of several other far less fun arrangements. I think I was feeling the pressure of picking the most popular track or something, I dunno. I realized the first version was probably the best and redid it fairly recently. Apart from the drums, piano and solo at the end, it's more or less unchanged from 2008 - which still surprises me. It's my favourite blend of conservative structure with subtle layers of expansion, and I hope you enjoy.

kill u

Are you ready?

I can at least confirm that Koopa's Theme is rockin', as I am trying to locate my melted face.

D'awww. I'm looking forward to releasing it. I think it's fun, maybe not what you'd expect.

You mean it's a 'classic' mic in the sense that it is used a lot in the studio I hope. Classical music recording engineers will slap you in the face if you suggest using a 57 as anything other then a joke, or close on percussion as a last resort.

in　dori...something possibly 'in dreams' my katakana sucks.

Ok why not. Guitars: My main guitar is an Ibanez RG1570. I have yet to find another guitar that plays as smoothly as this one. I've played other prestige RGs but there's always something missing. Could use some better pickups but luuurvly. Pretty much all the lead guitars on my tracks use this guy, as well as all the standard tuning rhythm songs. My main backup guitar is a Jackson Dinky. No idea exactly what model as it has no serial number. From what the Jackson owners club can tell me, this probably means it's a custom shop creation that either had a fault, was some kind of twisted experiment, or even just that it arrived at the QC factory with missing tools. All I know is it's pretty cool looking. I keep it in dropped D, so most of my dropped D parts use this. The most significant of my 'other' guitars is an Ibanez Jazzbox. Made from cocobolo as part of their exotic tonewood collection, the entire AJD series dissapeared in less then a year. Bad sales or summat, I dunno. I think it's fun. I call it Chocobolo . Ibanez Gio, first guitar, woo! B.C. Rich Mick Thompson signature... don't ask... 80s Silvertone. So old school. So very old school. Tanglewood acoustic. Nameless nylon string. Other: Wesley 5-String Bass Stagg Mandolin. Piece of crap, high strings keep breaking for no reason. Beaver Creek Ukulele. $35 thrift store. Bargain.

Classyful. Vionyliny. Trumpetulent. These are all made up words I would use to describe this mix. I wouldn't even know where to start making some of these transitions and effects. They are here aplenty but done well enough that they aren't getting old. The sounds mesh surprisingly well and the both suit the theme. The vinyl crackle was a little irksome but it's not an omnipresent issue and it's stylistically fitting so it doesn't bother me enough to make an issue of it. I will however say that you have selected the most boring name in the history of OCR. It's like you've taken sophisticated pinup and named her Bob. YES

I just play drinking mario party/kart. Be trippin' bitches without having to gay it up with another bloke and his wiimote.

Case in point; just got a message from someone thanking me for my detailed comments on why she got rejected for fundamentally unpassable issues that were probably very obvious to whoever paneled it - all the time maintaining that we hear the potential and saying we look forward to hearing more. This is why it's not going to change. It's probably annoying for people who've been around getting rejected a lot and not fully understanding our feedback, but for newer people it is encouraging to get good feedback that lets them know we think they can get there with practice.

Uh, no. We made them staff because they do good work in the wip forum, and consistently give good advice that we wanted to highlight. They aren't (and were never intended to be) some kind of lower panel. "We're not accepting your remix for some reason or other, ask the wip mods why" doesn't look very classy now does it? Imagine waiting however long it takes to get through the inbox just to get the passed on to the wip mods when you could go straight to them in the forum anyway? It's not unlikely they already have a wip thread in some cases.

Well that's not really fair on anyone. If someone sends us a song that clearly has potential but one fundamental flaw that could be changed for example. It might be very clear it's not going to pass to whoever is running the inbox, but sending them a letter instead of telling them exactly (from the judges, not from whoever happens to be in the wips forum) why it didn't pass, and what they could do to change it. That person is less likely to be discouraged from submitting again, and will hopefully learn and improve based on the feedback. It's better for the whole community to vote on anything with potential.

It shall be on the FFIX album, where a man is judged not by the progressiveness of his rock, but by it's character.

I'm having to use 97kbps VBR to submit something. I declare the submission limit anti-prog.

Example would be nice.

If you have to check it with a meter to know if it's there, it doesn't matter.

Don't even joke about that. Not happening.