Eino Keskitalo

Some of the sections sound really great! Some of the sections sound like the chords and melody aren't working together. I think at least one is purposefully dissonant but still doesn't work for my ears. The good ones are super cool and the dynamic between quiet creepy sections and the most energetic riffs is admirable and inspiring!

I'll take up that collab offer, Jorito, and claim Fond Memories!

What a cool tune. (Seriously)

@Noaxzl Welcome! I recommend joining some competitions to work those skills back up. In addition to the bigger tournament compos that happen a couple of times a year, People's Remixing Compo and Meat 'n' Potatoes are constantly ongoing, and don't have a high bar for entry. You also get some nice feedback along with the votes! Check out the competitions forum!

I'm flattered that you keep putting me on the list but alas, I'm still tragically short on musicking time as it stands..

I'm late to this party! code: 3926-9690-9134

What a lovely tune!

I did just vote. Bit short on time so I didn't type down any feedback, but maybe I'll find the time later and post it in the thread.

Really cool arrangement. Some of the chords feel a little "stilted" (f.ex. 0:49) to me here and there, think it could flow a bit better. The glitchy bits are really cool, nice variety of sounds. I do find the sidechaining rather excessive and pumpy in these sections particularly, to the extent that it is uncomfortable for me to listen on headphones. It's unfortunate that it's taking attention away from what is actually happening in these sections rather than highlighting it. The lead is a tad loud towards the beginning (0:38->) but it's a very minor thing and doesn't make the piece at all less enjoyable. Desipite the crits, very nice debut! Also, impressively creative on a well-trodden theme.

@DimeTower said it very well. The pacing of this piece is excellently measured, the structure is creative but cohesive, the harmonic writing is non-straightforward but doesn't lose direction, the sound is very good indeed. Nice work!

Sounds like a nice turnout coming! I submitted mine a couple of days ago.

I have 14 seconds down and I like it.

I hope I can find the time to participate!

Very nice chippy treat here, not expecting much less from Mr. H. Lemon. There's a light-footed drive in this tune, very floaty but energetic. The source combination works seamlessly, for me Aquatic Ambiance is a natural fit too. Switching the bass sound to FM bass between parts was a cool move.

A little off-topic, but I'd like to provide some project files as well, if you think that's fine for the remix_attachments thing. Most of my Renoise project files happen to be self-contained, in the sense they work without needing any plugins or sample libraries apart from Renoise standard stuff. I realize this is not the case for most project files. Most of mine are also quite small in file size.

Very pleasant and "together" track. Pretty easy to listen to, but has also a cool, curious vibe. Nice upright bass, nice lush sound overall. I suppose the source combination is seamless, since the track sounds very cohesive.

I feel it was easier to grok the amount of music a ReMixer had made for OCR on the previous artist page. I hope the numbers of ReMixes and albums projects participated in could be added to the album and ReMix widget titles. I also liked the full list of album projects on the artist page previously. Perhaps the album/ReMix titles could also say "Latest albums" and "Latest ReMixes" if the full list doesn't fit to the page, and the headers could act as links to the full album list / full ReMix list pages. I guess the same goes for the album and ReMix widgets for the organization main pages. Since at least my page has a lot of empty space below the album widget, it makes me think perhaps there could be some info about the artist's tracks on the album in that space. Nice update though! I especially like the playlist, and it's nice to have the social media links and stuff up front and prominent. I like the tabbed approach as well.

The source material was so ready for this approach. I especially enjoyed the first third or so, that initial build-up was very cool. Perhaps not the flow isn't quite perfectly balanced throughout; there's some busy-ness here and there that kind of eats away the overall energy or impact, and some of the sounds and especially note choices I think are a bit off at the end. It gives an impression that ideas were thrown together and some final editing to bring all the ideas into line wasn't quite accomplished. That all said, it's a competent track, the flow isn't by any means bad (even if not perfect) and I could sure use some more OC ReMixes in this genre!

I enjoy long-form ambient very much and this is a welcome addition to OCR catalog, personally speaking. Well paced and sounds pleasant. The guitar samples are a little funny though, and some of the pitch bends kind of stick out here and there. As a plus the samples and their usage reminds me of old school tracker tunes. The good far outweighs the minor criticisms there.

Voted! Nice work everyone!

I've got a WIP for Lizard Dance. It's an unfinished People's Remixing Competition track if that's all right. (I also have one for Departed Souls but looks like that's already done.) I'll dig it out and send it your way.

I would say FTL is good, because you don't really have to win it or even play well to enjoy a game like that. Which is contradictory to what The Damned is saying. Which (contradiction) might make it interesting for a club format. If you're going to play in the same space people can also help each other out. Here's a list: Papers, Please No Pineapple Left Behind King of Dragon Pass Gateways Risk of Rain Spelunky VVVVVV Luftraursers

Now this is one powerful blast of an arrangement. It has a tremendous forward drive, it’s a huge scream of “HURRY!” and feels like it can barely contain itself. I really like the sound. It’s very appropriate for Gunstar Heroes, but it’s not that Mega Drive-y, which is refreshing. Lots of unobvious soundbits flying around like flak. The gliding melody lines around 1:30-2:00 are really cool, providing a good contrast for the frenetic percussion and all the short note bursting. The final third of the track doesn’t flow quite as well as the preceding parts. The part from around 2:20-3:00 is pretty cacophonic, which I think works all right in itself but doesn’t quite pay off in the end, as I was expecting it to build up to something, or the disparate parts to come together somehow. Instead, there’s a short repeat of previous material and the piece just ends. Another small piece of criticism is that the orch hits at the beginning aren’t timed quite perfectly. It’s not too distracting though, I only noticed it on the umpteenth play. Well, if overall the structure could’ve been a bit more satisfying, the whole package is still very good and worthwhile. It’s always energising to hear this one come up on the playlist!

The gradual introduction of instruments makes for a nice slow build-up here. The arrangement gets a lot out of the source as a result, and the c-part (flute solo) pays off splendidly as a release - and is followed up even better with the ascending-descending mandolin(?) chords and the near-cacophonous full-band eruption. Like with “New Horizons”, the addition of a vocal line to double-up the melody is a nice touch to the liveliness of the track.

This arrangement has the really nice pound of a old school hard-hitting electronica. Style-wise this is quite a nice upgrade of the original. The stuttery start-stop fills are quite enjoyable. They break up the relentless energy without losing it. The bleepy lofi arp that comes in at 0:55 I’m not a fan of. It sounds purposefully off-key, and I think it works - even if I don’t really like it - when there is no other melody playing at the same time. It has a broken machinery feel to it. But when there is other melodic content playing at the same time, it gets in the way and makes the whole part messy, which unfortunately happens for long enough stretches of the track that it’s not enjoyable for me. There’s a lot to like if you don’t mind that though! The full-arrangement stutters at 0:44-0:53 are my favourite.