DaMonz

Members
  • Content count

    594
  • Joined

  • Last visited

2 Followers

About DaMonz

  • Rank
    Judge, Shuttle Remix Director
  • Birthday 02/05/1992

Profile Information

  • Gender
    Male
  • Location
    Montreal
  • Interests
    Making video games, playing video games, making music, listening to music

Converted

  • Biography
    Co-founder, programmer and music composer at Takusan Works.
  • Real Name
    Emery Monzerol
  • Occupation
    Student, Programmer

Artist Settings

  • Collaboration Status
    2. Maybe; Depends on Circumstances
  • Software - Digital Audio Workstation (DAW)
    Reason
  • Composition & Production Skills
    Arrangement & Orchestration
    Drum Programming
    Mixing & Mastering
    Synthesis & Sound Design
  • Instrumental & Vocal Skills (List)
    Piano
  • Instrumental & Vocal Skills (Other)
    Melodica

Recent Profile Visitors

1,086 profile views
  1. Not much more to be said here (again). Greg and Mike got things very well covered. I agree that the arrangement is very nice, the writing stands out to me as being particularly strong during the solos, but the whole arrangement showcases great writing skills for sure. I also have to agree that the production is deal-breaking, though. The bass is definitely too loud compared to everything else, and the synth lead's sound design is very generic. The general balance feels off, and I recommend rethinking the levels of the mix to try and identify what the priorities are, what should be heard up front, etc. I'd love to hear this with improved production. I hope you'll rework it! NO (resubmit)
  2. I have to agree with both of my colleagues here. The arrangement is fun, but the production is definitely a problem that needs to be addressed. I think the biggest problem is in the bass drum eating up most of the space, which I don't think works well with such a busy writing. It's not the only problem, though, as was already pointed out. I don't want to beat a dead horse, Greg and Mike were very specific on the issues present in your track, but I do want to stress that the low-end was particularly problematic because of the multiple tracks fighting for space in that range. I strongly recommend looking for in-depth mixing and mastering advice, and the Workshop boards here can be a great place for that. As it is now, I have to agree that a lot of work needs to be done to make the production on par with the site standards. The arrangement *is* fun though, so I hope you'll keep trying to improve your production skills. Best of luck! NO
  3. This is very nice! Beautiful arrangement, and cool concept for sure. I have to agree that the break in the middle is *quite* long, and is honestly the biggest deal-breaker for me. The storm alongside the music didn't bother me as much, but I do think toning it down just a little wouldn't be a bad idea. I also think there's just too much repetition once we get into the second half of the track, and more variation would go a long way. This is definitely very close, and I hope you'll send in a revised version soon! NO (borderline)
  4. Well, this is fun! Where are the balls though? Production is clean, arrangement is cool, I don't think the SFX are overdone. I want to ask @Chimpazilla though, the last note in both runs of the initial theme (roughly 0:22 and 0:26) are a semitone lower than what we usually hear in the source, is that intentional? It can very well be an intentional divergence from the original to give it a different color, but since it was such an isolated change I thought it might have been unintentional. It's not a problem at all, but I wanted to point it out just in case. Good stuff! YES
  5. I'm basically in full agreement with Gario's vote here. I also think the arrangement flows well enough to not suffer from medleyitis. Although, I have to agree that the execution is deal-breaking here. I don't want to beat a dead horse, so I'll just redirect you to Gario's comments on that because I don't think I could state it clearer anyway. I will also add that the bass seems to be having some strange hiccups around 4:50-4:56 that should definitely be addressed, if you decide to send in a revised version. And please do! There are plenty of great ideas in your arrangement (as usual) and I'd love to hear them executed better. Best of luck, Rebecca! NO (resubmit)
  6. I agree that the arrangement is great, there's no question there. Nice work on that! I think sample quality wasn't much of an issue, but the mix drowned in low-end breaks the deal for me. As mentioned by Mike, I also think the reverb doesn't help on the mix issues. I'd recommend slightly reducing the reverb's decay, and heavily dropping the lows of your reverb patch, because it's most probably only adding unwanted rumble. Maybe reducing a bit of the Amp Env decay on some of the booming low percussion instruments would help reducing the constant low-end rumbling, and some careful EQ'ing might also help. The lack of humanization also bothered me, but wasn't part of the deal-breaking problems for me. If you send a revised version, though, some more work there would definitely be appreciated. Best of luck! NO (resubmit)
  7. Quick co-sign here. Arrangement is super awesome, mixing sounds good to me. I agree that the overall panning felt a bit tilted to the right because of the chip plucks, but it didn't bother me all that much. This is easily over the bar. Nice work! YES
  8. This is conservative all right, and I agree that it would need some more interpretation in order to be appropriate for OCR. Still on the arrangement side, I think adding a smoother intro and outro to the track would be a nice plus. I think the biggest problem is the production, though. This seems overcrowded even though there is a limited set of instruments, and that's because most of them currently play in very similar (and broad) frequency ranges. Your leads seem to use a particularly large portion of the frequencies, and I would strongly suggest revising their sound design to take less space. In my personal experience, I find that leads with more compact, localized frequency usage seem to often have more impact. I also suggest reviewing the effects/sound design on your bass. It seems quite wet and undefined, which probably also contributes a lot to the track sounding muddy and unclear. Other than that, I suggest you take the precious advice provided by the other judges. You have a nice potential, and I think you should keep working to try and improve your skills. I hope to hear more submissions from you! NO
  9. Mike and Kris pretty much covered everything, so I'll be brief. First, I think this is a fun arrangement that definitely deserves better production, and I'm sure you're able to bring it over the bar. I agree that the lead at 1:15 blends much better with the track than the other leads, and I think reworking those would help your track a great deal. Kris's comments about volume and reverb are accurate, and I think you should try to apply them. I also suggest to review their sound design. Kick and snare with more impact should then be the next priority, in my opinion, to provide a stronger drive for the track. I hear there already seems to be sidechaining on the pads, and applying sidechain on the bass might help, but I think adding too much of it might end up changing your vision of the track, so I'd advise caution with that. I hope you'll address these issues and send in a revised version! NO (resubmit)
  10. Most have already been said, so I'll be brief. This is very interesting, the approach and instrumentation are quite fun. I like the arrangement. Sure there is repetition, but I think the progression works so it doesn't bother me at all. The issue that stands out to me the most is the low-end rumble I'm getting from the booming percussion. It's quite bothersome, and fixing that would have been great. Although, I don't think it's breaking the deal. Other than that, nicely done! YES
  11. This is enjoyable, but I don't think it's a match with OCR. I agree that the winds are a bit out of the picture, but overall I think this sounds nice, and wouldn't be a dealbreaking problem in itself, in my opinion. Although, the arrangement is extremely conservative, and repetitive. The whole structure being copy-pasted to loop three times and leading up to a fade-out ending really hurts the arrangement's potential. I think that each repetition should at least be justified by notable alterations (to the structure, the instrumentation, the melodies, etc.) in order to expand upon it and add more of your own touch to the arrangement. So, in a way, I think fixing the repetition in your case would most probably also fix the conservative aspect of the arrangement. If you want to submit your track again, I think the first thing you should do would be to either think of a structure of your own to try and customize things some more, or to get rid of the repetition altogether and focus on expanding the contents of a single run-through. Those are only suggestions, though, as there are many possible ways to personalize your music. In any case, I think you have great potential, and I hope you'll keep sending music our way! Best of luck! NO (resubmit)
  12. I have to agree that the copy pasta is too strong, here. I won't beat a dead horse, the others have told enough about that already. I'll add that I really like the style, it suits the track very well. It's super fun, and it shows that you definitely have the potential to make great OC ReMixes. Work on that arrangement structure, push that creativity up a couple of notches by varying the contents of your track in the second half, maybe even rework the ending, and you'll be on much more solid ground. Clarifying the mix as mentioned by Kris would also help, but it's not the main concern at all here in my opinion. Keep at it! Looking forward to hear more from you. NO (resubmit)
  13. As a status update, I'd like to point out the current state of the tracklist. WE'RE GETTING THERE!
  14. Ahh, I'm glad to hear this again! And with more live performances, at that! I agree with Kris that the mixing could still be improved, especially for the bass, but this is now easily above the bar for me. Super fun arrangement, and great performances. Nice work! I hope you'll send more! YES
  15. I have to agree about the piano sound not being particularly great, but hot damn is Shnabubula amazing. "Genius" is a very appropriate qualifier. Superb arrangement and performance, as always. YES