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Showing content with the highest reputation on 09/06/2015 in all areas

  1. Submitted..... FREEDOM SWEET FREEDOM!!!! Anyone else have a love / hate relationship with music? Also, bLiNd you need a guide dog in your sig. Something like Rush or Treble while you are in these compos.
    1 point
  2. I've had experiments where I wanted to share a track with *Designed for ATH-M50* in the title. Because if you mix specifically for the headphones you can get some absolutely crazy bass sounds. Sounds garbage anywhere else. Like nuclear apocalypse garbage.
    1 point
  3. Subbed! Pretty much my entire mix came together today, I just had a skeleton mix of crappy ideas all week. Can't wait to hear all the other songs!
    1 point
  4. Your song probably is my favorite moody piece from this set. Definitely one for my dark souls playlist since it fits the game so well (Majula music is awful). Nonstop mixing causes encroaching insanity....
    1 point
  5. We can do licensing, but we're only looking for arrangements of video game music and not popular music, film, tv, etc.
    1 point
  6. 4 days away now. It's so close, I can almost taste it...
    1 point
  7. Yes, I will try to get things up to date this weekend.
    1 point
  8. Quick impressions! Had to travel this week so I haven't had much time to listen to stuff. Es-cop-pay - Nice mood! Production values are good and the voice sounds super clear. If I'm getting the source usage right it's pretty creative. Arrangement feels very repetitive though. Crouching Tiger, Hidden Maverick - Nice intro, some of the samples seem of slightly low quality but I dig the vibe. Neon Tiger with the wah lead sounds cool. I like that you used most of the X8 theme in different parts of the arrangement. A tad short though. With more development I'd have definitely voted for this one. Subtle Haystack Tibulation - What the hell is this title haha. I like the use of guitars to give the source a rocking style. I think they could sound more powerful though. The rhytm in 1:21 is weird, seems like the drums and guitars are in different time measures and it sounds odd. In the 2:14 section I feel it gets way too crowded and notes start clashing way too much... Overall it has creative ideas but it seems you tried to cram way too much stuff in here. The moody Never Gonna Give You Up in the ending is amazing haha. Straight Outta RAGE - Not feeling the RAGE in the intro haha, but I dig the relaxing mood. E. Piano sounds sweet. Very creative use of the sources and definitely one of my faves so far. One thing I didn't enjoy that much were the crushing or whatever effects in the drums. They were nice at first but they get tiring fast. Awesome change to the piano break. Second half drags on a bit but the song is very good overall. Palace of the Beast - Nice! Feels like I'm playing a PS1 RPG here haha. Guitar kind of breaks that feeling a bit but the menacing mood is cool. Great use of Slash Beast with the brass, I like that you actually changed the melody to fit the chords (something that many people forget to do and end up with clashing notes). The song then continues with similar but awesome ideas. My favourite of the round probably, very creative use of both sources and great production. If forced to nitpick I feel the drums have too much reverb for the style you aimed for. Chiral - As usual, bringing the funk! The leads sound awesome. Production is clean and the arrangement is fun. However, and as much as I dig the song, I felt other entries used the sources better (maybe just by being longer songs haha), so this isn't getting one of my votes. Beached Whale in Miami - Nice staccato synths. Sadly, this is ridiculously short... I guess it could be a pretty cool song if finished. Requiem for a Reploid - Someone had to make a dramatic song eventually! At 0:23 I almost thought you were going to use Metal Gear Solid's theme haha. Orchestra sounds very nice and chords are very interesting. Mixing Shield Sheldon into such a dramatic mood is a bit hard though since that song is so happy sounding. It fits sometimes but other times it doesn't fit that much sadly. I really like how this sounds, production is clean and instrument selection is great. The usage of Sheldon's theme around 2:20 is very very nice. It reminds me of the PS1 Rayman game (the first one). For the outro I thought you'd go with a super crescendo using that last Sheldon melody so I was a bit disappointed with the calm finish haha. Victory at the Palace of Rejects - For some reasons all your songs sound very similar haha. Production is clean but the arrangement lacks some exciting. To put it bluntly I feel the percussion is very lacking and even boring. Actually I believe this is what usually puts me off about your songs. Leads are fine and have some interesting ideas but drums and bass tend to be slow and without much variation. You should experiment more with that to give your songs a more exciting edge. Leap of Faith - Bass is surprisingly low for your songs Brostock! Awesome rocking mood as always. Your lead playing has been getting better and better lately, especially your vibrattos. The intro riff and it's repetitions are very cool, maybe my favourite riff of the round haha. Overall this is classic Hakstock, nice guitars, cool bass, rocking mood and fun leads! I have to say production seems worse than in your other entry haha. The drums, to be specific, sound less powerful than I'd expect. Rise of the Sigma - Another dramatic song! Some nice chords here. Probably my fault but I barely hear Spark Mandrill. which is weird since it has some pretty recognizable melodies. I like how this sounds but I feel it's lacking in the source usage area. As usual, voting was rough.
    1 point
  9. Hey Shariq, are you still planning on tallying the votes and posting the standings? It's somewhat discouraging not being able to see the results after each round. Just curious. Thanks!
    1 point
  10. I'm eager to read all about evktalo's insanity and how the story unfolds. How many people will be slaughtered (tuberzd), how many Doritos are eaten and how the hell did they end up in this band called Maverick BeAstley? Guess we'll find out in the new episode! Hope it doesn't involve Hacksocks singing weWillRockyou at loud volumes and throwing NutS at Usa people.
    1 point
  11. I believe I can shed some light on this, by providing a little bit of their backstory: The illegitimate offspring of a 12-person jury and a Dorito chip, Jorito spent much of his childhood convicting marijuana aficionados while simultaneously providing their sole source of nourishment. He had difficulty making friends as many people feigned interest in him solely to satisfy their munchies. But Fate had more in store for Jorito than simply staring out from jury boxes at white people with dreadlocks. Indeed, Fate Johnson introduced Jorito to Rick Astley changing his life and the world forever. Jorito wanted to be everything Rick Astley was--everything that everyone around Rick Astley was. He started hanging around schools in a tan trench coat and sunglasses, serving alcohol to empty auditoriums whenever school was out. For some reason, the police didn't like this very much and tried to arrest him. He attempted to wall-jump off a chain link fence to escape, but the police still captured him. The convicter became the convicted. The warden had it in for Jorito. Having lost his mother to unhealthy snacks, the warden took his chance at a bit of revenge placing Jorito in the same cell as the deranged killer, Tuberz McGee. Tuberz had a host of untreated mental illnesses, all of them contributing to his extreme violence. Perhaps most dangerous of all was the violent rage he entered at the sight of uninjured people. Jorito entered the cell cautiously. The heavily-muscled Tuberz appeared to be asleep. Jorito stepped as quietly as he was able, but a loud crunch sound resulted anyways. He cursed his Dorito heritage. Tuberz awoke to the noise and looked right at Jorito. "You look yummy. What's you? A 12-person jury or Dorito?" "Both, actually." "You mostly look like chip." Tuberz didn't enter a violent rage at the sight of Jorito, despite Jorito being uninjured. Jorito concluded McGee's rage must activate only when he sees pure-blooded uninjured humans. "So, uh, what're you in for?" "Man laughed at Tuberz. Man got tubed." "Oh, well that's uh...uh..." Jorito stammered. "Then jury convict Tuberz but Tuberz escape. Jury got tubed." "...An entire jury!?" "Then another jury convict Tuberz, but Tuberz escape again and tube them too!" McGee's anger seemed to grow with each word. His steady drool turned into a turbulent sputter. His veins bulged and his face reddened. "You know, I consider myself much more Dorito than the, uh, other half of my parentage..." Jorito hoped his quaking fear didn't show on his face. "TUUUUUUBE!" Tuberz punched a hole into the wall with steroid strength, ripping out a metal pipe with tremendous force. He proceeded to demonstrate violent "tubing" motions with it, reenacting his myriad murders. "Uh..." "Tuberz HATE JURIES," he shouted, unable to contain his rage, before his eyes glazed over and filled with tears, "and.....and juries hate Tuberz. Why they hate Tuberz?" "I don't know. I, for one, like you a lot." Tuberz paused his bawling. "You like Tuberz?" "Yes. I think you have a terrific personality." McGee appeared dumbfounded by Jorito's claim and stared at him blankly, ".....All of them!?" "All of wha--oooohhhh....yes, all of your personalities." "Tuberz like you too. Tuberz help you escape." "You can do that? How?" "Tube." Tuberz proceeded to break down the wall with his fists, revealing a chute, probably intended for laundry. Tuberz ripped a hole in it large enough for a person to fit through. "You go in now." "Hold on. Let's say this takes us outside. What will we do then? If we don't have a plan, we'll just be caught and jailed again." "We go see my friend, Evktalo. He help." "Ok, I just hope he knows we're coming." "He know. He wait for Tuberz," McGee said, before lowering his voice to a whisper, "But Tuberz must warn you something about Evktalo." "What's that?" "He completely insane." (To be continued in Part 2.)
    1 point
  12. Me too, dude. This is a massive deal for me. I remember a lifetime ago coming across Kate's version of Beatrix's Rose Of May theme and being blown away, finding OCR through that, then eventually this project. Now, several years later, I get to appear alongside Kate and a few of my other remix heroes (Dan Floyd especially - can't wait to see what you've done dude!). I hope it's all as good as I want it to be
    1 point
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