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Just chiming in - no matter what Soule did, this game's soundtrack is a part of many folks' childhoods, and nothing changes that. However, deciding to participate in this project is one of those topics where, personally, I don't think there's a right or wrong answer. I've explained my personal reasoning, and how I conceive of art in the abstract, but I'm not offended if anyone finds it unpersuasive/disagrees. Key thing is that no one gets judged, either way, for their decision on this, or attempts to equate others' decisions to participate with a tacit endorsement of the behavior in question.

Shit. I wasn't even aware of this. I haven't had much of a chance to start on my track cuz I've been busy with non-music projects lately, but I'm going to have to to think about this...

STATEMENT It has recently been brought to our attention that certain accusations have been made against Jeremy Soule, the composer for Secret of Evermore. The accusations came to light long before we decided to tackle Secret or Evermore, however for whatever reason neither Dai nor myself were aware of it at the time. Since we were made aware of this information there's been a lot conversation between Dai and myself, with some input also being sought from @djpretzel. djp pointed me towards his statement attached to THIS POST he made back in April and has confirmed that OCR will be happy to release and promote the album. My outlook on the situation is similar to that expressed in the post linked above. I do not condone the actions of anyone seeking to abuse another in any setting. That should go without saying, but sadly in this day and age it probably should be spelled out. In the case of this album I am celebrating the music of the game, not necessarily the composer himself. Separating the art from the artist is always a dicey subject to tackle, but I am personally OK with carrying on with the project. Unfortunately, PLT creator and my assistant-director for this album @Drawn by Dai has decided to step down from the project in light of this information. He asked that I include the following statement in this post: I completely understand and respect his decision in this and it leads me to my next point of action. It's entirely possible that there other people now involved with this project who are also unaware of the controversy regarding the games composer. As such I will be contacting everyone individually asking them if they wish to continue on the album. If anyone wishes to leave them I will completely understand.

I didn't know neither, what a bitter news... I absolutely respect everyone's decision, this is a pretty tough one to me. @Trism thanks for letting us know, I need to think about it as well

Well, if the Cancel Culture mob comes after me for continuing on with the project, so be it; I'll brace it with a "come at me bruh" pose. Besides I don't really have Social Media anymore... So I'm gonna continue on. Also, I'm gonna save the speculation for the private chats and withhold my thoughts publicly. I spew enough bullshit here as it is.

Certainly a sad revelation that puts fans in an uncomfortable position. I agree that music is not the man; I have many of his soundtracks and can listen to them and enjoy the music on its own merits. However, to be involved in any associated production, which as mentioned above- invariably honors the artist and thus the man, facilitating the very position of fame and power that he exploited against women, is just not an endeavor I wish to lend my own work towards. There's a difference between a dude just havin' bad game, and being an actual predator and misogynistic creep, which unfortunately seems to be the case here. So yeah, as much as I dig Evermore, I'm afraid I must bow out of this one. I wish everyone the best though, I'm sure it will be a cool album.

I knew about the accusations against Soule for a long time, well before I came into the project. I'm in the same mindset as djpretzel. I enjoy the music, but not the person. I'm still on board for this project.

Thanks @Mr. Hu! Thats really high praise! Also. The Spygirls put together a music video for this track!

OC ReMix presents Golden Sun: A World Reignited! June 30, 2020 Contact: press@ocremix.org FAIRFAX, VA... OverClocked ReMix today released its 74th free community arrangement album, Golden Sun: A World Reignited. Featuring 37 tracks from 42 musicians, A World Reignited pays tribute to Nintendo's classic Game Boy Advance RPGs Golden Sun and Golden Sun: The Lost Age, and is led by first-time director Logan "TSori" Thomas. The album is available for free download at https://reignited.ocremix.org. A World Reignited assembles a large lineup of musicians interpreting Motoi Sakuraba's scores in a variety of styles across 2 1/2 hours of creative arrangements. A World Reignited was made by fans, for fans, and is not affiliated with or endorsed by Camelot or Nintendo; all images, characters, and original compositions are copyright their respective owners. With nearly 10 long years gone by since the last release from the Golden Sun franchise, A World Reignited allows fans of the series the opportunity to revisit and rekindle their memories exploring the world of Weyard through music with a heavy emphasis on live instruments. "This story of discovery, exotic locales, forgotten histories, hidden motivations, heroism, and desperation was beautifully embodied in Motoi Sakuraba's incredible soundtrack," noted album director Logan Thomas in appealing to the original games. "Take a new journey from the slopes of Mount Aleph to the shores of the Karagol Sea, from the depths of Madra Catacombs to the tops of the monolithic elemental lighthouses." The album's artwork -- a beautiful collage of the lighthouses of both GBA titles -- was designed by French illustrator Mikaël "Orioto" Aguirre, already well-known for his lush landscapes inspired by the Golden Sun series as well as other gaming classics. "Every single person involved went above and beyond what was expected," Thomas added. "The quality of this album and the rapidity with which it has been completed is a direct result of the talent and unyielding dedication of everyone involved." About OverClocked ReMix Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation and promotion of video game music as an art form. Its primary focus is ocremix.org, a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans. OC ReMix operates under the umbrella and sponsorship of Game Music Initiative, Inc, a 501c3 non-profit charitable organization (EIN: 81-4140676). ### Preview it: http://youtu.be/UaCwTIiuQ9A Download it: https://reignited.ocremix.org Torrent: http://bt.ocremix.org/torrents/Golden_Sun_-_A_World_Reignited.torrent Comments/Reviews: http://ocremix.org/community/topic/49550/

Hey, great to see you tackling this theme 12 years after requesting it! Love the organ here, it sounds great. I'm not sure about the synths - although there is side-to-side panning in the original source, it's on a pad texture, and it's a really disorienting feeling to put that side-to-side effect on the bass synth. Once the panning stops at 0:53 it sounds a whole lot better. I like to use a similar fat sawtooth sound for a lot of my bass sounds, but you definitely don't want to be panning it like that. I'm pretty surprised you've got this kind of sound out of GarageBand, but I think in order to elevate it to the next level, you really need a better DAW to get into the finer details of mixing. Also, a fadeout ending? Boooo!