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Eino Keskitalo   Members

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Everything posted by Eino Keskitalo

  1. I was surprised to see the date. It's rock solid. I especially like that little thing done with the violin (and later guitar), that "stuttering attack" thing. Things like that make sampled instruments go a mile longer than when played "as is". Heck, of course they're good on real recorded takes too. This is a fine track in all the other respects as well (and yeah, I'm reminded of Monkey Island too), but that's a great detail! --Eino
  2. It's fun to see Shnabubula give some love to this track, as the production definitely reminded me of his tracks. While this isn't as wild as those in the rhythm and melodic and harmonic reinterpretation.. and stuff.. the production wildness is definitely up to par. Great source (I'm playing the game at the moment..), and the industrial treatment fits it very well! The actual melody is quite buried much of the time, but it's audible. Many of the synth textures are quite gorgeous (esp. with the reverb). I'm not overly fond of the vocal snippets, I think they're mixed surprisingly up front. They don't feel "pasted on" but somewhat underworked. The piece also feels a little on the long side, but not overtly so. Good track! --Eino
  3. I think the beat, and everything up to when the melodies start are decent (esp. for a mix of this age), but when they do come in it's not too good. I basically agree with OA, the first lead is way too simple, and the melodies feel pasted on without regard to key. I didn't mind the long intro at all, I liked it and it got my expectations up (which was good) but unfortunately the piece didn't deliver. --Eino
  4. I'm glad you're working on this again! I loved the previous final version as well, but don't mind ongoing development. Without comparing to a previous version, here are some comments on the areas you've done changes in: Drum sound works for me. There's the added chip lead in the 01:19- section? It jumps out a bit, especially when it plays the "fragmented" lead bits. When it first comes in it's kind of unexpected. Maybe you can try to have it "unsubmerge" rather than just appear mid-bar, fading in, using some effects.. or something. I like the writing. Drumming works for me. Intro sounds fine. The delay is in the chip part, right? I think it's better now than if it was drier. --Eino
  5. quick comments: The intro is better (I still miss that crash cymbal hit I mentioned ) and you've fixed the weird bass notes, good! Drumming's better too. I (continue to)really like how you build/layer things as the piece progresses. And the basslines too. --Eino
  6. I like the bassline. I'm not sure if the highest note is in the right key, it's in major key while the other instruments are in minor key. I think. I listened to this in laptop speakers first. The bongo/percussion sounded extremely mechanical, and the melody and strings are buried way back in the background. Listening with pretty good headphones: it sounds very bassy, but not muddy to me. The bongos fit much better to the beat . Even though I can hear them better this way, the strings and piano are still mixed too low. They need to be brought UP. The piano is out of rhythm. The last note of each two bars is noticeably early. I really like the synth textures. The worbly strings are great. The (original?) section from 1:30 is really good. Only the first short snare fill is disrupting. --Eino
  7. Bass on Ripples of Time is very nice now. Adds a whole new dimension to the track. It adds restleness, which is great for this. The added sound effects are great. I like the ending as well. Very well done in all, chilling, evocative. I love this track. --Eino
  8. With mixes like these, I'm starting to realize.. I actually really like trance?! What?! --Eino
  9. Another mix discovered thanks to the "missing lyrics" thread, hehe. I'm enjoying this a lot. I find those vocals *great*. Very well used effects on them. They're a bit too buried in the mix. I think overall the mixing is lacking - the sounds don't mesh and sound mostly "straight from the can", and especially the bass instruments sound "all over the place". It's not too bad, just quite unpolished. Many of the sound choices are pretty good in themselves, the harsh snare percussion for instance (a bit too harsh on the ears), and the 80s keyboard that first comes in at 00:08. I also like the figure that it plays. Other arranging is good as well, and supports the chosen genre/style well. I'm not sure if the structure/pacing is the best, it's a bit on the long side for instance. Also, this piece reminds me of Yellow Magic Orchestra, which is always a plus! Even with it's flaws It's a keeper. --Eino
  10. Fantastic stuff. I love how there are so many gems to discover in OCR even after listening for so long.. --Eino
  11. Thanks for your viewpoint A-RoN, it's making me think. Why only lyrically, why not musically too? You can pick your audience too, which in my humble opinion & modest experience is a healthy thing to do. I appreciate that OCR has broadened my musical horizons especially because of the arrangement and interpretation focus. The vgm material here are like jazz standards and everyone's encouraged do their own takes on them. --Eino
  12. Looks like a neat and inventive game, and I like the look as well. --Eino
  13. Nice work expanding three chords worth of material. =) I like it, very emotional, very yearning. The wind scene theme feels a bit tacked on, spoiling the mood. It's not a bad idea to fit it in there, but I think you could modify the melody to fit this particular piece better, while it still would evoke the wind scene theme. --Eino
  14. Nah, you have to work on making your style work. --Eino
  15. Great stuff man! This one hooked me from the first seconds and it's hard to shake the first impression off. I love the acoustic guitar and piano. 00:50-> is grand. There *is* an iffy spot at 02:40-02:43 where it goes a bit dissonant in a bad way. I think I can live with that. Overall, gorgeus. Good work! --Eino
  16. I enjoyed NSMB very much, and this track was a pleasure when I first heard it. I've kept it and it still is fantastic, it's lush, it keeps the Super Mario feel to it and yet expands it into new territory. Great job! --Eino
  17. This is some cheese I can't stomach regularly, so I won't be keeping this, but it definitely made me smile. The d-d-d-de-destroy bit is ridiculous, I can't get it out of my head. --Eino
  18. Good job with this track. I enjoyed it! --Eino
  19. Congrats! Loads of happy news this month.
  20. Pretty funky! I enjoyed this. I agree with the critics in earlier posts. The writing in the piano parts isn't substantial enough yet. Good key change at the end. --Eino
  21. Good vocal (esp. for a guide), I can feel the emotion dude! Doesn't go too syrupy I think. --Eino
  22. This unts gets my approval. Liking, nah loving the chord synths too. I'll try to give this a closer listen later. --Eino
  23. Loved this on the WIP boards already. The brooding, chilling vibe is fantastic. I really, really like the rhythmical feel with the drums going and the piano kind of creeping over them. I like the rapping, it sound good, but I've got to critique how suddendly it comes on. It sounds a bit tacked on. There could have been a lot more vocals. --Eino
  24. Quirky synth-poprock instrumentation, I like it. I can hear you're a beginner, but that's alright. The a-part has a good drive, especially the second time around. There's variations, and there's structure. I like how you build each part each time they come around again. I *love* that fake electric guitar. It's fake, but it sounds great. It sounds like not all the notes are exactly on the beats. How did you enter the notes? I don't know anything about FL, but humour me anyway. You might want to quantize, although the wavering does add life into it. It should be on purpose of course. Or maybe I'm just hearing things. The intro is a bit long. When the beat and bass come in at 00:40, there should be a crash cymbal or something to emphasize it. Now it just ..starts. In the b-part, the upper notes on bass sound like a separate instrument, it's does not sound like realistic playing imo. I like your basslines otherwise. Drumming is overtly busy, simplifying a bit would make it more a solid groove. High-speeding is ok. --Eino
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