Crulex

One of my favorite tunes off the Kirby album. It's such a strange blend of musical choices, but it WORKS! Funky and ethnic, all while improving a source I honestly didn't care much for in it's original form. Great work from Mazedude.

Okay, now see, I like this. While you can hear the age, the direction of where this mix was headed is something I could get behind. Much like Tilly said, some more strength to the mix would have been great, but it really fits some sort of feeling of conclusion, like a credits theme or some heroic montage to turn things around. I'd really love to hear this one revisited and redone by today's standards and production values, cause that would be damn awesome. Appropriate title name for this ReMix based on the vibe it gives.

Yet another ReMix that doesn't go too far from the source besides some arrangement style choices. I get the idea behind some ragga Mario here, but it just doesn't seem to get far enough to where I'd like it in that style until the very end, and even then it sounded like the tip of the iceberg for where Bob Mario-ly could have gone. I can't complain much, because I liked it for what it was, but McVaffe has better in his collection that I can enjoy more.

A little dated and a little short, but excluding any production issues, the opening piano's intent can be gleamed from it. I can hear the emotion wanting to come through, but it just seems to need that old decade polish that a lot of these need.

Conservative as the melody is, I have to give Scott some praise here. I personally enjoy ReMixes that seem to be in the "updated and refreshed" territory, where they add something (or several somethings) special to the source and make it sound fresh again. This is where this sounds to me. The darker tone, the fast paced percussion and the cymbal hits at the points where it is needed. This is one of those early mixes I will gladly file under hidden gem in my opinion.

Well, you have to start somewhere. Honestly, this isn't my favorite piece from CotMM. The distortion at the end was a little too sharp and fuzzy for me in the second half, and the entire track is short to the point where it's tough to really try and nail in an idea. CotMM has gotten so much better since this, so at least we can see the curve, which is cool.

As far as the song goes, it's really not bad and at least it has some writing sense as far as progression. And while the production age shows, it also shows that there was an idea put forth and executed from start to finish, which is great. But yeah, would have loved to hear more of the actual Castlevania music mixed in.

Haha, the opening being so toned down and chiptunish made me laugh, because Zeromus was such an easy opponent that it fit him in my head. The rest of the ReMix, however, was weirdly entertaining. While there were plenty of dubstep elements, it was honed in enough to enhance the melody rather than just distort it. 3:45 was were I really went "yeah, buddy, that's it!" though, because that line of beat was more my speed. All in all, an excellent listening experience.

Darkness and piano mixed in with aggressive evil dubstep? Yes! Now that is what I like to hear. Gotta say as well, that ending was great as a way to bring everything in for a clear landing. Nice work, man.

Going to have to agree with the other reviews, the drums could use a little more variation, but all in all, this seems like a V.2 take on the MM3 boss theme. Which, honestly, doesn't bother me because I'm always up for hearing "enhanced" mixes. Just could use a little bit more to really stand out. This really needed a little more change over the progression of the mix and shine to make it what it could have been. Still, nice to hear a boss theme other than a Wily boss or MM2 boss theme get mixed.

Certainly fills the role of a tense "gotta go now!" theme. While I hear places where things could be taken to the next level, for what is here, it sounds like it would be perfect for an old PC race game, especially with the bass, so it has something I can relate to at least.

It's like ambiance with a pulse, which I can actually get behind. The sounds are so outlandish, but they work in an oddly cohesive way, like they are just meant to go together. Some of the synths and bliptrips weren't my thing on a personal taste level, but stylistically, this was a pretty good arrangement. Everything is so uneasy, but it still works as a whole picture, which is always interesting to hear. Cool stuff.

Wonderful piano work here, it's always pretty sweet to hear multiple themes connected together in such a way, and it makes me interested to hear the following versions to come. Everything everyone has already said, I pretty much agree with. This is an improvement to your debut mix, and while there are still a few things that one could nitpick here, none of it really hurts the mix that much that you wouldn't enjoy it. Good stuff, man!

Oh yeah, I've had this on my MP3 ever since it was released in the compo. Cool to see it hit the front page. Still sounds as great today as it did a couple years back. Awesome work by both ReMixers and I'll keep enjoying this track for a long time.

I just can't get enough of Kate's amazing vocals. I mean, there are quite a few female vocalists on OCR and beyond, and I'm not out to take anything away from them at all because they are truly talented, but I'm amazed at how consistantly awesome Kate's voice is, especially matched up with the instrumental music behind it that is just as gorgeous. Seriously, the music alone is well done, but as a combined track, the vocals and music compliment each other. There's something magical about this piece, and I think it's the enchanting pictures and mystically soothing vibes you get from the arrangement. Evktalo is right, I wouldn't have been surprised if someone tried to convince me that this was a LOTR piece or something similar. Going to my playlist right now.

A cinematic sound and an incredible video to go along with it, that's just impressive on many levels. That all being said, it has everything that I would love this kind of piece to have. A slick build sandwiched by tense moments that have even grander bookends. It really does sound like something you'd expect from a score. Nice work.

That opening.........damn, guys! Seems that Napalm Man and Wily just go together well, and let's face it, it's hard to go rock with Willrock and Nutritious working together. An orchestral mix with the energy of a staticly charged electronic mix. Pretty good if I say so myself.

Happy birthday to all the fires and non-fires! Triple the happy! Triple the Birthday!

Gonna have to agree with anyone who said this would be a great fit for some old hip hop, especially for one of those folks who like to freestyle over beats. I've heard it done with much simpler stuff on youtube, so this would work for that. When looked at in that context, the age and length of the mix aren't the most damaging things to it. Think I would prefer this mix that way rather than on it's own. It's all in the perspective, but other than that, not bad.

Man, that drum beat sounds so retro....and I'm not even mad, I don't mind oldschool sounds at all. Granted, this is dated and has conservative elements out the wazoo, but for what it's worth, it's certainly not the worst Chemical Plant mix I've ever heard. Sometimes I'll take a mix that is close to the original and has minor changes to a mix that is too liberal, but that's just me. Jivemaster has done better, but this is a good place to see one of the earlier Jive works to compare and appreciate.

Music box with all the creepiness you could want was the kind of start I love in mixes such as this one. While the metallistic chugs of the guitars rock on, there is still a dark, evil undertone that add character to the mix, and I like that. There really isn't much I can say because a mix like this can make me sum up my feelings pretty quickly, but I can say that I believe this to be my favorite Mak ReMix to date. Keep it up, fella.

Interesting is definitely the choice word here. Even though it seems so short at just over two minutes, there is always something going on in the mix. Not a moment was taken for granted and it somehow tells the story it needed to quickly and concisely. Ace arrangment, with so many little touches (like the yell) that makes me grin. I'm shocked at how neat dubstep sounds with a bit of a low-fi edge, especially with that piano, but it's cool. Makes me want to hear a little more, so I guess the repeat button will be abused on this one.

This game was actually one of my favorites when I was younger and I actually enjoyed soccer (I'm not sorry. It will always be soccer to me.) because it was the one sport I was decent at. Hearing most of the themes in the game, especially Wily get some love and hear MMSoccer represented like this makes me want to bust it out and play it again. I love hearing the energy of this mix change inbetween the various sections and add some life to the mix. Terrific work, I'm definitely a fan of this one.

Gotta say, I like how Hyrule Castle was used in this arrangement. Almost score-like in it's pace and underlying melodies. And the section that connects Ganon to the Deku Tree was pretty good as well. These are the kinds of ReMixes that take mulitiple themes and manage to transistion between theme nicely, and I love to see that. Well done.

I normally hate to let games that I get go without beating them, but sometimes I just don't get around to a couple of theme. There are two that come to mind though: Legend of Zelda: Ocarina of Time. I've made it all the way up to the last area where I'll be dealing with Ganon, but I always seem to get caught up with something else or distracted and not get a chance to finish the damn thing. One of these days, maybe. Super Mario Bros: Lost Levels. Process seem to go that I'll play it in an attempt to finish it, die on a level for about half an hour, finally pass it and go "okay, I can at least save here and try to get further later" because I'm so burnt out just trying to get past the previous one. Currently at 7-4, so I should finish that up before too long.