timaeus222   Members

Would you like something like this? It's 12/8 jazz with vocals

Flip side with respect to MockingQuantum. I quoted you because I agreed with you.

Don't worry about the length of the YouTube description. There's a length limit of over 4000 characters (I wrote some long descriptions back in the day ). Your bottom quote doesn't come close (it's 850 characters), and it's for a video that's apparently about 45 minutes long. At that frequency of song inclusion, I would think that you could technically make 3 hour videos or so (but I would actually suggest 1 hour videos at maximum to keep people from just skipping around in the video out of impatience or boredom).

Haha, alright then. Well, this suggestion is something I sometimes do if my music doesn't quite sound right but is also quite dynamically "clean": something you could try (if you don't already do this) is use light compression to "glue" your instruments together, and use similar settings for each album track. Sometimes I do that and it sounds more cohesive when I do it that way since it's the same compression plugin for each song or piece. I figure, you're the type of person that can hear that type of subtle adjustment to the levels in a mix. This guy talks about this. You already know this, but you should (of course) only use master compression of this sort when you're all done, and not do mixing edits while it's on. You may also want to just listen all the way through the tracklist, but this time, listen for the loudness differences. Depending on the piece/song, different dB's RMS still sound "right", but they might still actually feel the "same" simply because it's fitting for that genre. In your case it sounds especially true since you have that bass heaviness progression going on.

Oh yes, definitely! This sounds like it resembles a recycling mentality, both great. Keep ideas you write out, even if they are not finished; you might like them more later.

I heard this in the workshop. And I survived. This is one eclectic mix in a sea of mangled samples.

On the flip side, you (someone in general, or MockingQuantum) might want to try to NOT plan an arrangement at all for a change. i.e. go with the flow. But that's generally more feasible for further down the road. Sometimes I just write something and it flows out naturally, and if it doesn't quite work, it still connects nicely after I adjust a previous transition. You might still want to try it anyway. See what happens; the best part is that you may never have done it before, so you might not expect anything in particular.

I would arrange the tracks so they flow well first musically. Maybe track 3 starts on the same key track 2 ends on, or it starts quietly like track 2 ends quietly, etc. Try deciding on a nice track order first that clicks musically, and then look more into the mixing. What exactly are you doing on the mixing end to make them more 'consistent'? How diverse are these tracks? If you want you could PM me for more specific feedback. Generally, some things to look for for cohesion/consistency: - dynamics - a story? - matching keys? - other misc 'this flows well somehow' reasons

http://zirconmusic.com/articles/how-to-get-rid-of-writers-block/ You tried reading this?

If you're feeling like it's too ambitious, it probably is. I am on the same page as DusK and Skrypnyk mainly. Try a source tune you know well that also inspires you, in a style you find yourself comfortable trying and have fun with. But don't expect too much since this is your first. Not being hard on you, but I don't think many of us were good on our first anything musical.

Watch your word meanings too. You can't disperse into anything. Dispersion is a spreading, i.e. outwards. Also, yeah, you only need to mention full names once, and try not to repeat so much.

Nostalgia to the max! I think you did a great job handling Medieval Jam. It's one of my favorite JJ2 themes. Koopa's Road actually worked here. Glad you got this posted since the last time I saw it in the workshop!

I think I like this more than I did last year. I don't know if you improved it, but either way, this is so good. That first lead just rocks, and you make me wanna write another funk remix with a similar vibe.

I'm currently through it about 3/4ths of the way if you wanted to know (started yesterday).

You need to market more. That helps more than just putting it up on a popular hosting site. I would still recommend Bandcamp though, for profit's purposes (though again, it doesn't guarantee or promote purchases, it just makes it possible).

Odd. Not to me it doesn't. I love working on a song when I'm inspired. Even if I'm not inspired, I'd still be doing something I love in general. Hours of work on a song is actually normal (if you don't finish lol). When I first started out, I did pretty sloppy work whenever I just said I was done with a song I worked on for a few hours. I'd estimate that it's normal for someone about a year into writing music to take about a week to crank out a 2-minute product with rough mixing, or a minute WIP or so with decent mixing, but that's just me. I dunno, maybe that'll help lend some perspective. You shouldn't be discouraged or depressed about specifically music if it's something you love to do and for some reason you feel you're learning too slowly or something. I learned slowly in my first year and a half. *shrugs*

Took longer than I thought, but I'm on the final render! It's about 98% there! EDIT: Done for now, now on to Mak's very quick fixes! (5:40) EDIT2: DONE and rendering! (6:09) EDIT3: Complete and posted on the forums! (7:52) EDIT4: More edits as per Jordan's request are going underway. (10:12) Almost there!

I might give it a shot. We'll see if it works out; at the very least, I hear every single component in the mix clearly enough to notate it, and I'm using noteflight, which lets me play back what I notated.

Almost there with that Vectorman remix! I'm on the last half hour or so of mixing it. Then I'll get to Mak's two small fixes.

Heyyyyy! Totally the first album I'll be posting in the Community forums! https://ajsmusic.bandcamp.com/album/the-chamomile-tea-ep This album is in a way an account of my friend's various love-life situations 'n stuff. You get the idea. Five tracks, recorded and produced in about 2 weeks, and most of these tracks were recorded and mixed from the very beginning in 3-10 hours each. Had to go at lightning speed I tell ya. My friend's comments: With the combined hard work of the "Chamomile Team"... Helen, Ray, David, Truong-Son, Veronica, Kalani, and myself over the past few months... And all of the experiences I've gone through in my life, all of the people I've met, and everything I've learned. I can finally do this. This is my story, my life, in musical form, my heart and soul in digital audio. This is... The Chamomile Tea EP. My comments: I really enjoyed being able to work on this album, even though it was so time-dependent. My personal favorite tracks are "If I Can't" and "4 AM". The bass writing I did for "If I Can't" was inspired by Vertical Horizon's "You're a God". That song was produced last, in... 6 hours. AJ is a pretty talented dude. Glad I got to work with him to get this up and running. Track 1 - Chamomile (Intro) Track 2 - Cinnamon & Sugar Track 3 - If I Can't Track 4 - 4 AM (feat. Helen Dinh) Track 5 - Last Letter (feat. Veronica Layos & Kalani Mojica) Andrew-Julian Soriano: Lead Vocals, Backing Vocals, Acoustic & Electric Guitars, Bass on Tracks 1, 2, and 5, Drum Arrangement, Production Truong-Son Nguyen: Bass on Track 3 and 4, Strings on Track 2, Drum Arrangement, Piano on Tracks 2 and 4, Production and Post-Processing Helen Dinh: Vocals on Track 4 Veronica Layos: Vocals on Track 5 Kalani Mojica: Electric Guitar on Track 5 Raymond Lee: Photography, Graphics David Gonzalez: Graphics

What is the point of this?

There, the rhythm guitar comes through more on the right. I also like what you added after 2:30. Ending needs more time to fade out, but overall it's an improvement.

http://audiogeekzine.com/2011/04/vocal-processing-and-mixing-tips/ It's case-by-case, but this is about as general as it gets, I think. In addition to this, I would suggest the de-essing I mentioned earlier if you hear sibilances, and possibly a little, tiny, slight automation down in the volume on those sibilances (you might not do this too often, but I've done it quite a bit in the last week).

Nice, the rhythmic errors show, but most of it is in the realm of human error (rather than just an actual mistake); what I would say counts as an actual mistake (some might call it "slop") would be: - the delayed note at 0:05 - the rushed note at 0:08 and 0:12 Just those. The tonal variation is definitely much better! The frequencies themselves, in case you wanna know, have quite a bit of low end, but then again, I don't really know how you recorded it. =P