Uberwulf X

The Lullaby: I think the theme is a lack of fulfillment. The chords tend not to lead in common ways which is fine, but 1:18 happens and the lullaby doesn't lull me because I'm waiting for resolutions that I don't get. The harmony doesn't move with the melody, the strings and arpeggio tending to do its own thing until the two times it actually does resolve together. Eternal Abyss/Dream World: A very airy intro, and I felt the anticipation build into the lead-in for 3, so good one there. Then 3 happens and it's like "yeah, we're at the solid stuff now." The xylo instrument playing at 2:10... I'm not fond of that chord at all. Old Pal Tudles: I was preparing a comment about how much bass was lacking in the tracks, then this one has some, so there ya go. Also uh you spelled Toodles wrong. Ponies and Donuts) Synth pads in the beginning a little overpowering, I actually want to hear that plucked instrument more not by making it louder, but by backing those synths off. Otherwise, a good way to follow 4. Alley) I like the running at the end, a reminder that this is a story. Crime Scene) Def get that Miami Vice feel, and I'm digging the sirens. I think the energetic final third-- not bad alone, but considering the somber music before it, it surprised me. Maybe this is a victim fighting for their life? Toodles' Lair) Slowing down the barking... I'm digging it, nice atmosphere. Theme of Toodles) A solid cut-to-the-point theme. It's definitely interesting that this is one of the most clear songs, while everything before it has been filled with reverb to the point that parts get lost in the mix. Not sure if intentional, or just a product of the song style, but it's there so roll with it-- it pushes the idea that Toodles is the most real thing in her dream. Toodles Attacks) It feels a lot like thematic boss music, which-- Atonement) No, ok, this is the thematic boss music. Overall, I like it. You've definitely told a story through the music, and with two passes, I was confident that the music fit the title well enough that the point wasn't missed. However, there is a lot of reverb in the entire album and while I get that it's because this is a dream, it's a little overbearing. The melodic guitar work is good, and I'd want that to have a lot less reverb and cut through the mix. So aside from a different focus on the master and some questionable chords and progressions, I think ya did good.

I was actually thinking about doing the same kind of thing, using a Mandachord-created song and fleshing it out in my DAW or something. Nice and chill.. you could probably use this as a base in the next Tenno Tunes contest

Hello there, I'm looking for as many vocalists I can get, male or female, for a couple of songs. First is a hymn-like song. For this I request multiple voices, but I only need only one stanza, as follows: When Esteria calls // She, the angel, Falls Shattered Heaven waits for you to // Rise and control your fate Surrounded by broken dreams? // Lift your voice and sing: "Please watch over me, // Daraku Tenshi." https://www.dropbox.com/s/soeabiufk0zia03/[R]Evolution (Shattered) 2011.mp3?dl=0 Harmony for final stanza Second is a phrase, the vocal hook for a song. This is to be sung by a single female. Can you still smile through the storm and rain Trials and the pain of losing everything again My friend, may your tears fall through the broken skies https://www.dropbox.com/s/zxf065gvz4o94b6/Twilight Tempest.mp3?dl=0 As you can hear, I don't do well singing that phrase for a number of reasons. Besides, it would just sound better coming from a female. I'll provide the melody played with a piano or another instrument, as well as my own voice as needed; sheet music can be created upon request. The first song comes with a text file with the lyrics and phonetics, and I'm always around to give instructions and edits. As the tracks are likely to be part of an album, I can pay you if you wish for compensation-- the first will for sure, but I'm not sure about the second. Reply here or DM me, can't wait to work with some people in the community. Thanks for checking out this post!

I'm interested as well! I'm able to do nearly any genre;if someone commissions a song in a genre I'm not familiar with, I'll research it and make one. Below are a few examples of my music. https://soundcloud.com/uberwulf-x/omnitek https://soundcloud.com/uberwulf-x/scion-battle-esterian-chronicle https://soundcloud.com/uberwulf-x/electric-fences Also scored a game that was canceled, so I renamed the album and released it as a standalone. https://uberwulfx.bandcamp.com/album/danmaku-gaiden-no-blazestar

It feels like the rhythm in the cellos(?) that start the song has a triplet with a missing triplet-eigth, when two eighth notes might suffice and make the rhythm less disturbing, unless that's exactly what you were looking for, in which case good job. This feels like the kind of song that things should be added at each repetition of the melody from 0:22- to 0:51, which would make the switch in play style much more striking. An additional note to make a chord, a variation in the melody to completely switch the chord, something to show a progression that stops when things calm down. The switch at 1:15, I really like, but the section that follows repeats itself exactly, which takes away from it. So basically, don't repeat measures/bars exactly, and you'll be good. Keep going, I like the general feel you're going for.

It's definitely heavy in the bass frequencies, clipping in some parts. The Final Boss has a lot of muddiness whenever the timpani strikes. If you can see what frequencies the low square is strongest, I believe the solution would be to remove that frequency in the timpani via an EQ. Level 2 Facist Italy: try making the "-pah" of your oom-pah harmony a little shorter, to make it a little more bouncy. I want to give more encouragement than "the tracks are servicable" but being as most of these tunes are easily recognizable, there's not a lot I can comment on, on the originality front. What kind of game is this for?

Thanks for the comments! Unfortunately as a concept album, I've got the gameplay and all in my head as I don't know how to make games... yet. I'm actually looking into systems so I can make a shmup or TRPG. I currently want the one person to have 2 or 3 people always active in the open field with him, but he could use a manikin or summon to switch between other warriors he recruited.The modern fantasy world is based on a text-based RPG world I played in, one that would mix in fighting game elements as well. Lore: The Leviathan Stadium hosts the Heaven or Hell tournament every year, and the main character (Jamaal Williams instead of a John Doe) is looking for members to recruit for a 4-member pick-up team. The Stadium is also notorious for having people trying to unlock its mysteries and tap into the raw magic connection it has to the world, only to be turned away by the fighters who treat the city built around the stadium as their home. A shady sponsor group emerges with enough fingers in enough pies to make some people question their motives. As an adventurer-- but not any special "chosen one"-- he tries to help out any way he can. His first recruit, D' Aire, is actually another longtime sponsor and tournament participant, and much more invested in figuring out just how dangerous the new group is. As she's much more equipped to make a difference, she ends up recruiting you to her investigation in exchange for joining your team. The tune is a combination of three different themes. 0:42 is more my theme though it used to be Lazenca/main person you're fighting (also my icon image), 1:24 and 2:26 being the land they're from (Esteria), 1:44 being the music I named him after (embedded below), 2:05 being the battle cleric who led you to him as well as her religion's theme. The song is in a group of "Scion Battle" songs, and since the Scions are element-based legends of the stadium, they get songs with vocals; the namesake of the Stadium got a sea shanty in English and Esperanto and I'll post that soon enough. I opted to have vocals for Lazenca instead of D's part because while she decides to test you by fighting with others from her homeland, the song's more for him.

Hey there, I'm making a concept album for a TRPG, Leviathan Stadium Tactics. This track is for one of the optional battles against a legendary fighter, so you can recruit them. The song's finished, and I'd really like some comments, crit, all the good stuff. Otherwise, I hope you enjoy.

No problem, glad to lend an ear. I can see what you mean with the end. When I say "fade," I mean let the ambience and reverb settle around the song. Like, once the last notes stop playing, give it one or two seconds while quickly fading out the whole thing, so all the settling reverb quickly settles into the silence you want. As it is, it sounds like it almost made it through the door but had the tip of its heel sliced. I'm going to stick to my opinion of the beat at 0:31, but if you're sure about it, consider me trolled. I'm going to retract my crit about the opening few seconds and apologize; I've been working on and listening to music all day so my ears were a bit tuned to a different genre. I've relistened to the intro several times and it's fine. My concern was indeed with the lack of reverb of modulation but I very well know that's the point, you've gotta have it a little plain so the actual work is more appreciated. However I'm going to replace that with the fact that I'm actually having a hard time picking out the source melody or melodies. Sounds like the Zelda 1 dungeon and Fairy Spring song from the series, but the picture hints at the castle themes. Mind telling me what the source is?

https://www.dropbox.com/s/qfcp96uffyfv4yv/Rocket Knight Boss.mp3?dl=0 I've wanted to do a RKA remix for a while, either of the boss, Pig Star or the auto-rocket area of stage 1. I'm gonna settle for starting on the boss for now; I'll see about the other themes. Volumes aren't leveled so watch your ears. I started with the meat of the theme, and I'm working backwards to get a good intro in, as working Intro-forward wasn't working out for me. Electric guitars always give me trouble so if you've got some good crit on making them exciting, I'm all ears.

The first few seconds of intro, on first listen, sounded really... naked? But the moment the beat starts to switch and filter, I'm settled. 0:31- sounds like you accidentally had a channel active with the single drum play that isn't connected to anything else in that passage; I was expecting drums to start playing from filter, up to full strength. What you have at 0:53 is fine, but if 0:31 isn't a mistake, maybe something can be done with it? The only other thing I can think of is fading the ending a bit more; you start a fade then the song cuts off.

Hey there, I decided to make a FFTactics track, sampling Apoplexy. As it is now I'm not going to try to redo it for submission, as I'd want to change a few things and not rap after being sick for two weeks, but it's done. Lyrics are below, and any feedback is welcome! I am the summoner, the caller of Lich The one you need to kneel to, the one to beseech With horn on my head and Blaze Gun in hand I'll call Ramah with the thunder, see how much you can stand Dig your grave on Balias Hill, lay your bones to rest Your party should've told you, I'm not the one to test Got that 100% slaughter stat, know where your wife and daughter's at When comes to shows of force, you already know that I'm the best Persistent immunity to all the Judges' rules Boy you just a Squire in my Hard Knock School Save the Queen, protect your neck 'cause I'm coming in Quick Change equip, Excalibur, my damage'll make you sick Select action: Move 8, I'm creeping up on your back I'll probably slit your throat, then I'mma toss you in the sack Drag you behind my chocobo, and throw you in the yard With a note around your neck saying "Them black mages hard" Blame yourself or God for the things I'm 'bout to do to you Unruly, Dark Holy smite, only in my form true Your Brave Story ends here, Oracle drew Tower card Feel your whole Galaxy Stop, with main gauche I'm going hard Blame yourself or God for the things I'm 'bout to do to you Unruly, Dark Holy smite, only in my form true Your Brave Story ends here, Oracle drew Tower card Shadow Stitch, son of a bitch, three count, rejoin the stars Knights Templar raised hell when they heard about me I'm like a whisper on their tounges, just call me Lucavi Bringing terror and sadness to all who oppose My will, my strength, my arcane lyrical flows I'm calling All-Ultima the moment you wake Destruction Job class that'll make you rattle and shake Hamedo reaction skill, JP up every chump I kill Dinks in your armor till you're ready to Break No longer a Lion War, now it's a Wulf Massacre Shutting down the knaves trying to test their caliber Toll the bell thirteen times, you think it's your time to shine Got your tombstone reading "#1 Amateur" You already know it's game over when I arrive Call your Calculator, get that CT 3 Revive Ajora scheming, blades are gleaming, got 'em screaming, catch my meaning? Your distant, Final Fantasy should be to survive Blame yourself or God for the things I'm 'bout to do to you Unruly, Dark Holy smite, only in my form true Your Brave Story ends here, Oracle drew Tower card Feel your whole Galaxy Stop, with main gauche I'm going hard Blame yourself or God for the things I'm 'bout to do to you Unruly, Dark Holy smite, only in my form true Your Brave Story ends here, Oracle drew Tower card Shadow Stitch, son of a bitch, three count, rejoin the stars

I've been working on this for a while. I submitted an atmospheric Death Egg song ages ago that was nowhere near OCR quality, this I realize. However, after being off the site for a while and finally coming back, I want to try my hand again, this time with symphonic rock. Source material: Death Egg Zone, Hidden Palace Zone https://soundcloud.com/uberwulf-x/rise-of-the-death-egg I was gonna start off with this as Finished because I've been working it with some feedback offsite, but I'm still getting feedback and would like y'all's so here it is as a WIP.

i always get a sense of melancholy when i look at this picture. it's just that grand.

haha, depressing.