The Coop

A few more, this time from the Sega CD. Underrated in part because hardly anyone played the games... Soul Star- A good synth-orchestral soundtrack. Stellar Fire- Not sure where to classify it, but the music is quite cool. Robo Aleste- A rock/disco/electronica/symphonic conglomeration that's enjoyable. Android Assault- 80s Anime rock. Lords of Thunder- Great Metal soundtrack. Ecco the Dolphin- Atmospheric and rhythmic. If you're familiar with Pink Floydd's "Momentary Lapse of Reason" CD, you'll get a similar vibe at times. Amazing Spiderman- A rather unexpected soundtrack given the game. 80s glam rock/hair metal from start to finish, and you might even recognize the singer on the opening track

Whip Rush Master of Monsters Alien 3 Dragon's Fury Elemental Master Sword of Vermillion Zero Wing Also, Midnight Resistance if only for the first level's theme.

Perhaps Chris8282's parents were raped and killed by LEGOs, and that's the source of his disdain for them. On a dark, moonless night, the LEGOs crept into the silent and still house. Once inside, they made their way on little rubber wheels into his parents bedroom. There, horrid acts of carnal savagery were committed, only to end as suddenly as they began. For reasons he still doesn't understand, the LEGOs left young Chris8282 to find the bloody scene when he awoke later that morning. Perhaps it was a mistake. Perhaps... perhaps it was a plan. Now, all Chris8282 can do is sit awake at night, wondering if the LEGOs that took his parents, will also come for him. He knows they're watching. He finds a small piece of LEGO here and there from time to time outside in the yard, and he even comes across the occasional LEGO in his home. He catches the rare nap when the sun is up, but he refuses to sleep with any regularity. He knows that even the slightest pattern will give them a chance to strike. Instead, he uses the blood stained helmet of a space LEGO figure... one he found next to his parents' bed on that dreadful morning... as a daily reminder of why he can't let his guard down. And because of this, his nights are always spent sitting in a well lit corner of his home, chanting under his breath... "Can't sleep, LEGOs will kill me... can't sleep, LEGOs will kill me..."

I was about to go and update my old thread with this. Guess Midway is finally getting close to the drain in their financial whirlpool.

Just remembered something... No modern day references. This is one thing that bugged me about Working Designs. In the middle of their games like Lunar, you get references to modern day people or happenings. Nothing breaks an RPG game's fantasy atmosphere like having a reference to real-world events in some sad attempt to be funny. Leave them out, don't even think off adding them, and forget that such immersion-breaking "humor" exists. Your game will be better for it.

Thief: The Dark Project

Wing Commander Wing Commander II: Vengeance of the Kilrathi The Immortal Stallar 7 Nova 9 Silpheed Prince of Persia Prince of Persia 2 Wolfenstein 3D Spear of Destiny Raptor: Call of the Shadows MechWarrior 2 WarCraft II Tyrian Another World Flashback: The Quest For Identity Blood Battle Chess

With ePSXe, you can pop your PS1 discs into your PC, and play it without issue. In fact, you could even use some of the emu traits to make the game looks better. Get a decent controller, and you'd be stylin'. Not only that, but then you could get some of the great Japan-only shmups and games that aren't likely to see the light of day on PSN... like Raiden DX, Gradius Gaiden, and X2 (skip the Euro version, and get the Japanese Capcom version).

A few thoughts... For characters, a good idea is to try and develop each one to the point that they come across as their own person. To do this, you'd need to make decisions about how they speak, what they like or dislike, etc. Doing this will define the heroes and villains, and make them more individually identifiable. I'm not talking about writing a twenty page dissertation on each one, but making sure they have their own quirks and traits that come through in their dialogue or actions is a good thing. It would also be good to have reason's for why they talk or act as they do. For the text itself, allow players to set a "speak speed" (how fast the text comes up). If you want a prime example of how not to do cinema text, play Valis: The Phantasm Solider on the Genesis. Keep your character roster diverse, but trimmed. It's cool to give players the sense of a world filled with individuals, but you'll create a better world by having a well developed set of fewer characters. It's hard to grow closer or more attached to eighty different characters. Instead, focus on a core group that are important to the story (on both the good and bad sides), and let the players see the world through those characters' eyes. Don't make the players go all the way back through caves and dungeons they've already had to go through earlier. It's tedious, it's dull, and it's a trait that needs to die off. Fresh new territory is much more enticing than having to walk through Demon Cave a second or third time because some dipshit ran off to hide in there. MAKE AN ENDING THAT'S WORTH THE TIME OF THE PLAYER! I can't being to describe how utterly maddening it is to play through a game for 40+ hours, only to have the ending done and over with three minutes later (this includes credits rolling). Phantasy Star IV has a great ending for an RPG... Sword of Vermillion doesn't. Try to let more of the story play out through events in the game, rather than through pages of dialogue and narrative. Sure, some dialogue and narration can be used very effectively, but when you wrap the player up in the events that would have otherwise just been a page's worth of text, it draws them in more. Don't be afraid of using graphics in needed narration points. A few images that detail key aspects in the narration are more interesting than just big blocks of text. This works great for things like characters talking about some key event that happened to them in the past, or when a character is talking about a legend they remember... you know, stuff along those lines. If you have a main villain, try to make their evil deeds stem from something other than "HAR HAR! I'M AN EVIL PRICK!". Give them a real reason as to why they're doing what they're doing... something that the player can evaluate for themselves. The more tangible the reason, the better. ... Okay, I guess that was more than a few. Sorry.

I believe that's what I said you could do

Phantasy Star III. I've always felt it was a good game, but one with some noticeable issues. The enemies having virtually no animation, and lazy backgrounds behind them, hurt the game. The music sounding like it was always too loud didn't help either. These things kept the game from being as good as it could have been, and a nice redo would help the good points stand out more. And hey, maybe then someone would finally get off their ass and make Phantasy Star V, continuing where III left off.

Soldner-X has been out for the PC for months, and you can play PS1 shmups on a PC just fine via emulation and a decent controller. Why spend the $500+ for a PS3 in hopes of games being re-released (which you'll then have to buy as well), when you can just spend that $500+ and get those games now, and enjoy them long before they might (key word there) be put on PSN?

I believe what you're trying to describe is also called a roundabout. They can be called merry-go-rounds as well, but that name usually conjures up images of kids riding on fake horses that slowly go up and down within a big, spinning structure (carousel does this too). So, roundabout might work better for you.

Joust avatars for potential consideration... In order, they are... Player 1, Bounder, Hunter, Shadow Lord, Player 1 flying, Bounder flying, Hunter flying, Shadow Lord flying, pterodactyl, Hunter grabbed by Lava Troll (with fire), Player grabbed by Lava Troll (with fire), Hunter grabbed by Lava Troll, and Player grabbed by Lava Troll. I can make the Bounder and Shadow Lord grabbed by the Lava Troll as well if wanted/needed. LT: Hate to shoot these down, but the core of the image is just too small. Could try a slightly tighter cropping, but I'm not sure if it would fly. Worth trying though.

Every time I see this thread, I think, When did they leave gaming?

Little Big Planet Pretty good one again this week.

It's a good game. It has a decidedly "Euroshmup" feel (a life bar, some inertia on the ship, weapons that start brutally weak, rather long, etc.), but the graphics are well done, the music is good, and the challenge level is pretty tough. It's worth $10 to be sure. Just don't forget to grab the patch so you can adjust the controls to your liking.

The Wii version has some rather odd control setups (no classic controller option, wiggling the controller to throw a grenade, etc.), and it's missing a few minor things in the game (boss flashes namely). The PS2 version has all the stuff from the original games, yet it has load times between scene changes (some less than a second, some about three seconds), and the controls possibly have a little lag (about 1/4 second on the first game, less on the ones that follow). The thing is, not everyone experiences this control lag, so that's an oddity. Oh, and the Wii has some load times as well, but it seems to be a lessened amount. I have the PS2 version, and it's quite good... better than the Wii version overall. The load times are a shame, but they don't break the game. None of the home versions of MSA are perfect, but I think the PS2 one wins out. Skip the PSP version altogether, as its load times are horrendous.

Kind of, but with Sonic 3 & Knuckles, you can get everything at your disposal from the start, instead of having to choose a half (unlike RE2). Also, each game has it's own levels and music, so there's not much overlapping going on between the two (which is why the combined game is so big).

Supposedly, Sonic 3 and Sonic & Knuckles are two halves of the same game. Sega wanted to make a big Sonic game, but what they wanted to do was simply too ambitious to fit in a single cartridge (something about the needed cart boards of the day being too expensive to hold everything in one cart). So, they split the game in half, and made each one playable on its own (different endings, 7 chaos emeralds each, etc.). So yes, each game is it's own entity, and can be played through like any other complete game. But when you plug them together, then you supposedly get the full experience that Sega was going for originally.