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I can't say it's Christmas in July, but it is Christmas in March!! I apologize for the hold up, but I wanted to kick this thread into gear as early as I could this year, because this is the tenth anniversary of An OverClocked Christmas we're talking about. That's right, Volume 10!! Who's directing this ship this year? Well, in the last two years (volumes 8 and 9), The Coop has stepped up and stepped into the role of director, while I, for personal reasons that I won't get into here, stepped back to take a breather. Two years is a long time, but this year is special, and I couldn't stand staying away for it. So this year, I'm happy to announce that... Both The Coop, and myself (Dyne), will be directing this project. So, what's this year's theme going to be, or, what music should we be making for this project? As always, Christmasy, snowy, seasonal music is the goal, but this year, I'm asking everyone to stick to Video Game Music specifically. That means that we're not taking original music, or remixes/rearrangements of classic Christmas tunes. I will explain why this is the running theme for the year. In previous years, we've had a mix of all manner of music, from VGM, to classic Christmas music, to originals. For this year, I wanted to focus primarily on VGM has a whole, especially because of this community here at OCR. I love this community, and though I've been lurking for a long time now, I still think of this community as an extended family. So, with that in mind, let's brighten the year with amazing music!! The other reason for this focus is actually a project that has yet to be started. One that I won't be talking about, but one that is something I want to accomplish for Christmas 2017. So keep an eye out for that. What format should our tracks be in? Typically, we've accepted them as MP3s and WAVs before. We're going to do this again. The following is the format that I would like followed: 44.1 Khz, 192kbps .MP3 Who do we submit our music to? Well, to be honest, either one of us. But more specifically, I'd like to have them sent to me through my gmail account. That said, I have some guidelines for how you can send me those emails, and what I need to see so I can locate them in my email. First, my Gmail address is, as always, Dyne2057@gmail.com. Secondly, in the SUBJECT line, I'd like the following in all caps: RE: AOCC VOLUME 10 SUBMISSION Thirdly, in the body of the email message, I'd like the following: YOUR REMIXER HANDLE (what you use on OCR is fine), THE OFFICIAL TITLE OF YOUR TRACK, THE SOURCE OF THE TRACK (what game is it from? who is the composer?), ANY COMMENTS YOU WISH TO MAKE ABOUT YOUR TRACK (or tracks if you are making multiple submissions). Should we send multiple tracks in one email? The short answer is NO. The long answer is, I would like tracks in separate emails. I know this is tedious, but it will help me keep track of what information belongs to each of your tracks. What should we do if we can't send you tracks via email? If you can't send them via email, I will accept links to DropBox, web space (if that's where you can put it), or whatever method you'd like to use to get them to me. I would still like the requisite information from the email along with the link. If you are doing multiple tracks, then you can send multiple links this way. I know, this is a bit backwards from what I said about sending email to me in one of the sections above, but please hear me out. If you're sending links, you can more easily divide up your track, so what it should look like is like the following: --- <DOWNLOAD LINK FOR YOUR TRACK> --- REMIXER HANDLE --- OFFICIAL TITLE OF YOUR TRACK --- SOURCE OF YOUR TRACK --- COMMENTS ABOUT YOUR TRACK And then just repeat for as many submissions as you have. The download link will act as a divider. And remember that your SUBJECT should also be the same as above. WIP Deadlines, Final Deadline? I'd like to have at least two WIP Deadlines this time around. The deadlines will be as follows: First WIP Deadline: June 1, 2016 Second WIP Deadline: September 1, 2016 FINAL DEADLINE: December 11, 2016 at 11:59pm I would like to have everything submitted by December 11, 2016, which gives almost 2 weeks for everything to be finalized, and readied for release. This year, because of the length of time we have, I'm going to be a bit more strict on late tracks. That said, the very latest I intend to take submissions will be by: Wednesday, December 14, 2016 at 11:59pm. Questions, Comments, Suggestions? If you have any of these, feel free to drop me a line, or throw those things here in the thread. Either The Coop or myself will answer you as soon as we can. Thank you, and as always, I look forward to hearing your tracks. Track Suggestions In a response to a question about suggestions, I said I would think about some ideas and present them here in the OP. So, here are some ideas. Also, please note, your remixes don't necessarily need to be specifically snow-based level music, or what not, it can be any track you want. Super Mario Bros. Castlevania Teenage Mutant Ninja Turtles Earthbound Mega Man and Mega Man X (don't forget the Game Boy series!) Megaman Zero 1-4 Chrono Trigger Chrono Cross Final Fantasy series Destiny Tom Clancy series Rainbow Six series Act Raiser Final Fight Street Fighter series King of Fighters series Snatcher Sonic the Hedgehog Undertale (especially this) Super Mario RPG Tales of ... series Assassin's Creed series Metal Gear and Metal Gear Solid series Thanks for the reminder Yannic Gerts! Here's a link to all the previous albums! http://williammichael.info/aocc/index.htm

My recommendation for a first purchase would be Komplete, but I'll give you the positives of both. With Komplete, you get the four-headed synth monster (Massive, Reaktor, FM8, Absynth), Guitar Rig for morphing sounds (Audio or MIDI) and Kontakt, which is a game-changer. Owning a full version of Kontakt allows you to use a wide variety of free patches and instruments out there, and many sample library creators require a full version of Kontakt to use their created content. Omnisphere 2 itself is a staggering piece of software. I could talk for an extremely long time about all of the stuff I use it for and would recommend reading multiple reviews, because everyone uses it for different things. I mostly use it for vocal/choir patches and guitars which are two of the few things that Komplete is not fully up to speed on. Other than that, Omni is chock full of great presets and sound design capabilities unlike anything I've ever used. You could spend hours a day using it exclusively and after a year, you'll still be learning new things about it's capabilities.

I want to hear what you would have done! Our 3 sources were all awesome and blended together well.

Believe me, I was too. I may still do something, but it won't be a part of this competition.

Maybe someday we can get more than one lady to enter a compo!

I posted a How to Play video that goes into a little more detail of the mechanics for those interested:

looks like ive got my answer! thanks guys! Im going to be getting a 2013 imac from a freind as a gift, so then komplete actually makes solid sense.

ok, took great advantage of this and the ending i have is no longer hot garbage. Looking forward to hearing the other entries!

Woo, that was a tough one! I didn't know anything about this track but I like it more and more So I just made a remix very respectful of the original material, with violins and drums. I already upload it on thasauce but you can listen to it here. Anyway.. good choice of theme Kat Hope you like it!

Let's spice it up now, because there's actually a contest going on right now to remix a specific song from the game for prizes. Info can be found here: http://na.finalfantasyxiv.com/lodestone/topics/detail/59680292275fb2ed5743d0fea14fd3d96dd992f7 and here: http://forum.square-enix.com/ffxiv/threads/283332 Original song can be found here: Go and win prizes! And make music!