The super pulled back high-pads feel like they're a bit behind the rest of the song. Don't know if it's too much echo or reverb, but it's really distracting. I would probably tone down the volume on the wind SFX when it overlaps with music halfway.
There's some good interplay between lead and response, but whenever things get desynched slightly it's hard to settle into the groove. Definitely check the attack timing on some of those backing instruments or let them fade into the back more.
Keep up the good work reppin' Golden Sun tracks not named Venus Lighthouse.
Man, two awesome sources and I came up blank. Had a short Dreamer WIP but I scrapped it. Congrats to NinjaPirateDan on the big win. Looking forward to next round.
I love how this reps the Southern Face Shrine, rather than the Dungeon music. Good blend of the three themes for any fans of medleys that don't necessarily feel like medleys.
Everyone is afraid of facing Sir_Nuts. I feel like this is the 4th or 5th time in one of these competitions that he's had an opponent quaking in their boots too scared to submit.
- Catchy rhythm piano melodic riffs
- Abrupt modal shift in the last 20% of a song.
- Verses or a chorus that has a different harmonization than the one previous.
- Walking basslines
I can only think of one other Jazz Jackrabbit PrC, and I was the only entrant in that one. Hopefully this garners more attention.
Edit: I guess there were two, and I only entered one.
I welcome this new entry to the Mazedude line of work. Much like the phantom, the ways of funk-tracking will be passed down in due time.
Congratulations!
Dear JerryTerry, in your votes you mentioned how awesome it would be if there was Phoenix Wright Musical. There is in fact one out now - http://www.pwmusical.com/. Thank you for your time.
Haven't been able to get LoL to work on my laptop, which is currently my only computer.
I used to play Soraka, Sion, Alistair and Singed.
Last time I played Malzahar was the newest hero on the block. I would guess a whole hell of a lot has changed since then.