Gario

Download it! http://ocremix.org/info/Candy_Corn_III:_Direct_to_Video Torrent it! http://bt.ocremix.org/torrents/Candy_Corn_III_-_Direct_to_Video.torrent  
So, it's come to this... So it goes with all horror movie franchises, the first one with its low-budget underground novelty, garnering a morsel of legitimacy, leading to the wide-release theatrical sequel, complete with the blessing of the director and studio execs, only to be panned by the critics, mocked by the fans, and dismal box office returns... then it happens, perusing the local video store, you find it... placed auspiciously next to its cinematic siblings. Did you know its release date? Nope. Was there a plot? Maybe. Didn't that background character die a few scenes ago? Probably. Is the boom mic visible in the film's emotional speech? Almost certainly. But here we are ready to beat the fossilized remains of a horse species long since extinct, may I present... Candy Corn III: Direct to Video.
- YoshiBlade
 

So I watched the series (I think my fiancee and I binged it over two nights - not a long series, even at twice the length of the first season), and I'll say it's really good*.
*The anime is both quite slow, focusing on political intruigue and the emotional turmoil of the protagonists and antagonists, and at the same time quite fast, once the characters had time to be established the crew runs through the castle at an alarming pace. The action is great, though, and the character moments were really something to behold - even got a little teary-eye'd at the end (no spoilerz, bois).
But yeah, great season 2, and it's nice to see the anime gave some room for another season or two, if people really want it. At the same time, it could end at this point pretty comfortably - I'd be okay with it either way.
Good stuff here, we can forget the haters.

Bruh.
He's offering to do the work you do on the panel for a whole month, without compensation. It's like offering to give you a vacation for free.
Do it, it'd be hilarious.
Until DjP got mad at us randomly trying to grant judge privileges behind his back, anyway.

So I watched the series (I think my fiancee and I binged it over two nights - not a long series, even at twice the length of the first season), and I'll say it's really good*.
*The anime is both quite slow, focusing on political intruigue and the emotional turmoil of the protagonists and antagonists, and at the same time quite fast, once the characters had time to be established the crew runs through the castle at an alarming pace. The action is great, though, and the character moments were really something to behold - even got a little teary-eye'd at the end (no spoilerz, bois).
But yeah, great season 2, and it's nice to see the anime gave some room for another season or two, if people really want it. At the same time, it could end at this point pretty comfortably - I'd be okay with it either way.
Good stuff here, we can forget the haters.

So I watched the series (I think my fiancee and I binged it over two nights - not a long series, even at twice the length of the first season), and I'll say it's really good*.
*The anime is both quite slow, focusing on political intruigue and the emotional turmoil of the protagonists and antagonists, and at the same time quite fast, once the characters had time to be established the crew runs through the castle at an alarming pace. The action is great, though, and the character moments were really something to behold - even got a little teary-eye'd at the end (no spoilerz, bois).
But yeah, great season 2, and it's nice to see the anime gave some room for another season or two, if people really want it. At the same time, it could end at this point pretty comfortably - I'd be okay with it either way.
Good stuff here, we can forget the haters.

So I watched the series (I think my fiancee and I binged it over two nights - not a long series, even at twice the length of the first season), and I'll say it's really good*.
*The anime is both quite slow, focusing on political intruigue and the emotional turmoil of the protagonists and antagonists, and at the same time quite fast, once the characters had time to be established the crew runs through the castle at an alarming pace. The action is great, though, and the character moments were really something to behold - even got a little teary-eye'd at the end (no spoilerz, bois).
But yeah, great season 2, and it's nice to see the anime gave some room for another season or two, if people really want it. At the same time, it could end at this point pretty comfortably - I'd be okay with it either way.
Good stuff here, we can forget the haters.

It is submitted.

sorry, i'm on the panel already, we're already in a Garpocalyptic Era of OCR.
#feelsbadman

Well then.
Good thing SD3 is an ARPG, then.

sorry, i'm on the panel already, we're already in a Garpocalyptic Era of OCR.
#feelsbadman

Bruh.
He's offering to do the work you do on the panel for a whole month, without compensation. It's like offering to give you a vacation for free.
Do it, it'd be hilarious.
Until DjP got mad at us randomly trying to grant judge privileges behind his back, anyway.

sorry, i'm on the panel already, we're already in a Garpocalyptic Era of OCR.
#feelsbadman

Bruh.
He's offering to do the work you do on the panel for a whole month, without compensation. It's like offering to give you a vacation for free.
Do it, it'd be hilarious.
Until DjP got mad at us randomly trying to grant judge privileges behind his back, anyway.

Bruh.
He's offering to do the work you do on the panel for a whole month, without compensation. It's like offering to give you a vacation for free.
Do it, it'd be hilarious.
Until DjP got mad at us randomly trying to grant judge privileges behind his back, anyway.

That's an interesting idea.
No.

Probably flavor of the week; I personally tend to get a lot of Izzet counter-burn decks and stompy green. It's pretty diverse in general, though; no better time to get into Magic than when no one has the cards to make a "great" deck, and no meta has really been established yet. It's like the wild west atm, it's great.

I’ve been playing it for maybe 5 months- it’s pretty great, though I wish they had friends lists. Eventually I guess!

That's criminal. Bare minimum, you need to play through it three times for the different story line progression possibilities, as well as a few times more so you can experiment with the various character progression possibilities that one can experiment with...
Probably the only game I've run through more than FFV, which is actually kind of scary, all things considered.
EDIT: Oh yeah, awesome album, everyone should check it out, and all that jazz.

The Duke Nukem Forever of OCR.
Also, congrats

Loads of variety on the best of this decade - says a lot about the quality of games that have come out over that time.
In this decade, I don't think I've played a game that has had quite as much impact on me as Persona 5 - the art, the music, the story, the characters - that game is just phenomenal on every single front. If y'all haven't given that game a shot do yourself a favor and get on it, possibly the best RPG I've ever played.

Everyone else said what was needed to be said (awesome use of MSX soundchip, solid production, fun arrangement, etc.), so I'll just say this:
I approve of this, since it's fun-tastic and done good-ly. We should post it.
YES

It's definitely a different approach to the source material; it stands on it's own with the different reharmonizations used throughout, but it definitely stands firmly in the source material. The sound design is pretty eclectic, which works great for the most part. The guitar, while well performed (nice job, Sagnewshred), didn't blend into the soundscape as well as I would've liked. It sounded like it was in a different space than the rest of the synths & drums, with the EQ balance and reverb levels being notably different than the rest of the arrangement. That's a small gripe, though, and definitely not even close to swinging my vote - everything else, from the synths to the performances are spot on, and the arrangement is great. I'm looking forward to the finished product as far as the album is concerned, especially considering the standard of excellence that has been pushed through our panel so far.
YES

Ehhh... Whether or not it happens with one person really doesn't say whether or not it's something that will happen with everyone. Zircon is a talented guy, and he's really made a name for himself outside of OCR with his music and business (which is a pretty awesome feat, by the way), but for every Zircon out there there's plenty of people who have Willrock's experience of virtually no audience transfer. I'm sure having an audience for your arrangements doesn't hurt your chances as a popular musician and/or accomplished composer elsewhere, but there's evidence (at least in this thread, anyway) that it can be a pretty insignificant boon for your other endeavors.
A combination of how good you are at marketing and networking is more likely going to give you better luck in having a large audience for your original work than having a large audience for your arrangements, I suspect, which Zircon also has quite a knack for. I understand that it can seem fruitless to logically discuss something like whether or not audiences transfer from one person's composition styles or not, but let's be honest - that's a pretty relevant thing for a lot of arrangers who want to make a living off their music in the future. Whether or not the audiences transfer from your free releases to your work that you profit off of could easily impact whether you're willing to arrange video game music, in the first place (which is how this topic cropped up in here).
If someone could crack that nut and figure out how to effectively transfer their audience, that'd be a very useful thing to know. It's at least an interesting and relevant topic to discuss, imo.

Ehhh... Whether or not it happens with one person really doesn't say whether or not it's something that will happen with everyone. Zircon is a talented guy, and he's really made a name for himself outside of OCR with his music and business (which is a pretty awesome feat, by the way), but for every Zircon out there there's plenty of people who have Willrock's experience of virtually no audience transfer. I'm sure having an audience for your arrangements doesn't hurt your chances as a popular musician and/or accomplished composer elsewhere, but there's evidence (at least in this thread, anyway) that it can be a pretty insignificant boon for your other endeavors.
A combination of how good you are at marketing and networking is more likely going to give you better luck in having a large audience for your original work than having a large audience for your arrangements, I suspect, which Zircon also has quite a knack for. I understand that it can seem fruitless to logically discuss something like whether or not audiences transfer from one person's composition styles or not, but let's be honest - that's a pretty relevant thing for a lot of arrangers who want to make a living off their music in the future. Whether or not the audiences transfer from your free releases to your work that you profit off of could easily impact whether you're willing to arrange video game music, in the first place (which is how this topic cropped up in here).
If someone could crack that nut and figure out how to effectively transfer their audience, that'd be a very useful thing to know. It's at least an interesting and relevant topic to discuss, imo.

Ehhh... Whether or not it happens with one person really doesn't say whether or not it's something that will happen with everyone. Zircon is a talented guy, and he's really made a name for himself outside of OCR with his music and business (which is a pretty awesome feat, by the way), but for every Zircon out there there's plenty of people who have Willrock's experience of virtually no audience transfer. I'm sure having an audience for your arrangements doesn't hurt your chances as a popular musician and/or accomplished composer elsewhere, but there's evidence (at least in this thread, anyway) that it can be a pretty insignificant boon for your other endeavors.
A combination of how good you are at marketing and networking is more likely going to give you better luck in having a large audience for your original work than having a large audience for your arrangements, I suspect, which Zircon also has quite a knack for. I understand that it can seem fruitless to logically discuss something like whether or not audiences transfer from one person's composition styles or not, but let's be honest - that's a pretty relevant thing for a lot of arrangers who want to make a living off their music in the future. Whether or not the audiences transfer from your free releases to your work that you profit off of could easily impact whether you're willing to arrange video game music, in the first place (which is how this topic cropped up in here).
If someone could crack that nut and figure out how to effectively transfer their audience, that'd be a very useful thing to know. It's at least an interesting and relevant topic to discuss, imo.