Souperion

The more the merrier!

That's the spirit! It was a hard call between the ice fields and the ice palace. And the snow fields from Seiken Densetsu 3/Trials of Mana/ Secret of Mana 2. Looking forward to hearing takes on the song.

And I sure appreciate the feedback, finally found where it was.

I'd buy ya both a pizza for such an enlightening dialogue. I'm sorry that things were a little rough for ya this round, Vodou Queen, but stick with it. I remember the first time I brought a track to the workshop, almost 3 years ago. It was a hunkajunk made with the free website soundtrap, and I asked for an evaluator's review. At the time, it was my favorite homemade mix, but I can't even listen to it anymore without getting hypertension. Thankfully, Timaeus222 was able to gently shatter my paradigm at the time. My point is that music is a (sometimes painful) growing experience. I don't think your preferred genre and style are an issue here. Keep mixing and listening to composers who do the stuff you like, bits and pieces of improvement will come, and the hobby/career will become more rewarding. This may seem a bit conceited, coming from a goob who just took 1st, but I think we all are familiar with compositional frustration. Also, I am massively impressed with your accomplishment in transcribing the piece under such conditions.

Loved all the pieces here, it was a treat to hear so many Metroid mixes in one voting-sitting. Flattered and astounded at a win. If I gotta pick December's source, I'd better go find some nice wintery toon, eh? I prefer chocolate chip XD. You really had me reeling on that thing. I was going through Metroid OSTs, racking my brain. See you all next mission?

Well, then this little gem I found a while back oughta help you out: Votes in. Nice work, all of ya'll.

It was fun to take part in this round with some (exactly 2) other great pieces. These compos are an excellent way to try new things in ones' remixing life, so thanks to Bundeslang for hosting the PRC.

I hear ya. The game had good sounds, especially for the DS, methinks. Thanks for the info on Unity though. I'm hesitant to try and make money outta this hobby, but I appreciate the ideas.

Took me a bit to get time for a good listen again. So, what I got on the med-high sounds and the like: I think the first 3 minutes only needs a short breather somewhere in there to keep the sound fresh, ya know? Maybe around 1:07, where it repeats the melody from the beginning. Change in instrument for that segment up to 1:27 (up to the part where the synth goes nuts) might be a good break, not too long but enough of a change. If you haven't already been working on the matter. I feel like those first 3 minutes are probably where the variation in sound is needed the most, so the rest of the song will probably be fine. Does any of that make sense?

I like that Spitfire piano. It's nice to have specialty vsts for projects like these. What do you use for the rest of the orchestration? Conservative pieces aren't necessarily a bad thing in evaluation, as far as I can tell. If you want to speed up the process, go to https://ocremix.org/community/topic/42695-what-is-evaluation-and-when-do-i-use-it/ and direct message one of the evaluators, and they'll probably get back to you in a week or so, good folk. If the verdict comes back as too conservative, I'm sure you could ornament it up nicely, slow pieces have lots of room for that. Good luck!

Well, without commenting on that possibility, I haven't been able to find a midi of that Ghor's battle.

Soundcloud being weird can't stop this mix! I'm digging the energetic yet chill vibes of this piece. The lead doesn't stand out too much, which kinda makes the whole soundscape blend into one nice gravitational field. I might suggest looking at that lead if you wanted it to be more center-piece, layer it or do some tweaking to make it demand more attention. A good relaxing piece though, and it took you less time to make than for me to beat the game (platformer problems!). Good work here.

Hype hype hype. I can't wait for the voting to be done so I can start verbalizing my obsessing over all these songs. Also, I find it coincidentally great that both Rundas and Gandrayda got mixes. Makes me wish I did Ghor's, so we could cover all the hunters.

No! Stick around, please. I'm flattered, but I understand. It is intimidating to have your work standing with other mixers. Comparison is rarely kind. Last year, I worked with Wassup T to make something for the OCR Christmas album. We had fun, but there is/was some seriously impressive stuff there. But please, don't let the comparison stop you from mixing. Keep moving forward, make new songs, learn little by little. You'll keep getting better.

Tossed in a mix. Good to see it's in great company.

We are all looking forward to Rundas a la HoboKa. If it wasn't a bonus entry, I'd have to vote it 1st out of principle XD This is going to be a round to remember, methinks.

Lo-fi Cannonball? My horizons are expanded. It works far better than I expected, too. My first thought is that the lead synth is a bit sharp, but I am not really familiar with the genre. This thing is groovy, a bit head-bobbin', and fun to listen to. Nice work!

I don't know the source, but this is a sweet piece. The slightly muted piano creates a lovely, warm atmosphere. I particularly enjoyed the woodwinds. I'm hard pressed to find things to critique, but if you spend any amount of time in the workshop, you'll learn that's pretty common for me. Still. You made something good here, keep it up.

Julien! Good to hear your work here again. This thing takes the listener by storm, gives me a combination of vibes from Mega Man X and Tales of Symphonia (is that weird? That's kinda weird.) Stellar performance. You did good with those variating segments (organs, harpsichords, oh my!), it nicely breaks up the soundscape of the guitars and synths. Perhaps it is an element of the genre, but I wonder if it may be beneficial to try changing the guitar's sound through the piece, as it is fairly consistent all the way through (the actual timbre, not performance. I like the performance.) The mid-high favoring lead is slammin, but it does hang around that mid-high for most of the piece. Maybe there's a segment that could do well with a lower tone (drop an octave, EQ the 'tar to favor more towards the mid for a part, something like that.) Of course, I'm about as much an authority on guitars as Aristotle was. Still an awesome piece, go get yourself a milkshake. Or smoothie or something.

Aw, thanks! I was experimenting with reverb back in these days, hence the echoing glock (and half of the other instruments.) I was playing Radiant Historia at the time, and it's soundtrack goaded me to try something a little cosmic.

This is elegantly dreary. Brings to mind a cold, rainy fall, where the bright colors are all dimmed so you can better enjoy a low mood. And maybe a hot beverage. I'm digging how delicately the source's melody manifests, letting somber atmosphere fill in all the gaps. Nice work!

This was my first attempt at original music almost a year ago. I want to remaster it, and would appreciate any outside critiques that my biased ears are probably tuning out. Thanks for the listen!

I've been tinkering with the keyswitch functions of Eastwest, been hoping to get a midi keyboard in the near future. Yeah, I'm an FL user too. I'll take another look at finding that dang mod wheel again, maybe it will help.

Appreciate that catch, I've been having a hard time making things more... organic. Maybe I'll get better at it this pass. It's probably all over. I use Eastwest's Symphonic Orchestra, mostly. Got the strings, piano, and oboe from there, plus an Irish Low Whistle from Ra and the Bawu from Silk (both Eastwest.) Thanks for the listen!

This has been a really fun song to work with. Looking forward to hearing ya'll's takes on it.