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Posts posted by DarkeSword
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I'm going to fall in line with Larry and MW here. It's not a bad piece, but I'm not seeing the significant transformation required to justify the sampling.
NO
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I think the concerns here might be a little too nitpicky. I think this is a great arrangement and an nice combination of the sources. It doesn't follow an ABA kind of form but sometimes that's alright. The transitions aren't jarring at all. I like this. Let's goooo~
YES
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Me too!
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Folks, I've put together some sigs for everyone using the new logo. The sigs are for your squad, they don't have your name on them, but that's okay because your name is on your posts. xD
They're available here; just grab the file for your squad and host it somewhere and you should be good to go!
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Folks, I've adjusted the schedule for the competition a little bit. I've added two Breaks to the competition, each occurring after a Boss Battle round. In the last compo I ran, the SFRG, some competitors expressed some fatigue at going full bore for the 9 weeks of the competition. Also, certain mechanics of the competition depend on the outcome of the boss battles, so we can't actually push forward with the competition until voting is complete. During the week-long breaks, I think it would be good for people to revisit tracks from the previous four rounds and do some reviews and give constructive feedback, especially for tracks on from opposing teams.
- Dewey Newt and Jorito
- 2
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We have a logo.
Sigs are coming soon. They'll be customized down to the squad, not the remixer.
- Dewey Newt, Starphoenix and Thirdkoopa
- 3
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Folks, here's some advice related to combining two sources together that I wrote in a different thread.
QuoteOne thing I notice people getting overthinking in the compos is figuring out the keys of the tracks they have to arrange together. In my opinion (as the guy that conceived the source-versus-source style compo), figuring out the actual key is far less important than figuring out the mode, regardless of what the tonic is. It doesn't matter if one of the sources is in Bb Minor and the other is in F Minor. The Bb and the F don't matter. What matters is that the two tracks are in the Aeolian mode (aka natural minor). When the mode is common, it's incredibly easy to make the sources work together with each other, you just transpose the material from the sources (melody, chord progression, etc.) into a common key, like C minor or something.
It gets tougher when you have something like Ionian (aka major scale, e.g. C major) and Aeolian (e.g. D minor) sources being combined. Now you have to think about how you want to push them together. Do you flat the third, sixth, and sevenths of the Ionian source's melody so that it's Aeolian now (i.e. play a C major song in C minor) and then transpose to a common key? Do you keep the Ionian source Ionian (e.g. C major) and shift the tonic of the Aeolian source down to the relative minor (i.e. A minor)? These are options and techniques you can use to push two different sources together and keep them from clashing.
Remember, you can write an arrangement in any key you want. A song can be played with any note as the tonic. Think about the classic Star Wars melody:
G, D, C B A G, D
Except you shouldn't think of it that way. You should think of it as:1, 5, 4 3 2 8, 5
Where 1 is any of the twelve notes.
C, G, F E D C, G
Bb, F, Eb D C, Bb, F
You see what I'm getting at? Worry less about the tonic and more about the intervals and relationships between the notes and where they fall in the scale. When you start thinking about melodies and chords that way, one of the barriers to doing multi-source arrangements disappears.
- WiFiSunset, Thirdkoopa, Dewey Newt and 5 others
- 8
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I'll see if I can put together some team banners. I'm still working out the look of the competition.
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What style do you have in mind for Faris?
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First post has been updated. Signups are open. If I don't know your music I'll need an audition sketch in the style specified so that I know you can deliver.
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On 2/4/2017 at 6:33 AM, MysticHarley said:
My apologies for basically replying to a 4 year old thread but the download links for the 2013 Remix gauntlet don't appear to be working, I was wondering if it was possible to have another link for them?
Looks like the links got all donked up in the forum conversion. I need to put together a proper "release" of WCRG2013. I'll try to get this done this week.
Anyway the links in the first post should be fixed, but they'll be replaced later with one link.
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Alright, looks like Kapden didn't check in. The spot goes to @Jorito!! Teams are filled, all remixers have checked in. Make sure you head over to your clubhouses on Discord and get those source selections and squad rosters to me by Friday!
- Dewey Newt, Yami and Jorito
- 3
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Folks: a lot of the team discussion for this competition is going to happen in the Discord channels. Make sure you're idling and/or making yourself available to your teammates via that service. Discord has very good smartphone clients and custom alert settings. I would suggest using this thread here on the forums to coordinate team meetings on Discord.
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@MegaDrive has checked in on Discord. If I don't hear from @Kapden today, @Jorito has offered to fill his spot.
Once the teams are finalized here's what you need to do:
- Teams must assign one source from the source list for their team to each team member. There are 11 sources available to assign to 9 people (the 2 extra are to give people more of a choice). The source you're assigned will be your source throughout the duration of the competition.
- Teams must divide into three 3-man squads.
- Teams must provide me with a schedule of remixers for the next three rounds. Each squad will have one person remixing each round.
Here's an example:
| Squad A | Squad B | Squad C | Round 1 | Rock | Kalinka | Blues | Round 2 | X | Roll | Zero | Round 3 | Volnutt | Alia | Chaud |
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A decent if standard gacha game. Art and interface are nice, good gameplay but some battles can be tough; becomes grindy early on.
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If I don't hear from @Kapden or @MegaDrive by the end of the day I think we'll need to search for some replacements.
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23 minutes ago, MegaSonic said:
I actually used to post poetry on a site for sharing literary works. At one time my more popular ones were read over a few thousand times without any publicity and seemed well received, including a couple of my game inspired poems. However, it's been a few years now since I've really been active there. I probably should have stayed active because then the number of reads would be much higher by now. Apparently, a few people who got started on the site have been moderately successful in selling, but those were mostly novels. I should probably pop over there and see what their thoughts are too.
I think there's a hug gap to cross from poetry that people enjoy reading to poetry that people are willing to buy. Even if a lot of people read it, that doesn't mean anyone would buy it.
Sure, but what I'm saying is that if you build your identity as a "Video Game Poet" and start producing and providing that content for gamers, you'll have a brand that you'll be able to leverage. If you cultivate a following in gamer circles (as opposed to poetry circles), then you can use that to your advantage. Gamers can be very passionate and ardent supporters of this kind of thing.
Also, don't think of it as selling poetry, think of it as selling stuff for gamers. Gamers love spending money on physical goods. If you're gonna sell a book of video game poetry, it's the quality of the book that's going to really sell it.
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@Trism has checked in on Discord. Waiting for @Kapden, @Thirdkoopa, and @MegaDrive.
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I think that instead of publishing in book form, publish on a blog, maybe one every couple of days. Start a tumblr and promote the hell out of it. Build up a following and a fanbase for this kind of thing. When you think you have a good base of readers, maybe go Kickstarter or talk to a small press publisher. The idea is good but the market's pretty niche; you ought to cultivate an audience before trying to sell anything.
Also I would recommend not posting the poems on your blog as text, but as an image with your pen name included. That way when it gets reblogged or shared the accreditation isn't lost.
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There's more meat to the MM10 versions, which is why I picked them. Wandering Travelers is included because it's essentially a "character" theme for the group and helps bring the Knights' source options count up to 11.
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Source lists for each team are up. There are 11 tracks to choose from for each team.
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Waiting for @Kapden, @Thirdkoopa, @Trism, and @MegaDrive
OCR03540 - *YES* Super Castlevania 4 "Selva Oscura" *PROJECT*
in Judges Decisions
Posted
Not hearing any dealbreakers in here. Pretty rockin' arrangement. Nice performances and good production. YES!