prophetik music Posted May 26, 2009 Share Posted May 26, 2009 has anyone ever done anything like this? i've been getting into single-synth remixing a lot lately because it forces me to get creative and not just do everything in a rut. using just one synthesizer and completely exploring the tonal capabilities of it have really expanded my flexibility, i think. it's pretty fun. i've done tracks using NI's Massive and Absynth, Rob Papen's Blue, and i'm thinking about digging into Omnisphere some this time around for my next one. anyone else ever did anything like this? Quote Link to comment Share on other sites More sharing options...
Cerrax Posted May 26, 2009 Share Posted May 26, 2009 I've always wanted to try this. It would be quite a challenge. I'm thinking about starting up LDJ in Visual Boy Advance and recording some stuff. Or maybe try something with Logic's ES1 or ESP synth. Maybe even get crazy and go the Sega Genesis route and use the EFM1. You could even get really creative and load a single sample into a sampler and use that. Quote Link to comment Share on other sites More sharing options...
Mustin Posted May 26, 2009 Share Posted May 26, 2009 Uh, a lot of people do things like this? That's why they make keyboards with sequencers? The tough thing is like that Cerrax said - load in a single sample and use just THAT to make a track. Ask Mazedude about that. Quote Link to comment Share on other sites More sharing options...
zircon Posted May 26, 2009 Share Posted May 26, 2009 Yeah, single-sample stuff is very tricky.. I've heard it done and it's just crazy, especially when you work in processing and granular synthesis. Single-synth isn't impressive if it's a ROMpler/sampler BUT if you're talking about just a simple subtractive or additive synth, that can be cool. For example, doing a whole track with just Synth1 or even Zebra 2 would be very impressive, since you have to synthesize all your percussion. Quote Link to comment Share on other sites More sharing options...
prophetik music Posted May 26, 2009 Author Share Posted May 26, 2009 Uh, a lot of people do things like this? That's why they make keyboards with sequencers?The tough thing is like that Cerrax said - load in a single sample and use just THAT to make a track. Ask Mazedude about that. no, you're not understanding what i'm talking about. not a hardware synth, like a keyboard or something. a software synth, reason's Maelstrom or FL's Sytrus. ok, sytrus would be easier than maelstrom, but you get the picture. the whole point is doing everything - drums, bass, pads, everything - using different instances of the same synth. edit: yeah, zircon, that's what i'm talking about. like Blue v1.01, for example - that kind of stuff. Quote Link to comment Share on other sites More sharing options...
Rozovian Posted May 26, 2009 Share Posted May 26, 2009 I have a remix in the tbp queue that's synth only, another synth-only that was recently subbed. Making your own percussion with synths is fun, and a great way to learn how the synth works... and what the sounds are made of. I did use multiple synths, tho. Quote Link to comment Share on other sites More sharing options...
OverCoat Posted May 26, 2009 Share Posted May 26, 2009 i've done this before http://soundtempest.net/soc/single/oc-mickrip-ProcessorsDontWorkLikeThat.mp3 ^ 1 Sample http://soundtempest.net/soc/single/oc-swellsbeck.mp3 ^ emulating the limitations of the Sega Genesis, all VOPM except for the sampled+bitcrushed drums Quote Link to comment Share on other sites More sharing options...
PhiJayy Posted May 26, 2009 Share Posted May 26, 2009 For example, doing a whole track with just Synth1 or even Zebra 2 would be very impressive, since you have to synthesize all your percussion. Tricky stuff, man. I attempted to do that once, I didn't like it. Mainly because I'm way too lazy. DRUM SAMPLES FOR LIFE!!! Quote Link to comment Share on other sites More sharing options...
OverCoat Posted May 26, 2009 Share Posted May 26, 2009 I made an all Synth1 song but it's not very good lol Quote Link to comment Share on other sites More sharing options...
Gario Posted May 26, 2009 Share Posted May 26, 2009 I love single-synth music - it really pushes the limits of what you can do on something musically. Chiptune writing (real chiptune writing, not the sound-alikes) is close to this, although you've got four channels to work with... It's always fun doing things like that - it pushes your skills as a composer, for sure. Quote Link to comment Share on other sites More sharing options...
Dafydd Posted May 26, 2009 Share Posted May 26, 2009 I did try to make a remix using only the Reason Subtractor synth, including drums and everything. I did use some additional effects (reverb etc) though, as well as a sample that only serves as an intro. Here's a link, in case you're interested: http://www.dafydd.se/wip/Dafydd - WiP - Grand Prix Circuit.mp3 Quote Link to comment Share on other sites More sharing options...
OceansAndrew Posted May 26, 2009 Share Posted May 26, 2009 Mazedude has a single sine wave mix on the FF4 project that is excellent. Quote Link to comment Share on other sites More sharing options...
SenPi Posted May 26, 2009 Share Posted May 26, 2009 Bah not a very good video, but may I present 100% Minimoo-g by Sota Fujimori p.s. I assume by the name (i.e. 100% minimoog) it means everything was made with just a minimoog.) Quote Link to comment Share on other sites More sharing options...
Dafydd Posted May 26, 2009 Share Posted May 26, 2009 Who needs drum samples when you can slam the buttons on a keyboard? Quote Link to comment Share on other sites More sharing options...
prophetik music Posted May 26, 2009 Author Share Posted May 26, 2009 the minimoog is my favorite synth. got a chance to hang out with herb deustch a year or two ago and play his personal mini. pretty awesome time. Quote Link to comment Share on other sites More sharing options...
Sole Signal Posted May 26, 2009 Share Posted May 26, 2009 Bustatunez sent me this a while ago; the artist used 100% Synth1 for the track. Very impressive. www.audixmusic.com/Kaiyoti_-_Army_of_Synth1.mp3 Quote Link to comment Share on other sites More sharing options...
prophetik music Posted May 26, 2009 Author Share Posted May 26, 2009 page not found error. Quote Link to comment Share on other sites More sharing options...
Sole Signal Posted May 26, 2009 Share Posted May 26, 2009 For some reason it didn't recognize the whole link. Should work now. Quote Link to comment Share on other sites More sharing options...
prophetik music Posted May 26, 2009 Author Share Posted May 26, 2009 holy crap! this is awesome! Quote Link to comment Share on other sites More sharing options...
Nase Posted May 26, 2009 Share Posted May 26, 2009 Yeah, Kayoti's stuff is pretty inspiring. I tried to synthesize acoustic sounding stuff in synth1 a bit after I'd found his work. I imagine it takes a good while to get to his level of knowledge about something like synth1. I didn't get anything very realistic sounding, but still got some fun patches out of it. This one's 100% synth1 for example. http://tindeck.com/listen/xkso Shame I didn't know how to do a proper Orchestral sounding snare back then. Kayoti explained to me how to do a pretty convincing one. Part of the secret is using synth1's fx section and eq as a solid part of the synth instead of just adding sprinkles on top of the raw sound. Quote Link to comment Share on other sites More sharing options...
analoq Posted May 27, 2009 Share Posted May 27, 2009 has anyone ever done anything like this? Tons of music has been made this way. One of the most successful "classical music" albums was done this way, back in the late 60s, Switched-On Bach. If you're interested in this sort of thing check out Isao Tomita's stuff from the 70s, like Holst's Planets suite recorded from effectively a single synth. Mazedude has a single sine wave mix on the FF4 project that is excellent. Stockhausen did that back in the 50s. Well, minus the FF4. Quote Link to comment Share on other sites More sharing options...
zircon Posted May 27, 2009 Share Posted May 27, 2009 Bustatunez sent me this a while ago; the artist used 100% Synth1 for the track. Very impressive. www.audixmusic.com/Kaiyoti_-_Army_of_Synth1.mp3 Haha yes, this is an EXCELLENT example of excellent "one synth" (Synth1 lololol) music. To be fair, analoq, stuff like "Switched on Bach" was basically just playing back classical music on synthesizers with no attempt at emulating the tone of particular instruments accurately. While I appreciate that music (my Dad has it on vinyl) and while I can appreciate the experimentation of composers like Stockhausen, the latter's works are so mind-numbingly unpleasant to listen to, I find things like "Army of Synth1" much more interesting. The composition isn't outstanding from an academic perspective, perhaps, but the synthesis involved is far superior. Quote Link to comment Share on other sites More sharing options...
analoq Posted May 27, 2009 Share Posted May 27, 2009 To be fair, analoq, stuff like "Switched on Bach" was basically just playing back classical music on synthesizers with no attempt at emulating the tone of particular instruments accurately. If you want imitative synthesis, check out Tomita. The great thing about Switched-On Bach was that instead of having flimsy imitations of acoustic instruments, it reproduced works by Bach with new sounds. That's far more interesting, in my opinion. Quote Link to comment Share on other sites More sharing options...
zircon Posted May 27, 2009 Share Posted May 27, 2009 At the time, sure, but it's interesting now mainly as a historic work... since anyone can do it with a MIDI and free VSTs. Kind of like how we can look back on the printing press and admire the genius that went into inventing it, but you wouldn't use a 15th century printing press for any modern purposes. Likewise I don't find that more interesting to listen to now than advanced synthesis techniques of composers today. Also, I haven't heard that much Tomita but from what has been sent to me, it's a bit dull. A lot of it is obviously 'synthy' and not imitative. Again, just check out that Army of Synth1 thing. I've NEVER heard anyone do that with subtractive synthesis - it's absolutely nuts, pure skill of the highest order. I simply can't believe that was done with sines, triangles, saws, squares, and noise in a simple Nord Lead emulator. There's also this, an excerpt of a Beethoven symphony played through custom MinimoogV patches (no samples, of course.) Quote Link to comment Share on other sites More sharing options...
analoq Posted May 27, 2009 Share Posted May 27, 2009 At the time, sure, but it's interesting now mainly as a historic work... since anyone can make a shit imitation of Switched-On Bach with a MIDI and free VSTs. Fixed that for you. The skilled performance and sound design of Switched-On Bach is beyond what any amateur is capable of. Even if you took away the synth, it is still a good Bach performance. Again, just check out that Army of Synth1 thing. I've NEVER heard anyone do that with subtractive synthesis - it's absolutely nuts, pure skill of the highest order. You obviously haven't heard much of Tomita's stuff if you think this. Quote Link to comment Share on other sites More sharing options...
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