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Posted

Horray, my old name is in a write up

Yeah, when I first heard this on piano I LOVED it. It's a direction I don't think we hear enough of in the remix community. It's minimal, it's full of emotion and it's easily my favorite take on the Brambles theme

You're a champion for this one

Posted

A beautiful and unique take on a source that is pretty tough to remix due to it being amazing amazing amazing amazing. But I think it's safe to say you've taken it in a new and interesting direction.

It's kinda slowish though and empty at times? But I like that. It makes it more somber and more minimalist and stuff.

Gooooood stuffs.

Posted

It took me quite a while to even realize this was Stickerbush Symphony.

I went back and listened to it again afterward, though. I liked it quite a bit. With it being so slow, though, it almost seems... short, you know?

Posted

I love this one. It's sad and gentle. It has a restained feel similar to Infinite Natalie by Shnabubula. It is not underdeveloped at all.

I really like the way how the piano is upfront and strings in the first part, and oboe throughout, are distant. It works really, really well. Oboe is stiffer than it should in a perfect world be, especially in the end, which is a bit unfortunate, as it leaves an "aftertaste". Regardless, I'm extremely glad this passed, I enjoy it very much.

--Eino

Posted

Ah man the more I listen to this the more I love it. It has a very strong emotional character. I only wish the string parts were played live...that would have been killer. I still think the string samples used fit the emotional quality of the mix. Def worth the wait for hearing this one.

Posted

Yesterday was a pretty crappy day for me. We all have those... I only heard this track late at night. It had a catartic effect on me, and I felt a lot better afterwards. Thanks for that.

In another angle, It really reminded me of some of "Legend of Legaia"'s darkest tracks.

In short, I really liked it.

Posted

Ahhh the piano in the beginning is so nice, but the synthesized brass and strings seemed a little out of place. The piece over all though is really great though, I really did enjoy it. I wish it were live instruments, but I guess you can't always have that.

Nicely done!

Posted

Words cannot describe the appreciation I have for this song. Something about it makes me very nostalgic. It's not saddening but somewhat uplifting. The brass and strings, in my opinion, adds to the emotion the song brings out. Overall this piece is amazing and I can't really say I hated anything about it. Loved it!

Posted

for some reason, I loved the intro. Loved loved loved loved loved it. So very dark and simple and deep. Couldn't really figure out why, and then I figured it out.

Quite similar to Galamb Egyedül, with a little change of direction.

thumbs up hhhhhhhhhhhhhhhhhhhhhhh

Posted

Wow, this is really nice! I don't have a problem with the sample quality so much as the dynamics - the fact that once the instrument hits a note it stays the same volume for the duration of the note. I think all this really needed was dynamics - crescendos and decrescendos.

And being a fan of Philip Glass, I don't really see the comparison, but at times this can evoke the same sort of "mood" some of Glass' darker pieces stir up from within.

So great work to you. Glad I got to hear it!

  • 2 months later...
Posted

It's cool to hear my beloved plink plink- plink plink ploonk turned into something so legato. I think a little humanization on some of the orchestra elements would have made this into something really outstanding, though as is, it is very good. Just some vibrato on the sustained notes, and as Mustin pointed out, some additional dynamics.

I think even an additional minute would have been welcome, it seems like it ends too soon. Very nice stuff, however.

  • 5 months later...
Posted

Hold on, I need to cry here...

(murders keyboard with tears)

Yeah, this is just so saddening. It reminds me of the people in my family who have died.

Thank you. Thank you so much.

  • 7 months later...
Posted

Slow, dark and melodicly beautiful. This paints the picture of a funeral perfectly, and while I'm not sure that should be a good thing, it's a great thing here. Well done, loved every second!

  • 1 month later...
Posted

This one definitely feels like a funeral march in the rain, you captured that utterly-somber essence perfectly. I agree that this could have really benefitted from a live performance on the other instruments, but I think the piano is enough to carry this one on its own. It's nice to see a less-conventional Stickerbrush Symphony remix on the site - as great as the source tune is, I definitely think it could stand to get a more liberal approach taken, and that's exactly what was done here!

Posted

Whoa....

The atmosphere is so thick I could cut it with a knife; oh how I love it, lol. ^_^

I keep thinking of something like a nighttime Japanese marsh in the rain with a lone lantern stuck on a pole, something from a Hayao Miyazaki film, whenever I listen to this.

The laborious effort in this mix astounds me; it feels so wonderfully weighty.

This is one of those rare mixes that is so unique that you will most likely never find another like it; go check it out.

  • 11 months later...
  • 1 year later...
Posted

Now here's a different take on Stickerbrush!

As has been mentioned already, some humanization on the orchestral elements would help this song a lot. Otherwise, this is a novel take on what is otherwise a more upbeat song. The execution is mostly there, although I feel it is a little on the short side & would have liked to hear more.

Not a bad take though!

  • Liontamer changed the title to OCR01725 - Donkey Kong Country 2 "Lanterns"

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